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Materials & Techniques wove paper

Height [cm] 15

Subject Terms literary theme

Francis Danby Oberon and Titania

Francis Danby, 1793–1861

Oberon and Titania

1837

William Blake Chapter III, "As the stars are apart from the earth..." (Plate 7)

Print made by William Blake, 1757–1827

Chapter III, "As the stars are apart from the earth..." (Plate 7)

1794

William Blake Urizen (Plate 8)

Print made by William Blake, 1757–1827

Urizen (Plate 8)

1794

William Blake Chapter IV, "Ages on ages roll'd over him..." (Plate 9)

Print made by William Blake, 1757–1827

Chapter IV, "Ages on ages roll'd over him..." (Plate 9)

1794

William Blake Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)

Print made by William Blake, 1757–1827

Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)

1794

William Blake Urizen (Plate 14)

Print made by William Blake, 1757–1827

Urizen (Plate 14)

1794

William Blake Chapter V, "The globe of life blood trembled..." (Plate 15)

Print made by William Blake, 1757–1827

Chapter V, "The globe of life blood trembled..." (Plate 15)

1794

William Blake Title Page, The First Book of Urizen (Plate 1)

Print made by William Blake, 1757–1827

Title Page, The First Book of Urizen (Plate 1)

1794

William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)

Print made by William Blake, 1757–1827

Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)

1794

William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 10)

Print made by William Blake, 1757–1827

Chapter IV, "From the caverns of his jointed spine..." (Plate 10)

1794

William Blake From a Globe of Blood Rises Enitharmon (Plate 16)

Print made by William Blake, 1757–1827

From a Globe of Blood Rises Enitharmon (Plate 16)

1794

William Blake Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)

Print made by William Blake, 1757–1827

Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)

1794

William Blake Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)

Print made by William Blake, 1757–1827

Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)

1794

William Blake Urizen (Plate 22)

Print made by William Blake, 1757–1827

Urizen (Plate 22)

1794

William Blake Praying Child and Howling Dog (Plate 24)

Print made by William Blake, 1757–1827

Praying Child and Howling Dog (Plate 24)

1794

William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

Print made by William Blake, 1757–1827

III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

1789

William Blake "Los howld in a dismal stupor..." (Plate 10)

Print made by William Blake, 1757–1827

"Los howld in a dismal stupor..." (Plate 10)

1794

William Blake Los Falls through Fire (Plate 21)

Print made by William Blake, 1757–1827

Los Falls through Fire (Plate 21)

1794

William Blake Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)

Print made by William Blake, 1757–1827

Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)

1794

William Blake Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)

Print made by William Blake, 1757–1827

Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)

1794

William Blake Chapter IX, "They lived a period of years..." (Plate 27)

Print made by William Blake, 1757–1827

Chapter IX, "They lived a period of years..." (Plate 27)

1794

William Blake The First Book of Urizen, Plate 28 (Bentley 27)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 28 (Bentley 27)

1794

William Blake The First Book of Urizen, Plate 4 (Bentley 24)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 4 (Bentley 24)

1794

William Blake Chapter II, "Muster around the bleak desarts..." (Plate 6)

Print made by William Blake, 1757–1827

Chapter II, "Muster around the bleak desarts..." (Plate 6)

1794

William Blake "In living creations appear'd..." (Plate 8)

Print made by William Blake, 1757–1827

"In living creations appear'd..." (Plate 8)

1794

William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

Print made by William Blake, 1757–1827

III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

1789

William Blake Chapter IV, "Ages on ages roll'd over him..." (Plate 13)

Print made by William Blake, 1757–1827

Chapter IV, "Ages on ages roll'd over him..." (Plate 13)

1794

William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 14)

Print made by William Blake, 1757–1827

Chapter IV, "From the caverns of his jointed spine..." (Plate 14)

1794

William Blake Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)

Print made by William Blake, 1757–1827

Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)

1794

William Blake "They call'd her Pity, and fled..." (Plate 19)

Print made by William Blake, 1757–1827

"They call'd her Pity, and fled..." (Plate 19)

1794

William Blake Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)

Print made by William Blake, 1757–1827

Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)

1794

William Blake The First Book of Urizen, Plate 23 (Bentley 9)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 23 (Bentley 9)

1794

William Blake "The Ox in the slaughter house moans..." (Plate 26)

Print made by William Blake, 1757–1827

"The Ox in the slaughter house moans..." (Plate 26)

1794

William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)

Print made by William Blake, 1757–1827

Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)

1794

William Blake From a Globe of Blood Rises Enitharmon (Plate 11)

Print made by William Blake, 1757–1827

From a Globe of Blood Rises Enitharmon (Plate 11)

1794

William Blake Chapter IV, "Los smitten with astonishment..." (Plate 12)

Print made by William Blake, 1757–1827

Chapter IV, "Los smitten with astonishment..." (Plate 12)

1794

William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

Print made by William Blake, 1757–1827

I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

1789

William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)

Print made by William Blake, 1757–1827

II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)

1789

William Blake "In living creations appear'd..." (Plate 6)

Print made by William Blake, 1757–1827

"In living creations appear'd..." (Plate 6)

1794

William Blake Chapter IX, "They lived a period of years..." (Plate 25)

