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Materials & Techniques wove paper

Work Type relief print

Subject Terms trees

William Blake Chapter II, "Muster around the bleak desarts..." (Plate 4)

Print made by William Blake, 1757–1827

Chapter II, "Muster around the bleak desarts..." (Plate 4)

1794

William Blake Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)

Print made by William Blake, 1757–1827

Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)

1794

William Blake Songs of Innocence, Title Page (Plate 2)

Print made by William Blake, 1757–1827

Songs of Innocence, Title Page (Plate 2)

1789

William Blake Introduction (Plate 3)

Print made by William Blake, 1757–1827

Introduction (Plate 3)

1789

William Blake The Little Black Boy (Plate 6)

Print made by William Blake, 1757–1827

The Little Black Boy (Plate 6)

1789

William Blake Spring (Plate 12)

Print made by William Blake, 1757–1827

Spring (Plate 12)

1789

William Blake The Ecchoing Green (Plate 8)

Print made by William Blake, 1757–1827

The Ecchoing Green (Plate 8)

1789

William Blake The Lamb (Plate 18)

Print made by William Blake, 1757–1827

The Lamb (Plate 18)

1789

William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

Print made by William Blake, 1757–1827

III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

1789

William Blake Songs of Innocence, Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

Songs of Innocence, Frontispiece (Plate 1)

1789

William Blake The Shepherd (Plate 4)

Print made by William Blake, 1757–1827

The Shepherd (Plate 4)

1789

William Blake Laughing Song (Plate 14)

Print made by William Blake, 1757–1827

Laughing Song (Plate 14)

1789

William Blake The Little Boy Lost (Plate 16)

Print made by William Blake, 1757–1827

The Little Boy Lost (Plate 16)

1789

William Blake Title Page, The First Book of Urizen (Plate 1)

Print made by William Blake, 1757–1827

Title Page, The First Book of Urizen (Plate 1)

1794

William Blake The Little Girl Lost (Plate 20)

Print made by William Blake, 1757–1827

The Little Girl Lost (Plate 20)

1789

William Blake The Angel (Plate 40)

Print made by William Blake, 1757–1827

The Angel (Plate 40)

1794

William Blake The Fly (Plate 48)

Print made by William Blake, 1757–1827

The Fly (Plate 48)

1794

William Blake Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)

Print made by William Blake, 1757–1827

Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)

1793

William Blake The Divine Image (Plate 24)

Print made by William Blake, 1757–1827

The Divine Image (Plate 24)

1789

William Blake The Clod & the Pebble (Plate 36)

Print made by William Blake, 1757–1827

The Clod & the Pebble (Plate 36)

1794

William Blake A Poison Tree (Plate 41)

Print made by William Blake, 1757–1827

A Poison Tree (Plate 41)

1794

William Blake The Tyger (Plate 42)

Print made by William Blake, 1757–1827

The Tyger (Plate 42)

1794

William Blake The Little Girl Found (Plate 22)

Print made by William Blake, 1757–1827

The Little Girl Found (Plate 22)

1789

William Blake Songs of Experience, Frontispiece (Plate 32)

Print made by William Blake, 1757–1827

Songs of Experience, Frontispiece (Plate 32)

1794

William Blake Night (Plate 30)

Print made by William Blake, 1757–1827

Night (Plate 30)

1789

William Blake Holy Thursday (Plate 38)

Print made by William Blake, 1757–1827

Holy Thursday (Plate 38)

1794

William Blake The Human Abstract (Plate 46)

Print made by William Blake, 1757–1827

The Human Abstract (Plate 46)

1794

William Blake My Pretty Rose Tree (Plate 47)

Print made by William Blake, 1757–1827

My Pretty Rose Tree (Plate 47)

1794

William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

Print made by William Blake, 1757–1827

Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

1794

William Blake Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

Frontispiece (Plate 1)

ca. 1788

William Blake IV. "None could have other than natural or organic thoughts..." (Plate 6)

Print made by William Blake, 1757–1827

IV. "None could have other than natural or organic thoughts..." (Plate 6)

ca. 1788

William Blake "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)

Print made by William Blake, 1757–1827

"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)

1793

William Blake The Little Black Boy (Plate 30)

Print made by William Blake, 1757–1827

The Little Black Boy (Plate 30)

