Materials & Techniques: wove paper / Image Available: Unavailable / Work Type: intaglio print

1. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 11/16 x 12 3/8 inches (22.1 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 x 10 1/4 inches (30 x 26.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1874
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 x 15 3/8 inches (28.1 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

4. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching retouched with black ink, watercolor, gray gouache, and white gouache on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 13/16 x 4 3/16 inches (12.3 x 10.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun before 1861; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 13 1/8 inches (25.2 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone, retouched with white gouache on medium, smooth, beige wove paper
Dimensions:: Sheet: 7 x 9 15/16 inches (17.8 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 12 5/16 inches (22.6 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Skylark

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint with chine collé on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 1/2 inches (28.3 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Skylark

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint with chine collé, retouched with graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 13/16 x 4 inches (12.3 x 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 7/16 x 11 9/16 inches (21.5 x 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Willow

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 3/8 x 5 3/4 inches (18.8 x 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. False Perspective Exemplified

Creator:: after William Hogarth, 1697–1764
Date:: 1799
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

13. A Harlot's Progress, Plate 1

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1732
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 × 24 5/8 inches (46.4 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

14. A Harlot's Progress, Plate 3

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1732
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 3/8 × 24 1/2 inches (46.7 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

15. A Harlot's Progress, Plate 4

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1732
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 3/8 × 24 1/2 inches (46.7 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

16. A Harlot's Progress, Plate 5

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1732
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 3/8 × 24 1/2 inches (46.7 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

17. A Harlot's Progress, Plate 6

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1732
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 3/8 × 24 5/8 inches (46.7 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

18. Hanging by the Thumbs

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Suzanne and William H. Speaker

19. A Harlot's Progress, Plate 2

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1732
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 3/8 × 24 1/2 inches (46.7 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

20. Paul before Felix Burlesqued

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Etching, engraving, and mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 × 21 inches (46.4 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

21. Tail Piece, or The Bathos

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1764
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 × 24 5/8 inches (46.4 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

22. Fustigatio

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 3 × 4 1/4 inches (7.6 × 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

23. Decimation

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 3 × 4 inches (7.6 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

24. Beheading

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 2 5/8 × 4 1/8 inches (6.7 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

25. Crucifixion, etc.

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 2 3/4 × 3 3/4 inches (7 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

26. Dismemberment, etc.

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 2 3/4 × 4 inches (7 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

27. Breaking the Legs

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 2 3/4 × 3 3/4 inches (7 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

28. Fustium Admonitio

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 3 × 4 1/8 inches (7.6 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

29. Shameful Discharge

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 2 7/8 × 4 1/8 inches (7.3 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

30. Taking Away the Military Belt or Girdle

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 2 3/4 × 4 inches (7 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

31. Issued Barley Instead of Wheat

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 1 5/8 × 3 inches (4.1 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

32. Cutting off the Nose

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 1 3/4 × 3 1/8 inches (4.4 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

33. London from Greenwich

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 3/8 inches (26.7 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

34. Anacreon Ode LII

Creator:: Print made by William Blake, 1757–1827
Date:: 1795
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 10 1/8 inches (19.7 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Life, and Posthumous Writings, of William Cowper (volume 1)

Creator:: Prints made by William Blake, 1757–1827
Date:: 1803-1804
Materials & Techniques:: Bound volume with engraved illustrations on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Illustrations of The Book of Job

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Folio of engravings with covers in cloth box on medium, slightly textured, cream wove paper
Dimensions:: Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946
On View:: On view

37. Illustrations to Dante's Divine Comedy

Creator:: Prints made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Collecton of seven engravings on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 13 15/16in. (27 x 35.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Sketch of a Shipwreck after Romney

Creator:: Print made by William Blake, 1757–1827
Date:: 1809
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 11 5/8 inches (21.9 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. William Blake, Frontispiece

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching with chine collé on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. William Blake, Frontispiece

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Mr. John Hunter

Creator:: J. Kennerley
Date:: 1816
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 11/16 × 9 5/8 inches (32.2 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Samuel Johnson

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/16 × 4 3/4 inches (16 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Arthur Wolfe, 1st Viscount Kilwarden

Creator:: unknown artist
Date:: 1800
Materials & Techniques:: Stipple engraving and line engraving on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 10 3/16 inches (33.7 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Reverend Michael Lort

Creator:: James Stow, ca. 1770–after 1820
Date:: 1815
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 8 1/8 inches (27 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. James Macpherson

Creator:: John Keyse Sherwin, c.1751–1790
Date:: 1775
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 15/16 × 10 1/2 inches (35.4 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Edmond Malone, Esqr.

