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Materials & Techniques wove paper

Height [cm] 14

Classification Prints

Vanessa Bell The String Quartet

Print made by Vanessa Bell, 1879–1961

The String Quartet

1921

Vanessa Bell An Unwritten Novel

Print made by Vanessa Bell, 1879–1961

An Unwritten Novel

1921

Vanessa Bell A Haunted House

Print made by Vanessa Bell, 1879–1961

A Haunted House

1921

Samuel Palmer The Morning of Life

Print made by Samuel Palmer, 1805–1881

The Morning of Life

1860-1861

Samuel Palmer The Morning of Life

Print made by Samuel Palmer, 1805–1881

The Morning of Life

1860-1861

William Blake What is Man!, Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

What is Man!, Frontispiece (Plate 1)

1793

William Blake I Found Him Beneath a Tree (Plate 3)

Print made by William Blake, 1757–1827

I Found Him Beneath a Tree (Plate 3)

1793

William Blake Water (Plate 4)

Print made by William Blake, 1757–1827

Water (Plate 4)

1793

William Blake The Traveller Hasteth in the Evening (Plate 16)

Print made by William Blake, 1757–1827

The Traveller Hasteth in the Evening (Plate 16)

1793

William Blake I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)

Print made by William Blake, 1757–1827

I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)

1793

William Blake Fire (Plate 7)

Print made by William Blake, 1757–1827

Fire (Plate 7)

1793

William Blake At Length for Hatching Ripe He Breaks the Shell (Plate 8)

Print made by William Blake, 1757–1827

At Length for Hatching Ripe He Breaks the Shell (Plate 8)

1793

William Blake I Want! I Want! (Plate 11)

Print made by William Blake, 1757–1827

I Want! I Want! (Plate 11)

1793

William Blake Alas! (Plate 9)

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1793

William Blake Help! Help! (Plate 12)

Print made by William Blake, 1757–1827

Help! Help! (Plate 12)

1793

William Blake My Son! My Son! (Plate 10)

Print made by William Blake, 1757–1827

My Son! My Son! (Plate 10)

1793

William Blake Aged Ignorance (Plate 13)

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1793

William Blake Earth (Plate 5)

Print made by William Blake, 1757–1827

Earth (Plate 5)

1793

William Blake Death's Door (Plate 17)

Print made by William Blake, 1757–1827

Death's Door (Plate 17)

1793

William Blake Title Page, Visions of the Daughters of Albion (Plate 2)

Print made by William Blake, 1757–1827

Title Page, Visions of the Daughters of Albion (Plate 2)

1793

William Blake Title Page, For Children. The Gates of Paradise (Plate 2)

Print made by William Blake, 1757–1827

Title Page, For Children. The Gates of Paradise (Plate 2)

1793

William Blake Air (Plate 6)

Print made by William Blake, 1757–1827

Air (Plate 6)

1793

William Blake Fear & Hope Are -- Vision (Plate 15)

Print made by William Blake, 1757–1827

Fear & Hope Are -- Vision (Plate 15)

1793

William Blake Does Thy God O Priest Take such Vengeance as This? (Plate 14)

Print made by William Blake, 1757–1827

Does Thy God O Priest Take such Vengeance as This? (Plate 14)

1793

William Blake Chapter III, "As the stars are apart from the earth..." (Plate 9)

Print made by William Blake, 1757–1827

Chapter III, "As the stars are apart from the earth..." (Plate 9)

1794

William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

Print made by William Blake, 1757–1827

IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

1789

William Blake Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

Frontispiece (Plate 1)

ca. 1788

William Blake I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)

Print made by William Blake, 1757–1827

I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)

ca. 1788

William Blake II. "Reason or the ratio of all we have already known..." (Plate 11)

Print made by William Blake, 1757–1827

II. "Reason or the ratio of all we have already known..." (Plate 11)

ca. 1788

William Blake The Argument. "Man has no notion of moral fitness..." (Plate 2"

Print made by William Blake, 1757–1827

The Argument. "Man has no notion of moral fitness..." (Plate 2"

ca. 1788

William Blake I. "Man cannot naturally Percieve..."(Plate 3)

Print made by William Blake, 1757–1827

I. "Man cannot naturally Percieve..."(Plate 3)

ca. 1788

William Blake III. "From a perception of only 3 senses..." (Plate 5)

Print made by William Blake, 1757–1827

III. "From a perception of only 3 senses..." (Plate 5)

ca. 1788

William Blake VI. "The desires & perceptions of man untaught..." (Plate 8)