Print made by William Blake, 1757–1827

Chapter IX, "They lived a period of years..." (Plate 25)

1794

William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

Print made by William Blake, 1757–1827

Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

1789

William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

Print made by William Blake, 1757–1827

III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

1789

William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)

Print made by William Blake, 1757–1827

II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)

1789

William Blake Title Page, The Book of Thel (Plate 2)

Print made by William Blake, 1757–1827

Title Page, The Book of Thel (Plate 2)

1789

William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

Print made by William Blake, 1757–1827

III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

1789

William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

Print made by William Blake, 1757–1827

I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

1789

Julius Caesar Ibbetson Title page for "The Guardian"

Julius Caesar Ibbetson, 1759–1817

Title page for "The Guardian"

undated

George Cruikshank London. A Street: 'Henry IV Part II,' Act II, Scene I

Print made by George Cruikshank, 1792–1878

London. A Street: 'Henry IV Part II,' Act II, Scene I

after 1857

William Miller Loch Achray

Print made by William Miller, 1796–1882

Loch Achray

1834

George Cruikshank Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

Print made by George Cruikshank, 1792–1878

Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

1839

George Cruikshank The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

Print made by George Cruikshank, 1792–1878

The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

1839

George Cruikshank Mr. Wood Offers to Adopt Little Jack Sheppard

Print made by George Cruikshank, 1792–1878

Mr. Wood Offers to Adopt Little Jack Sheppard

1835

George Cruikshank The Murder on the Thames

Print made by George Cruikshank, 1792–1878

The Murder on the Thames

1839

George Cruikshank Mrs. Sheppard Expostulating with her Son

Print made by George Cruikshank, 1792–1878

Mrs. Sheppard Expostulating with her Son

1839

George Cruikshank Jack Sheppard Accuses Thames Darrell of the Theft

Print made by George Cruikshank, 1792–1878

Jack Sheppard Accuses Thames Darrell of the Theft

1839

George Cruikshank Jack Sheppard Gets Drunk and Orders his Mother off

Print made by George Cruikshank, 1792–1878

Jack Sheppard Gets Drunk and Orders his Mother off

1839

George Cruikshank Audacity of Jack Sheppard

Print made by George Cruikshank, 1792–1878

Audacity of Jack Sheppard

1839

George Cruikshank Jack Sheppard Committing the Robbery in Willesden Church

Print made by George Cruikshank, 1792–1878

Jack Sheppard Committing the Robbery in Willesden Church

1839

George Cruikshank Jack Sheppard and Blueskin in Mr. Woods Bedroom

Print made by George Cruikshank, 1792–1878

Jack Sheppard and Blueskin in Mr. Woods Bedroom

1839

Edward Goodall Carlisle

Print made by Edward Goodall, 1795–1870

Carlisle

1834

John Pye Junction of the Greta and the Tees

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

William Miller Dryburgh Abbey

Print made by William Miller, 1796–1882

Dryburgh Abbey

1834

William Miller Berwick-upon-Tweed

Print made by William Miller, 1796–1882

Berwick-upon-Tweed

1834

William Miller Berwick-upon-Tweed

Print made by William Miller, 1796–1882

Berwick-upon-Tweed

1834

Edward Goodall Carlisle

Print made by Edward Goodall, 1795–1870

Carlisle

1834

John Pye Junction of the Greta and the Tees

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Robert Smirke Ford in a Rage After Seeing Falstaff

Robert Smirke, 1752–1845

Ford in a Rage After Seeing Falstaff

1821

Robert Smirke Stephano and Trinculo with Caliban

Robert Smirke, 1752–1845

Stephano and Trinculo with Caliban

1821

Edward Goodall Carlisle

Print made by Edward Goodall, 1795–1870

Carlisle

1834

William Miller Dryburgh Abbey

Print made by William Miller, 1796–1882

Dryburgh Abbey

1834

John Pye Junction of the Greta and the Tees

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

William Miller Berwick-upon-Tweed

Print made by William Miller, 1796–1882

Berwick-upon-Tweed

1834

John Pye Junction of the Greta and the Tees

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Edward Goodall Carlisle

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Robert Smirke Falstaff Instructing Bardolph

Robert Smirke, 1752–1845

Falstaff Instructing Bardolph

1825

Robert Smirke Ferdinand Reunited with his Father

Robert Smirke, 1752–1845

Ferdinand Reunited with his Father

1821

William Miller Dryburgh Abbey

Print made by William Miller, 1796–1882

Dryburgh Abbey

1833

Francesco Bartolozzi Miss Anna Brunton

Print made by Francesco Bartolozzi, 1728–1815

Miss Anna Brunton

1785

William Miller Dryburgh Abbey

Print made by William Miller, 1796–1882

Dryburgh Abbey

1834

Edward Goodall Carlisle

Print made by Edward Goodall, 1795–1870

Carlisle

1834

John Pye Junction of the Greta and the Tees

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

William Miller Berwick-upon-Tweed

Print made by William Miller, 1796–1882

Berwick-upon-Tweed

1834

Abraham van Diepenbeeck Doctor Ass (A Satire on the Law)

Abraham van Diepenbeeck, 1596–1675

Doctor Ass (A Satire on the Law)

undated