Creator:: Charles Knight, 1743–c.1826
Date:: undated
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 11/16 × 5 1/16 inches (17 × 12.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Heidelberg from the Opposite Bank of the Neckar

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1846
Materials & Techniques:: Etching and engraving, with graphite and chine collé; touched engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 7/8 × 27 1/8 inches (55.6 × 68.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. William Adam Esq.

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1804
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 13/16 × 17 15/16 inches (65.6 × 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Heidelberg from the Opposite Bank of the Neckar

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1846
Materials & Techniques:: Etching and engraving with chine collé; first published state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 29 × 38 1/8 inches (73.7 × 96.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Kilchurn Castle, Loch Awe

Creator:: Print made by William Miller, 1796–1882
Date:: 1847
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 3/8 × 37 1/2 inches (64.5 × 95.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Hastings

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1851
Materials & Techniques:: Etching; engraver's proof, open etched state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 23 3/4 × 34 1/2 inches (60.3 × 87.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Hastings

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1851
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 5/8 × 26 3/4 inches (52.4 × 67.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Dover

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1851
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (a) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 3/4 × 35 1/2 inches (65.4 × 90.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Dover

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1851
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/4 × 26 1/2 inches (52.7 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Reverend. William Mason

Creator:: Edward Scriven, 1775–1841
Date:: 1813
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 12 11/16 inches (38.7 × 32.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Battle of Trafalgar, Nelson's Ship

Creator:: Print made by John Burnet, 1784–1868
Date:: 1858
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/4 × 39 inches (67.9 × 99.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Venice - Bellini's Pictures being Conveyed to the Church of the Redentore

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1858
Materials & Techniques:: Etching and engraving; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 23 7/8 × 31 3/4 inches (60.6 × 80.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Bell Rock Lighthouse

Creator:: Print made by William Miller, 1796–1882
Date:: 1862
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 23 1/2 × 34 inches (59.7 × 86.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Bell Rock Lighthouse

Creator:: Print made by William Miller, 1796–1882
Date:: 1862
Materials & Techniques:: Etching and engraving with chine collé; first published state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 23 3/8 × 29 1/2 inches (59.4 × 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Straits of Dover

Creator:: Print made by William Chapman, 1817–1879
Date:: 1863
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 27 × 34 3/8 inches (68.6 × 87.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. St. Michael's Mount, Cornwall

Creator:: Print made by William Miller, 1796–1882
Date:: 1866
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/2 × 21 3/4 inches (49.5 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Dido Building Carthage

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1863
Materials & Techniques:: Etching and engraving with chine collé; first published state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 24 3/8 × 31 5/8 inches (61.9 × 80.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Sea Battle

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 1/4 inches (27.3 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

69. April in the Hills

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: undated
Materials & Techniques:: Etching on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 3 15/16 × 5 7/16 inches (10 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith Zlotsky

70. The Lock

Creator:: Print made by David Lucas, 1802–1881
Date:: 1834
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 7/8 × 21 1/4 inches (68.3 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The Victory coming up Channel with the body of Nelson on Board

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Back of the Mills

Creator:: Print made by John Crome, 1768–1821
Date:: ca. 1812
Materials & Techniques:: Etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 x 7 9/16 inches (24.8 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Fishing Boats off Calais (The Pas de Calais)

Creator:: Print made by William Davison, active 1813–1843
Date:: 1830
Materials & Techniques:: Mezzotint; engraver's proof (d) on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. A Shipwreck