1789

William Blake The Shepherd, from Songs of Innocence

Print made by William Blake, 1757–1827

The Shepherd, from Songs of Innocence

ca. 1795

William Blake Spring, from Songs of Innocence

Print made by William Blake, 1757–1827

Spring, from Songs of Innocence

ca. 1795

William Blake Songs of Innocence, Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

Songs of Innocence, Frontispiece (Plate 1)

1789

William Blake Infant Joy (Plate 14)

Print made by William Blake, 1757–1827

Infant Joy (Plate 14)

1789

William Blake Illustrations of Imitation of Eclogue I, Page 16

William Blake, 1757–1827

Illustrations of Imitation of Eclogue I, Page 16

1821

William Blake Illustrations of Eclogue I, Introductory, The Giant Polypheme

William Blake, 1757–1827

Illustrations of Eclogue I, Introductory, The Giant Polypheme

1821

William Blake V. "Mans desires are limited by his perceptions..." (Plate 7)

Print made by William Blake, 1757–1827

V. "Mans desires are limited by his perceptions..." (Plate 7)

ca. 1788

William Blake "Therefore God becomes as we are..." (Plate 9)

Print made by William Blake, 1757–1827

"Therefore God becomes as we are..." (Plate 9)

ca. 1788

William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

Print made by William Blake, 1757–1827

"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

1793

William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

Print made by William Blake, 1757–1827

Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

1793

William Blake "Silent as despairing love, and strong as jealousy..." (Plate 4)

Print made by William Blake, 1757–1827

"Silent as despairing love, and strong as jealousy..." (Plate 4)

1793

William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

Print made by William Blake, 1757–1827

I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

1789

William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

Print made by William Blake, 1757–1827

III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

1789

William Blake "And One stood forth from the Divine Family..." (Plate 37)

Print made by William Blake, 1757–1827

"And One stood forth from the Divine Family..." (Plate 37)

1804 to 1820

William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)

Print made by William Blake, 1757–1827

"The secret coverts of Albion & the hidden places of America..." (Plate 49)

1804 to 1820

William Blake Chapter 4 Frontispiece (Plate 76)

Print made by William Blake, 1757–1827

Chapter 4 Frontispiece (Plate 76)

1804 to 1820

William Blake The Divine Image (Plate 12)

Print made by William Blake, 1757–1827

The Divine Image (Plate 12)

1789

William Blake Introduction (Plate 3)

Print made by William Blake, 1757–1827

Introduction (Plate 3)

1789

William Blake A Dream (Plate 4)

Print made by William Blake, 1757–1827

A Dream (Plate 4)

1789

William Blake The Lamb (Plate 8)

Print made by William Blake, 1757–1827

The Lamb (Plate 8)

1789

William Blake The Little Boy Lost (Plate 20)

Print made by William Blake, 1757–1827

The Little Boy Lost (Plate 20)

1789

William Blake Nurse's Song (Plate 22)

Print made by William Blake, 1757–1827

Nurse's Song (Plate 22)

1789

William Blake VI. "The desires & perceptions of man untaught..." (Plate 8)

Print made by William Blake, 1757–1827

VI. "The desires & perceptions of man untaught..." (Plate 8)

ca. 1788

William Blake "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

Print made by William Blake, 1757–1827

"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

1793

William Blake Title Page, The First Book of Urizen (Plate 1)

Print made by William Blake, 1757–1827

Title Page, The First Book of Urizen (Plate 1)

1794

William Blake "To labours mighty, with vast strength..." (Plate 11)

Print made by William Blake, 1757–1827

"To labours mighty, with vast strength..." (Plate 11)

1804 to 1820

William Blake On Anothers Sorrow (Plate 24)

Print made by William Blake, 1757–1827

On Anothers Sorrow (Plate 24)

1789

William Blake Spring (Plate 26)

Print made by William Blake, 1757–1827

Spring (Plate 26)

1789

William Blake Laughing Song (Plate 28)

Print made by William Blake, 1757–1827

Laughing Song (Plate 28)

1789

William Blake "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)

Print made by William Blake, 1757–1827

"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)

1793

William Blake The Argument. "Man has no notion of moral fitness..." (Plate 2"

