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Materials & Techniques wove paper

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Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
William Blake Praying Child and Howling Dog (Plate 25)
Print made by William Blake, 1757–1827
Praying Child and Howling Dog (Plate 25)
1794
William Blake Chapter V, "The globe of life blood trembled..." (Plate 17)
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 17)
1794
William Blake "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
Print made by William Blake, 1757–1827
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
1804 to 1820
William Blake "The Ox in the slaughter house moans..." (Plate 23)
Print made by William Blake, 1757–1827
"The Ox in the slaughter house moans..." (Plate 23)
1794
William Blake Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
William Blake Title Page, Visions of the Daughters of Albion (Plate 2)
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
William Blake "But when the morn arose, her lamentation renewd..." (Plate 8)
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
William Blake "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
William Blake "And none but Bromian can hear my lamentations..." (Plate 6)
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
William Blake Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
1794
William Blake Los with the child Orc and Enitharmon (Plate 18)
Print made by William Blake, 1757–1827
Los with the child Orc and Enitharmon (Plate 18)
1794
William Blake Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
William Blake Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
Print made by William Blake, 1757–1827
Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
1794
William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
William Blake Romeo and Juliet, Act IV, Scene V
Print made by William Blake, 1757–1827
Romeo and Juliet, Act IV, Scene V
1799
Richard Parkes Bonington Portia and Bassanio
Richard Parkes Bonington, 1802–1828
Portia and Bassanio
ca. 1826
Robert Smirke Scenes from an Eastern Romance [Arabian Nights]
Robert Smirke, 1752–1845
Scenes from an Eastern Romance [Arabian Nights]
undated
Thomas Grieve Design for Love's Labour's Lost
Thomas Grieve, 1799–1882
Design for Love's Labour's Lost
1839
Florence Claxton L'Allegro
Florence Claxton, active 1855–1889
L'Allegro
undated
Robert Smirke Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
Robert Smirke, 1752–1845
Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
1821
Robert Smirke Lysander Awakening to See Helena
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
Robert Smirke Feste, as Sir Topas, addressing Malvolio
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
Robert Smirke Hotspur and the Plotters at Bangor
Robert Smirke, 1752–1845
Hotspur and the Plotters at Bangor
1825
Robert Smirke Scene from Shakespeare's, Romeo and Juliet
Robert Smirke, 1752–1845
Scene from Shakespeare's, Romeo and Juliet
undated
Robert Smirke Viola and Olivia
Robert Smirke, 1752–1845
Viola and Olivia
1822
Robert Smirke Juliet About to Take her Sleeping Draught
Robert Smirke, 1752–1845
Juliet About to Take her Sleeping Draught
1825
Isaac Taylor Unidentified Periodical / Play Illustration
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
William Miller Loch Katrine
Print made by William Miller, 1796–1882
Loch Katrine
1834
George Richmond The Fatal Bellman
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
Edward Francis Finden The Castellated Rhine
Print made by Edward Francis Finden, 1791–1857
The Castellated Rhine
1833
Edward Francis Finden St. Sophia, Constantinople
Print made by Edward Francis Finden, 1791–1857
St. Sophia, Constantinople
1833
George Cruikshank Jonathan Wild Discovers Darrell in the Loft
Print made by George Cruikshank, 1792–1878
Jonathan Wild Discovers Darrell in the Loft
1835
Edward Goodall Smailholm Tower
Print made by Edward Goodall, 1795–1870
Smailholm Tower
1834
Robert Smirke Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)
Robert Smirke, 1752–1845
Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)
undated
Edward Francis Finden The School of Homer, Scio
Print made by Edward Francis Finden, 1791–1857
The School of Homer, Scio
1833
Henry Le Keux Abbotsford
Print made by Henry Le Keux, 1787–1868
Abbotsford
1834, reprinted 1851
George Vertue William Cavendish, Marquis of Newcastle, General of His Majesties Army in the North.
Print possibly made by George Vertue, 1684–1756
William Cavendish, Marquis of Newcastle, General of His Majesties Army in the North
1713
unknown artist William Cavendish, first Duke of Newcastle-upon-Tyne
Print made by unknown artist
William Cavendish, first Duke of Newcastle-upon-Tyne
undated
William Miller An Old Manor House
Print made by William Miller, 1796–1882
An Old Manor House
1834
George Cruikshank Hamlet and the Ghost
George Cruikshank, 1792–1878
Hamlet and the Ghost
ca. 1825
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
George Cruikshank Macbeth and the Witch
George Cruikshank, 1792–1878
Macbeth and the Witch
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
William Blake The Peasants' Nest: Cowper's tame Hares
Print made by William Blake, 1757–1827
The Peasants' Nest: Cowper's tame Hares
1802
Charles Knight Edmond Malone, Esqr.
Charles Knight, 1743–c.1826
Edmond Malone, Esqr
undated
Robert Cooper Reverend William Mason
Robert Cooper, active ca. 1800–1836
Reverend William Mason
undated