Creator:: Print made by Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1825
Materials & Techniques:: Etching and aquatint with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 × 27 1/2 inches (53.3 × 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. A Shipwreck

Creator:: Print made by Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1825
Materials & Techniques:: Etching and aquatint, with hand coloring in watercolor; later state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/8 × 31 1/8 inches (54.3 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Bay of Baiae - Apollo and the Sibyl

Creator:: Print made by unknown artist
Date:: between 1852 and 1856
Materials & Techniques:: Chromolithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on beige card
Dimensions:: Sheet: 14 1/2 × 23 1/2 inches (36.8 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Italy - Childe Harold's Pilgrimage

Creator:: Print made by unknown artist
Date:: between 1852 and 1856
Materials & Techniques:: Chromolithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on beige card
Dimensions:: Sheet: 14 × 24 inches (35.6 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Bacchus and Ariadne

Creator:: Print made by unknown artist
Date:: 1855
Materials & Techniques:: Chromolithograph on medium, slightly textured, cream wove paper mounted on beige board
Dimensions:: Sheet: 18 3/4 × 18 1/2 inches (47.6 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Saturday Evening, the Husbandman's Return From Labour

Creator:: William Nutter, 1754–1802
Date:: 1795
Materials & Techniques:: Stipple engraving, colored on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 20 5/8 × 24 3/16 inches (52.4 × 61.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. The Deserter

Creator:: William Dickinson, 1746–1823
Date:: 1784
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 3/8 × 19 7/16 inches (39 × 49.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Three Landscape Studies

Creator:: Print made by John Crome, 1768–1821
Date:: undated
Materials & Techniques:: Etching on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 5/16 x 9 3/16 inches (23.7 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Cornfield

Creator:: Print made by David Lucas, 1802–1881
Date:: 1833
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 7/8 × 21 1/8 inches (68.3 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Dedham Vale

Creator:: Print made by David Lucas, 1802–1881
Date:: 1838
Materials & Techniques:: Mezzotint and etching on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 27 × 21 3/4 inches (68.6 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Victory Coming up the Channel with the Body of Nelson

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 15 1/2 inches (30.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Fishing Boats off Calais (The Pas de Calais)

Creator:: Print made by William Davison, active 1813–1843
Date:: 1830
Materials & Techniques:: Mezzotint, with graphite and white chalk; touched engraver's proof (b) on medium, slightly textured, cream wove paper, mounted on cream card
Dimensions:: Sheet: 19 × 25 3/4 inches (48.3 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Fishing Boats off Calais (The Pas de Calais)

Creator:: Print made by William Davison, active 1813–1843
Date:: 1830
Materials & Techniques:: Mezzotint, with graphite, white chalk, and scraping out; touched engraver's proof (c) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/2 × 25 1/8 inches (47 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Fishing Boats off Calais (The Pas de Calais)

Creator:: Print made by William Davison, active 1813–1843
Date:: 1830
Materials & Techniques:: Mezzotint; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 22 1/2 × 33 5/8 inches (57.2 × 85.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Boccaccio, the Bird Cage

Creator:: Print made by J. P. Quilley, active 1828
Date:: 1830
Materials & Techniques:: Mezzotint with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 38 5/8 × 26 inches (98.1 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Boccaccio, the Bird Cage

Creator:: Print made by J. P. Quilley, active 1828
Date:: 1830
Materials & Techniques:: Mezzotint; second published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 32 3/4 × 22 1/8 inches (83.2 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Wreck of the Minotaur

Creator:: Print made by Thomas Oldham Barlow, 1824–1889
Date:: 1856
Materials & Techniques:: Mezzotint and etching with chine collé; published state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 27 × 38 5/8 inches (68.6 × 98.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Mausoleum at Brocklesby

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1800
Materials & Techniques:: Etching printed in brown ink; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 1/8 × 28 1/4 inches (58.7 × 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Mausoleum at Brocklesby

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1804
Materials & Techniques:: Etching and aquatint; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 23 × 28 3/4 inches (58.4 × 73 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Mausoleum at Brocklesby

