<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Materials & Techniques wove paper

Remove constraint Materials & Techniques: wove paper

Image Available Available

Remove constraint Image Available: Available

Width [cm] 10

Remove constraint Width [cm]: 10

Search Results

Vanessa Bell The String Quartet
Print made by Vanessa Bell, 1879–1961
The String Quartet
1921
Vanessa Bell An Unwritten Novel
Print made by Vanessa Bell, 1879–1961
An Unwritten Novel
1921
Vanessa Bell A Haunted House
Print made by Vanessa Bell, 1879–1961
A Haunted House
1921
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Edward Lear Avenue of Trees
Edward Lear, 1812–1888
Avenue of Trees
1867
Edward Lear Studies of Camels and Egyptian Men
Edward Lear, 1812–1888
Studies of Camels and Egyptian Men
1867
George Romney Titania's Attendants Chasing Bats
George Romney, 1734–1802
Titania's Attendants Chasing Bats
undated
George Romney Apparition of Noah for the Temptation of Christ
George Romney, 1734–1802
Apparition of Noah for the Temptation of Christ
undated
William Blake Thel's Motto (Plate 1)
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
William Blake Chapter II, "Muster around the bleak desarts..." (Plate 4)
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 4)
1794
William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
1794
William Blake Los with the child Orc and Enitharmon (Plate 18)
Print made by William Blake, 1757–1827
Los with the child Orc and Enitharmon (Plate 18)
1794
William Blake Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
1794
William Blake Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
1794
William Blake Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
1794
William Blake Urizen Swims through Dark Waters (Plate 5)
Print made by William Blake, 1757–1827
Urizen Swims through Dark Waters (Plate 5)
1794
William Blake Fettered Urizen Weeping (Plate 12)
Print made by William Blake, 1757–1827
Fettered Urizen Weeping (Plate 12)
1794
William Blake Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
1794
William Blake "The Ox in the slaughter house moans..." (Plate 23)
Print made by William Blake, 1757–1827
"The Ox in the slaughter house moans..." (Plate 23)
1794
William Blake II. "Reason or the ratio of all we have already known..." (Plate 11)
Print made by William Blake, 1757–1827
II. "Reason or the ratio of all we have already known..." (Plate 11)
ca. 1788
William Blake III. "From a perception of only 3 senses..." (Plate 5)
Print made by William Blake, 1757–1827
III. "From a perception of only 3 senses..." (Plate 5)
ca. 1788
William Blake V. "Mans desires are limited by his perceptions..." (Plate 7)
Print made by William Blake, 1757–1827
V. "Mans desires are limited by his perceptions..." (Plate 7)
ca. 1788
William Blake Thel's Motto (Plate 1)
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
William Blake I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
Print made by William Blake, 1757–1827
I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
ca. 1788
William Blake The Argument. "Man has no notion of moral fitness..." (Plate 2"
Print made by William Blake, 1757–1827
The Argument. "Man has no notion of moral fitness..." (Plate 2"
ca. 1788
William Blake I. "Man cannot naturally Percieve..."(Plate 3)
Print made by William Blake, 1757–1827
I. "Man cannot naturally Percieve..."(Plate 3)
ca. 1788
William Blake II. "Man by his reasoning power can only compare..." (Plate 4)
Print made by William Blake, 1757–1827
II. "Man by his reasoning power can only compare..." (Plate 4)
ca. 1788
William Blake IV. "None could have other than natural or organic thoughts..." (Plate 6)
Print made by William Blake, 1757–1827
IV. "None could have other than natural or organic thoughts..." (Plate 6)
ca. 1788
William Blake VI. "The desires & perceptions of man untaught..." (Plate 8)
Print made by William Blake, 1757–1827
VI. "The desires & perceptions of man untaught..." (Plate 8)
ca. 1788
William Blake "Therefore God becomes as we are..." (Plate 9)
Print made by William Blake, 1757–1827
"Therefore God becomes as we are..." (Plate 9)
ca. 1788
William Blake Los Falls through Fire (Plate 21)
