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Materials & Techniques wove paper

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Genre literary theme

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Height [cm] 14

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Vanessa Bell An Unwritten Novel
Print made by Vanessa Bell, 1879–1961
An Unwritten Novel
1921
George Romney Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
George Romney, 1734–1802
Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
undated
George Romney Witches' Cavern: MacBeth's Second Visit
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
George Romney The Witches' Cavern
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
George Romney The Banquet Scene
George Romney, 1734–1802
The Banquet Scene
ca. 1792
George Romney MacBeth: Banquet Scene
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
George Romney Witches' Cavern: MacBeth's Second Visit
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
George Romney MacBeth: Banquet Scene
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
George Romney MacBeth: Banquet Scene
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
George Romney MacBeth at the Witches' Cave: Second Visit
George Romney, 1734–1802
MacBeth at the Witches' Cave: Second Visit
undated
George Romney The Abandonment and Rescue of Perdita from "The Winter's Tale"
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
George Romney Unidentified Subjects
George Romney, 1734–1802
Unidentified Subjects
undated
George Romney The Abandonment and Rescue of Perdita from "The Winter's Tale"
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Birth of Man
George Romney, 1734–1802
Birth of Man
undated
William Blake Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
ca. 1788
William Blake I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
Print made by William Blake, 1757–1827
I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
ca. 1788
William Blake II. "Reason or the ratio of all we have already known..." (Plate 11)
Print made by William Blake, 1757–1827
II. "Reason or the ratio of all we have already known..." (Plate 11)
ca. 1788
William Blake II. "Man by his reasoning power can only compare..." (Plate 4)
Print made by William Blake, 1757–1827
II. "Man by his reasoning power can only compare..." (Plate 4)
ca. 1788
William Blake III. "From a perception of only 3 senses..." (Plate 5)
Print made by William Blake, 1757–1827
III. "From a perception of only 3 senses..." (Plate 5)
ca. 1788
William Blake V. "Mans desires are limited by his perceptions..." (Plate 7)
Print made by William Blake, 1757–1827
V. "Mans desires are limited by his perceptions..." (Plate 7)
ca. 1788
William Blake Chapter III, "As the stars are apart from the earth..." (Plate 9)
Print made by William Blake, 1757–1827
Chapter III, "As the stars are apart from the earth..." (Plate 9)
1794
William Blake I. "Man cannot naturally Percieve..."(Plate 3)
Print made by William Blake, 1757–1827
I. "Man cannot naturally Percieve..."(Plate 3)
ca. 1788
William Blake IV. "None could have other than natural or organic thoughts..." (Plate 6)
Print made by William Blake, 1757–1827
IV. "None could have other than natural or organic thoughts..." (Plate 6)
ca. 1788
William Blake VI. "The desires & perceptions of man untaught..." (Plate 8)
Print made by William Blake, 1757–1827
VI. "The desires & perceptions of man untaught..." (Plate 8)
ca. 1788
William Blake "Therefore God becomes as we are..." (Plate 9)
Print made by William Blake, 1757–1827
"Therefore God becomes as we are..." (Plate 9)
ca. 1788
William Blake The Argument. "Man has no notion of moral fitness..." (Plate 2"
Print made by William Blake, 1757–1827
The Argument. "Man has no notion of moral fitness..." (Plate 2"
ca. 1788
William Blake What is Man!, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
What is Man!, Frontispiece (Plate 1)
1793
William Blake My Son! My Son! (Plate 10)
Print made by William Blake, 1757–1827
My Son! My Son! (Plate 10)
1793
William Blake Title Page, Visions of the Daughters of Albion (Plate 2)
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
Robert Brandard Jedburgh Abbey
Print made by Robert Brandard, 1805–1862
Jedburgh Abbey
1834
William Miller Edinburgh from Blackford Hill
Print made by William Miller, 1796–1882
Edinburgh from Blackford Hill
1834