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1800
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 7/8 × 26 1/2 inches (53 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Woodman in a Stream

Creator:: after Frederick Richard Lee, 1798–1879
Date:: 1839
Materials & Techniques:: Mezzotint on medium, smooth, cream wove paper
Dimensions:: Mount: 18 7/8 × 22 15/16 inches (47.9 × 58.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Two Children Feeding Rabbits in a Farmyard

Creator:: James Thomas Linnell, 1826–1905
Date:: 1830s
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 15/16 × 16 inches (48.1 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. The Penitent

Creator:: Print made by Frederick Bacon, 1803–1887
Date:: between 1842 and 1887
Materials & Techniques:: Etching and stipple engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 15/16 x 13 1/2 inches (50.6 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. St. Mary, Rotherhithe

Creator:: Print made by Hanslip Fletcher, 1874–1955
Date:: 1931
Materials & Techniques:: Etching on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 8 1/8 × 9 1/2 inches (20.6 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. 1658 Map showing Horsey Down

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Reproduction on smooth, medium, gray wove paper
Dimensions:: Sheet: 10 × 10 7/8 inches (25.4 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Plan of Horsey Down

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Reproduction on smooth, medium, cream wove paper
Dimensions:: Sheet: 9 11/16 × 6 7/8 inches (24.6 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Rotherhithe Tunnel

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Hand colored engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 3 × 14 3/4 inches (7.6 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques wove paper

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Work Type intaglio print

Search Results

1. The Early Ploughman

2. Christmas

3. The Early Ploughman

4. Christmas

5. The Early Ploughman

6. The Early Ploughman

7. The Morning of Life

8. The Skylark

9. The Skylark

10. The Weary Ploughman

11. The Willow

12. False Perspective Exemplified

13. A Harlot's Progress, Plate 1

14. A Harlot's Progress, Plate 3

15. A Harlot's Progress, Plate 4

16. A Harlot's Progress, Plate 5

17. A Harlot's Progress, Plate 6

18. Hanging by the Thumbs

19. A Harlot's Progress, Plate 2

20. Paul before Felix Burlesqued

21. Tail Piece, or The Bathos

22. Fustigatio

23. Decimation

24. Beheading

25. Crucifixion, etc.

26. Dismemberment, etc.

27. Breaking the Legs

28. Fustium Admonitio

29. Shameful Discharge

30. Taking Away the Military Belt or Girdle

31. Issued Barley Instead of Wheat

32. Cutting off the Nose

33. London from Greenwich

34. Anacreon Ode LII

35. The Life, and Posthumous Writings, of William Cowper (volume 1)

36. Illustrations of The Book of Job

37. Illustrations to Dante's Divine Comedy

38. Sketch of a Shipwreck after Romney

39. William Blake, Frontispiece

40. William Blake, Frontispiece

41. The Soul Hovering over the Body reluctantly Parting with Life

42. The Descent of Man into the Vale of Death

43. The Soul Exploring the Recesses of the Grave

44. The Death of the Good Old Man

45. The Reunion of the Soul & the Body

46. Mr. John Hunter

47. Samuel Johnson

48. Arthur Wolfe, 1st Viscount Kilwarden

49. Reverend Michael Lort

50. James Macpherson

51. Edmond Malone, Esqr.

52. Heidelberg from the Opposite Bank of the Neckar

53. William Adam Esq.

54. Heidelberg from the Opposite Bank of the Neckar

55. Kilchurn Castle, Loch Awe

56. Hastings

57. Hastings

58. Dover

59. Dover

60. Reverend. William Mason

61. Battle of Trafalgar, Nelson's Ship

62. Venice - Bellini's Pictures being Conveyed to the Church of the Redentore

63. The Bell Rock Lighthouse

64. The Bell Rock Lighthouse

65. The Straits of Dover

66. St. Michael's Mount, Cornwall

67. Dido Building Carthage

68. Sea Battle

69. April in the Hills

70. The Lock

71. The Victory coming up Channel with the body of Nelson on Board

72. The Back of the Mills

73. Fishing Boats off Calais (The Pas de Calais)