Print made by William Blake, 1757–1827

The Argument. "Man has no notion of moral fitness..." (Plate 2"

ca. 1788

William Blake I. "Man cannot naturally Percieve..."(Plate 3)

Print made by William Blake, 1757–1827

I. "Man cannot naturally Percieve..."(Plate 3)

ca. 1788

William Blake III. "From a perception of only 3 senses..." (Plate 5)

Print made by William Blake, 1757–1827

III. "From a perception of only 3 senses..." (Plate 5)

ca. 1788

William Blake II. "Man by his reasoning power can only compare..." (Plate 4)

Print made by William Blake, 1757–1827

II. "Man by his reasoning power can only compare..." (Plate 4)

ca. 1788

William Blake Chapter II, "Muster around the bleak desarts..." (Plate 6)

Print made by William Blake, 1757–1827

Chapter II, "Muster around the bleak desarts..." (Plate 6)

1794

William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

Print made by William Blake, 1757–1827

Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

1794

William Blake "His face and bosom with petrific hardness..." (Plate 38)

Print made by William Blake, 1757–1827

"His face and bosom with petrific hardness..." (Plate 38)

1804 to 1820

William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

Print made by William Blake, 1757–1827

I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

1789

Edward Calvert The Return Home

Print made by Edward Calvert, 1799–1883

The Return Home

1830

unknown artist A Large Christmas Card

Print made by unknown artist

A Large Christmas Card

1895

Charles W. Bartlett Udaipur, 1916

Print made by Charles W. Bartlett, 1860–1940

Udaipur, 1916

1916

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

George Baxter Balmoral Castle

Engraved by George Baxter, 1804–1867

Balmoral Castle

after 1850

George Baxter The Great Exhibition: Exterior View from the Southwest

Print made by George Baxter, 1804–1867

The Great Exhibition: Exterior View from the Southwest

1851

George Baxter Little Red Riding Hood

Print made by imitator of George Baxter, 1804–1867

Little Red Riding Hood

after 1856

George Baxter Balmoral Castle

Engraved by George Baxter, 1804–1867

Balmoral Castle

after 1850

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Bradshaw & Blacklock Eight colour prints

Print made by Bradshaw & Blacklock, active ca.1850

Eight colour prints

after 1850

Bradshaw & Blacklock The Farmer's Boy & The Rustic Angler

Print made by Bradshaw & Blacklock, active ca.1850

The Farmer's Boy & The Rustic Angler

after 1850

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Bradshaw & Blacklock View near Bingen

Print made by Bradshaw & Blacklock, active ca.1850

View near Bingen

after 1850

Bradshaw & Blacklock Bacharach

Print made by Bradshaw & Blacklock, active ca.1850

Bacharach

after 1850

Bradshaw & Blacklock Bacharach and View near Bingen

Print made by Bradshaw & Blacklock, active ca.1850

Bacharach and View near Bingen

after 1850

Bradshaw & Blacklock Hampton Court

Print made by Bradshaw & Blacklock, active ca.1850

Hampton Court

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Newstead Abbey

Print made by Bradshaw & Blacklock, active ca.1850

Newstead Abbey

after 1850

Bradshaw & Blacklock Osborne House

Print made by Bradshaw & Blacklock, active ca.1850

Osborne House

after 1850

Bradshaw & Blacklock Balmoral Castle

Print made by Bradshaw & Blacklock, active ca.1850

Balmoral Castle

after 1850

George Baxter Prince Albert

after George Baxter, 1804–1867

Prince Albert

after 1855

George Baxter The Death of Ananias

after George Baxter, 1804–1867

The Death of Ananias

after 1855

George Baxter Queen Victoria

after George Baxter, 1804–1867

Queen Victoria

ca. 1860

George Baxter Christ's Charge to Peter

after George Baxter, 1804–1867

Christ's Charge to Peter

after 1855

Bradshaw & Blacklock Returning from the Spring. Virginia.

Bradshaw & Blacklock, active ca.1850

Returning from the Spring. Virginia

after 1850

Bradshaw & Blacklock Set of 18 Labels from 'Twining & Sons' Hairpins Boxes.

Bradshaw & Blacklock, active ca.1850

Set of 18 Labels from 'Twining & Sons' Hairpins Boxes

after 1850

George Baxter Prince Albert

after George Baxter, 1804–1867

Prince Albert

after 1855