Henry Le Keux Loch Coriskin
Print made by Henry Le Keux, 1787–1868
Loch Coriskin
1834
Robert Smirke Anne Page and Slender
Robert Smirke, 1752–1845
Anne Page and Slender
1821
Robert Smirke Lysander Awakening to See Helena
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
Robert Wallis Kelso
Print made by Robert Wallis, 1794–1878
Kelso
1834
Edward Goodall Caerlaverock Castle
Print made by Edward Goodall, 1795–1870
Caerlaverock Castle
1834
William Miller Melrose
Print made by William Miller, 1796–1882
Melrose
1834
William Miller Loch Katrine
Print made by William Miller, 1796–1882
Loch Katrine
1834
Robert Brandard Jedburgh Abbey
Print made by Robert Brandard, 1805–1862
Jedburgh Abbey
1834
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
William Miller Skiddaw
Print made by William Miller, 1796–1882
Skiddaw
1834
Henry Le Keux Loch Coriskin
Print made by Henry Le Keux, 1787–1868
Loch Coriskin
1834
William Miller Dryburgh Abbey
Print made by William Miller, 1796–1882
Dryburgh Abbey
1833
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
Edward Goodall Caerlaverock Castle
Print made by Edward Goodall, 1795–1870
Caerlaverock Castle
1834
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
William Miller Berwick-upon-Tweed
Print made by William Miller, 1796–1882
Berwick-upon-Tweed
1834
Robert Wallis Kelso
Print made by Robert Wallis, 1794–1878
Kelso
1834
William Miller Melrose
Print made by William Miller, 1796–1882
Melrose
1834
William Miller Edinburgh from Blackford Hill
Print made by William Miller, 1796–1882
Edinburgh from Blackford Hill
1834
William Miller Dryburgh Abbey
Print made by William Miller, 1796–1882
Dryburgh Abbey
1834
Alfred Thompson Costume Design for two Morris Dancers
Alfred Thompson, ca. 1833–1895
Costume Design for two Morris Dancers
undated
Robert Brandard Jedburgh Abbey
Print made by Robert Brandard, 1805–1862
Jedburgh Abbey
1834
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
William Miller Dryburgh Abbey
Print made by William Miller, 1796–1882
Dryburgh Abbey
1834
Robert Wallis Kelso
Print made by Robert Wallis, 1794–1878
Kelso
1834
William Miller Edinburgh from Blackford Hill
Print made by William Miller, 1796–1882
Edinburgh from Blackford Hill
1834
William Miller Loch Katrine
Print made by William Miller, 1796–1882
Loch Katrine
1834
William Miller Skiddaw
Print made by William Miller, 1796–1882
Skiddaw
1834
James Fittler 'The Gamester,' Act V, Scene IV
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
Luigi Schiavonetti The Counsellor, King, Warrior, Mother & Child, in the Tomb
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808, published 1813
Ford Madox Brown The Prisoner of Chillon Entreating his Jailors to Bury His Brother Where the Sun Might Fall Upon His Grave
Ford Madox Brown, 1821–1893
The Prisoner of Chillon Entreating his Jailors to Bury His Brother Where the Sun Might Fall Upon His Grave
1858
Benjamin Robert Haydon The Murder of Duncan - Macbeth with the Daggers
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Daggers
between 1809 and 1811
Robert Smirke Viola and Olivia
Robert Smirke, 1752–1845
Viola and Olivia
1822
Robert Smirke Ford in a Rage After Seeing Falstaff
Robert Smirke, 1752–1845
Ford in a Rage After Seeing Falstaff
1821
Robert Smirke Lady Mortimer's Welsh Song
Robert Smirke, 1752–1845
Lady Mortimer's Welsh Song
1825
Robert Smirke Study of a Woman, Imploring for the Return of Her Captive Child
Robert Smirke, 1752–1845
Study of a Woman, Imploring for the Return of Her Captive Child
undated
Robert Smirke Study of a Soldier Attacking a Woman
Robert Smirke, 1752–1845
Study of a Soldier Attacking a Woman
undated
unknown artist Scene from the Tempest
unknown artist
Scene from the Tempest
undated
unknown artist Apparition: Banquo?
unknown artist
Apparition: Banquo?
undated
George Cruikshank Jack Sheppard Exhibits a Vindictive Character
Print made by George Cruikshank, 1792–1878
Jack Sheppard Exhibits a Vindictive Character
1835
George Cruikshank "May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"
Print made by George Cruikshank, 1792–1878
"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"
1839
George Cruikshank The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'
Print made by George Cruikshank, 1792–1878
The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'
1839
William Miller Loch Achray
Print made by William Miller, 1796–1882
Loch Achray
1834