Print made by William Blake, 1757–1827

VI. "The desires & perceptions of man untaught..." (Plate 8)

ca. 1788

William Blake "Therefore God becomes as we are..." (Plate 9)

Print made by William Blake, 1757–1827

"Therefore God becomes as we are..." (Plate 9)

ca. 1788

William Blake II. "Man by his reasoning power can only compare..." (Plate 4)

Print made by William Blake, 1757–1827

II. "Man by his reasoning power can only compare..." (Plate 4)

ca. 1788

William Blake IV. "None could have other than natural or organic thoughts..." (Plate 6)

Print made by William Blake, 1757–1827

IV. "None could have other than natural or organic thoughts..." (Plate 6)

ca. 1788

William Blake V. "Mans desires are limited by his perceptions..." (Plate 7)

Print made by William Blake, 1757–1827

V. "Mans desires are limited by his perceptions..." (Plate 7)

ca. 1788

William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

Print made by William Blake, 1757–1827

IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

1789

George Frederick Prosser Deep-Dene. The Seat of Thomas Hope, Esq.

George Frederick Prosser, active 1828–1868

Deep-Dene. The Seat of Thomas Hope, Esq

undated

William H. Hoogkamer Welgelegen:Vue du Pavillon de Harlem prise du Bois

William H. Hoogkamer, 1790–1864

Welgelegen:Vue du Pavillon de Harlem prise du Bois

undated

Walter Geikie Edinburgh Castle and Horse Fair

Walter Geikie, 1795–1837

Edinburgh Castle and Horse Fair

1830

William Bernard Cooke Lulworth Cove, Dorset

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

William Bernard Cooke Lulworth Cove, Dorset

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1812

George Cooke Corfe Castle, Dorsetshire

Print made by George Cooke, 1781–1834

Corfe Castle, Dorsetshire

1814-1826

Edward Goodall Florence

Print made by Edward Goodall, 1795–1870

Florence

1830

James Heath Inverary

Print made by James Heath, 1757–1834

Inverary

1805

James Fittler A Fishing Smack with a Boat (Dutch Boat in a Gale)

Print made by James Fittler, 1758–1835

A Fishing Smack with a Boat (Dutch Boat in a Gale)

1812

John Pye View of Redcliff Church &c. Bristol

Print made by John Pye, 1782–1874

View of Redcliff Church &c. Bristol

1814

John Scott Crypt in Kirkstall Abbey, Yorkshire

Print made by John Scott, 1774–1828

Crypt in Kirkstall Abbey, Yorkshire

1814

George Cooke Land's End, Cornwall

Print made by George Cooke, 1781–1834

Land's End, Cornwall

1814-1826

George Cooke Land's End, Cornwall

Print made by George Cooke, 1781–1834

Land's End, Cornwall

1814-1826

William Bernard Cooke Lulworth Cove, Dorset

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

William Bernard Cooke Lulworth Cove, Dorset

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

William Bernard Cooke Lulworth Cove, Dorset

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1814 to 1826

Francesco Bartolozzi Funeral Card of Sir Joshua Reynolds

Print made by Francesco Bartolozzi, 1728–1815

Funeral Card of Sir Joshua Reynolds

1792

unknown artist Messrs. Morgan & Sanders, Catherine St. Strand

unknown artist

Messrs. Morgan & Sanders, Catherine St. Strand

1809

James C. Allen Floating Dock at Rotherhithe

James C. Allen, active 1821–1831

Floating Dock at Rotherhithe

undated

unknown artist A View of Cold Harbor in Thames Street, London

unknown artist

A View of Cold Harbor in Thames Street, London

1818

Samuel Freeman William Aikman

Print made by Samuel Freeman, 1773–1857

William Aikman

undated

Samuel Rawle Premier Map of London and Suburbs: Undertakers regaling themselves at Death's Door, Battersea Rise, Surry

Samuel Rawle, 1771–1860

Premier Map of London and Suburbs: Undertakers regaling themselves at Death's Door, Battersea Rise, Surry

1801

James Basire, Sr. St. Martin, Outwich

James Basire, Sr., British, 1730 - 1802

St. Martin, Outwich

undated

Austin, Robert, 1895-1973 Two Girls on a Balcony

Print made by Austin, Robert, 1895-1973, 1895–1973

Two Girls on a Balcony

1938

Austin, Robert, 1895-1973 Still Life, Perugia

Print made by Austin, Robert, 1895-1973, 1895–1973

Still Life, Perugia

1933

Samuel Freeman Henry Home, Lord Kames

Print made by Samuel Freeman, 1773–1857

Henry Home, Lord Kames

undated

John Dean T. Smollett, M. D.