Print made by William Blake, 1757–1827
Los Falls through Fire (Plate 21)
1794
William Blake The First Book of Urizen, Plate 23 (Bentley 9)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23 (Bentley 9)
1794
William Blake Chapter V, "The globe of life blood trembled..." (Plate 17)
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 17)
1794
William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
William Blake Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
ca. 1788
William Blake Chapter IV, "Los smitten with astonishment..." (Plate 12)
Print made by William Blake, 1757–1827
Chapter IV, "Los smitten with astonishment..." (Plate 12)
1794
William Blake Chapter IV, "Ages on ages roll'd over him..." (Plate 13)
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 13)
1794
William Blake Urizen Swims through Dark Waters (Plate 7)
Print made by William Blake, 1757–1827
Urizen Swims through Dark Waters (Plate 7)
1794
William Blake Praying Child and Howling Dog (Plate 25)
Print made by William Blake, 1757–1827
Praying Child and Howling Dog (Plate 25)
1794
William Blake Fettered Urizen Weeping (Plate 3)
Print made by William Blake, 1757–1827
Fettered Urizen Weeping (Plate 3)
1794
William Blake Chapter II, "Muster around the bleak desarts..." (Plate 6)
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 6)
1794
William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
1794
William Blake Fable XVI. The Pin and the Needle
Print made by William Blake, 1757–1827
Fable XVI. The Pin and the Needle
1793
William Blake Fable XXII. The Goat Without a Beard
Print made by William Blake, 1757–1827
Fable XXII. The Goat Without a Beard
1793
William Blake Fable XXVIII. The Persian, the Sun, and the Cloud
Print made by William Blake, 1757–1827
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
William Blake Fable XXX. The Setting-dog and the Partridge
Print made by William Blake, 1757–1827
Fable XXX. The Setting-dog and the Partridge
1793
William Blake Fable I. The Dog and the Fox
Print made by William Blake, 1757–1827
Fable I. The Dog and the Fox
1793
William Blake Fable XII. Pan and Fortune
Print made by William Blake, 1757–1827
Fable XII. Pan and Fortune
1793
William Blake Introduction to the Fables, The Shepherd and the Philosopher
Print made by William Blake, 1757–1827
Introduction to the Fables, The Shepherd and the Philosopher
1793
William Blake Fable VI. The Miser and Plutus
Print made by William Blake, 1757–1827
Fable VI. The Miser and Plutus
1793
William Blake Fable XIII. The Tame Stag
Print made by William Blake, 1757–1827
Fable XIII. The Tame Stag
1793
William Blake Fable XXIV. The Butterfly and the Snail
Print made by William Blake, 1757–1827
Fable XXIV. The Butterfly and the Snail
1793
William Blake Fable XLI. The Owl and the Farmer
Print made by William Blake, 1757–1827
Fable XLI. The Owl and the Farmer
1793
George Edmund Street Design for Polychromatic Decoration of a Church
George Edmund Street, 1824–1881
Design for Polychromatic Decoration of a Church
undated
John Warwick Smith The Hermitage at Frascati
John Warwick Smith, 1749–1831
The Hermitage at Frascati
undated
Richard Westall Greatheart's Battle with Grim
Richard Westall, 1765–1836
Greatheart's Battle with Grim
undated
George Walker Man Haranguing a Gatepost
George Walker, active 1792–died 1795
Man Haranguing a Gatepost
undated
William Callow Stone Bridge; Wooden Footbridge (two drawings)
William Callow, 1812–1908
Stone Bridge; Wooden Footbridge (two drawings)
undated
Sir John Everett Millais A Woman Bowed in Grief
Sir John Everett Millais, 1829–1896
A Woman Bowed in Grief
ca. 1857
Sir John Everett Millais Stained Glass Study, An Otter and Two Fish
Sir John Everett Millais, 1829–1896
Stained Glass Study, An Otter and Two Fish
undated
Julius Caesar Ibbetson Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife
Julius Caesar Ibbetson, 1759–1817
Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife
undated
Lt. Humphrey John Julian Hong Kong Harbor
Lt. Humphrey John Julian, active 1842–1849
Hong Kong Harbor
1843
John Jackson Frederick Howard, fifth Earl of Carlisle
John Jackson, 1778–1831
Frederick Howard, fifth Earl of Carlisle
undated
Thomas Carwitham Jupiter and Callisto: Ovid, Metamorphoses, Book 2
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
unknown artist Interior of Stone Building
unknown artist
Interior of Stone Building
undated
James C. Allen Lowestoffe Lighthouse
Print made by James C. Allen, active 1821–1831
Lowestoffe Lighthouse
ca. 1830
James C. Allen Harborough Sands
Print made by James C. Allen, active 1821–1831
Harborough Sands
ca. 1830
James C. Allen Harborough Sands
Print made by James C. Allen, active 1821–1831
Harborough Sands
ca. 1830
James C. Allen Lowestoffe Lighthouse
Print made by James C. Allen, active 1821–1831
Lowestoffe Lighthouse
ca. 1830
Edward Goodall The Campagna of Rome
Print made by Edward Goodall, 1795–1870
The Campagna of Rome
1830
Peter DeWint Still Life with Pitchers on a Shelf
attributed to Peter DeWint, 1784–1849
Still Life with Pitchers on a Shelf
undated
William Wyld Ship at Sea
Attributed to William Wyld, 1806–1889
Ship at Sea
undated
unknown artist Angel of Peace
unknown artist
Angel of Peace
between 1839 and 1866
Sir John Everett Millais Study of a Youth
Sir John Everett Millais, 1829–1896
Study of a Youth
undated
William Mulready The Fight Interrupted
William Mulready, 1786–1863
The Fight Interrupted
undated
James Roberts Officer with Cockade and Sword
James Roberts, active 1766–1809
Officer with Cockade and Sword
undated
Augustus Welby Northmore Pugin Window West End, South Aisle, Saint Vincent
Augustus Welby Northmore Pugin, 1812–1852
Window West End, South Aisle, Saint Vincent
undated
James Tibbits Willmore The Sea! The Sea!
Print made by James Tibbits Willmore, 1800–1863
The Sea! The Sea!
1836
William Henry Hunt Study of a Young Girl, with Ringlets, in a Black Evening Dress
William Henry Hunt, 1790–1864
Study of a Young Girl, with Ringlets, in a Black Evening Dress
ca. 1830
William Henry Hunt Girl in a Red Belt
William Henry Hunt, 1790–1864
Girl in a Red Belt
ca. 1830
Samuel Prout Mechanical Grinder with Figures
Samuel Prout, 1783–1852
Mechanical Grinder with Figures
undated
Schenecker Edward Progers
Schenecker, active 1791
Edward Progers
1793
D. P. Pariset Sir William Chambers
D. P. Pariset, born 1740, active in Britain from 1767
Sir William Chambers
1769
Bernard Lens II Annuciation
Print made by Bernard Lens II, 1659–1725
Annuciation
undated
Bernard Lens II Head of a Mogul
Print made by Bernard Lens II, 1659–1725
Head of a Mogul
undated
R. Clamp Sir John Hawkins
Print made by R. Clamp, fl.1789–1798
Sir John Hawkins
1794
John Dean T. Smollett, M. D.
Print made by John Dean, 1754–1798
T. Smollett, M. D
undated
James Basire James Harris
Print made by James Basire, 1730–1802
James Harris
after 1776
James Ward Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."
James Ward, 1769–1859
Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."
1820 to 1830
Robert Wallis Rome, Castle of St. Angelo
Print made by Robert Wallis, 1794–1878
Rome, Castle of St. Angelo
1830
Thomas Sully Small Waterfall in Forest
Thomas Sully, 1783–1872
Small Waterfall in Forest
undated
Robert Smirke Malvolio Dancing
Robert Smirke, 1752–1845
Malvolio Dancing
1827
Robert Smirke She Never Told Her Love, But Sat Like Patience on a Monument
Robert Smirke, 1752–1845
She Never Told Her Love, But Sat Like Patience on a Monument
1827
Joseph Cartwright Dock Scene: Boats and Ships of Various Sizes; Ship-Building; Pully-like Machines with Operators
Joseph Cartwright, c.1789–1829
Dock Scene: Boats and Ships of Various Sizes; Ship-Building; Pully-like Machines with Operators
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
William Finden A Vintage
William Finden, 1787–1852
A Vintage
1834
Edward Francis Finden The Walls of Rome, Tomb of Caius Sestus
Print made by Edward Francis Finden, 1791–1857
The Walls of Rome, Tomb of Caius Sestus
1832-1834
Edward Goodall The Campagna of Rome
Print made by Edward Goodall, 1795–1870
The Campagna of Rome
1830
William Miller Venice, The Rialto - Moonlight
Print made by William Miller, 1796–1882
Venice, The Rialto - Moonlight
1834
William Miller Loch Lomond
Print made by William Miller, 1796–1882
Loch Lomond
1834