Print made by John Dean, 1754–1798

T. Smollett, M. D

undated

Bradshaw & Blacklock Haddon Hall

Print made by Bradshaw & Blacklock, active ca.1850

Haddon Hall

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Richard Parkes Bonington Le Silence Favorable

Print made by Richard Parkes Bonington, 1802–1828

Le Silence Favorable

1826

Richard Parkes Bonington Le Repos

Print made by Richard Parkes Bonington, 1802–1828

Le Repos

1826

Richard Parkes Bonington Les Plaisirs Paternels

Print made by Richard Parkes Bonington, 1802–1828

Les Plaisirs Paternels

1826

James Duffield Harding Château Vilain sur la Riviere Dain, Franche Comte

James Duffield Harding, 1798–1863

Château Vilain sur la Riviere Dain, Franche Comte

undated

Bradshaw & Blacklock Hampton Court

Print made by Bradshaw & Blacklock, active ca.1850

Hampton Court

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock The Last Supper

Print made by Bradshaw & Blacklock, active ca.1850

The Last Supper

ca. 1854

Bradshaw & Blacklock Newstead Abbey

Print made by Bradshaw & Blacklock, active ca.1850

Newstead Abbey

after 1850

Bradshaw & Blacklock Eaton Hall

Print made by Bradshaw & Blacklock, active ca.1850

Eaton Hall

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.

Bradshaw & Blacklock, active ca.1850

Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'

after 1850

George Baxter The Great Exhibition: Exterior View from the Southwest

Print made by George Baxter, 1804–1867

The Great Exhibition: Exterior View from the Southwest

1851

Bradshaw & Blacklock Eight Rural Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Eight Rural Subjects

after 1850

Thomas Bewick The Cadger's Trot (first State)

Print made by Thomas Bewick, 1753–1828

The Cadger's Trot (first State)

1823

Richard Parkes Bonington La Prière

Print made by Richard Parkes Bonington, 1802–1828

La Prière

1826

Rose Joseph Lemercier La Conversation

Print made by Rose Joseph Lemercier, 1803–1887

La Conversation

1826

Richard Parkes Bonington Les Pendus

Print made by Richard Parkes Bonington, 1802–1828

Les Pendus

ca. 1826

Thomas Girtin View of the Village of Chaillot Taken from the Pont de la Concorde

Print made by Thomas Girtin, 1775–1802

View of the Village of Chaillot Taken from the Pont de la Concorde

1800 to 1802

unknown artist William Hergert, Earl Pembroke

unknown artist

William Hergert, Earl Pembroke

Francesco Bartolozzi Lord FitzGibbon

Print made by Francesco Bartolozzi, 1728–1815

Lord FitzGibbon

1790

Francesco Bartolozzi Sir James Wishart

Print made by Francesco Bartolozzi, 1728–1815

Sir James Wishart

between 1794 and 1798

Samuel David Colkett The Gipsy Encampment

Print made by Samuel David Colkett, 1806–1863

The Gipsy Encampment

1822

John Burnet Buckingham House, St. James' Park

Print made by John Burnet, 1784–1868

Buckingham House, St. James' Park

1810

William Angus Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr.

Print made by William Angus, 1752–1821

Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr

undated

Charles J. Hullmandel Cheshire Mastiff

Print made by Charles J. Hullmandel, 1789–1850

Cheshire Mastiff

1820

Robert Barnes Three Men and Two Boys Sitting on a Pier

Print made by Robert Barnes, 1840–1895

Three Men and Two Boys Sitting on a Pier

undated

Robert Barnes Girl Reading a Picture Book

Print made by Robert Barnes, 1840–1895

Girl Reading a Picture Book

undated

Alfred W. Cooper Rabbits

Print made by Alfred W. Cooper, active 1850–1901

Rabbits

undated

Robert Barnes Two Girls, One Crying

Print made by Robert Barnes, 1840–1895

Two Girls, One Crying

undated

Alfred W. Cooper A River (tail piece)

Print made by Alfred W. Cooper, active 1850–1901

A River (tail piece)

undated

James Tibbits Willmore Saumur

Print made by James Tibbits Willmore, 1800–1863

Saumur

1833

Alexander George Fraser A Seated Man Drinking

Print made by Alexander George Fraser, 1786–1865

A Seated Man Drinking

undated