<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Materials & Techniques wove paper

Remove constraint Materials & Techniques: wove paper

Exhibition History Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)

Remove constraint Exhibition History: Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)

Search Results

The Deluge
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Mezzotint; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 1/4 inches (28.9 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hind Head Hill
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coast of Yorkshire
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 16 5/8 inches (28.9 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stonehenge at Daybreak
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1815 to 1819
Materials & Techniques:
Mezzotint, printed in brown ink; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 15 3/4 inches (28.6 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Fortified Rock of Monaco from the East
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1838
Materials & Techniques:
Watercolor, gouache, pen and brown ink and scratching out on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 3/8 x 7 1/2 inches (13.7 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Carlisle
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1832
Materials & Techniques:
Watercolor and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/4 x 5 5/8in. (8.3 x 14.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Ship Approaching Margate Harbour in a Stormy Sea
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1840
Materials & Techniques:
Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 x 14 3/8 inches (24.8 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ingleborough from Chapel-Le-Dale
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1810 and 1815
Materials & Techniques:
Watercolor, graphite and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 x 15 1/2 inches (27.9 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fluelen: Morning (Looking towards the Lake)
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1845
Materials & Techniques:
Watercolor, gouache and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 18 7/8 inches (29.8 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lost to All Hope the Brig
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1845 and 1850
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 12 3/4 inches (22.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chrichton Castle with a Rainbow; Color Study
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1818
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on thick, slightly textured cream wove paper
Dimensions:
Sheet: 6 7/8 x 9 3/4 inches (17.5 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mer de Glace, in the Valley of Chamonix
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1803
Materials & Techniques:
Watercolor, graphite, gum, scraping out and stopping out on moderately thick, slightly textured, cream wove paper mounted on thick, smooth wove paper
Dimensions:
Sheet: 27 3/4 x 41 inches (70.5 x 104.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Moselle Bridge, Coblenz
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1842
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/8 x 24 1/4in. (48.6 x 61.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Paddle-Steamer in a Storm on Lake Lucerne
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1841
Materials & Techniques:
Watercolor, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 x 11 3/8 inches (23.2 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bridge over the River Rye at Helmsley, with the Castle Beyond
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1798 and 1799
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Leeds

Leeds
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Watercolor, scraping out and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 x 17 inches (29.2 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vesuvius in Eruption
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1817 and 1820
Materials & Techniques:
Watercolor, gum, scraping out on medium, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:
Sheet: 11 1/4 x 15 5/8 inches (28.6 x 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Upper Fall of the Reichenbach: Rainbow
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1810
Materials & Techniques:
Watercolor, graphite, gouache, and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 x 15 1/2 inches (27.9 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mountain Landscape, Possibly the Pass of St. Gotthard
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1842
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 3/4 x 23 3/4 inches (47.6 x 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
High Force or Fall of Tees
Creator:
Print made by John Landseer, 1769–1852
Date:
1821
Materials & Techniques:
Etching and line engraving with chine collé; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 17 3/4 inches (30.8 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fall of the Tees, Yorkshire
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and line engraving; 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 3/4 inches (27.3 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lowestoffe, Suffolk
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1837
Materials & Techniques:
Etching and line engraving; 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 5/8 inches (27.3 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Llandberis Lake, Wales
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 14 5/8 inches (27.6 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chain Bridge over the River Tees
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1838
Materials & Techniques:
Etching and engraving; third state on moderately thick, smooth, cream wove paper
Dimensions:
Plate: 9 1/2 x 12 7/8in. (24.2 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dudley, Worcestershire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1835
Materials & Techniques:
Etching and line engraving; 3rd state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 13/16 × 15 inches (27.5 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ancient Carthage - The Embarcation of Regulus
Creator:
Print made by Daniel Wilson, 1816–1892
Date:
1840
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 25 1/8 × 31 1/8 inches (63.8 × 79.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance to Fowey Harbour, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1829
Materials & Techniques:
Etching and line engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 15/16 × 21 1/16 inches (37.9 × 53.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lyme Regis, Norfolk
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1836
Materials & Techniques:
Etching and line engraving; 1st state on moderately thick, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 12 1/2 inches (24.8 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Penmaen Mawr, Caernarvonshire
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1832
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof (completed) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 21 1/16 inches (38.4 × 53.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Llanthony, Monmouthshire
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Etching and line engraving; engraver's proof (b) on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 5/8 × 17 1/8 inches (29.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ullswater, Cumberland
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé; 1st published state on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 1/8 × 16 3/8 inches (35.9 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stone Henge
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1829
Materials & Techniques:
Etching and line engraving with chine collé; 2nd state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 9/16 inches (26.7 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coventry, Warwickshire
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; second state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 × 14 13/16 inches (26.8 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hardraw Fall
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1818
Materials & Techniques:
Etching and line engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 18 1/4 inches (31.1 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Salisbury, Wiltshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1830
Materials & Techniques:
Etching and line engraving with chine collé; 1st state on thick, smooth, cream wove paper
Dimensions:
Sheet: 11 1/4 × 15 1/16 inches (28.6 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Moss Dale Fall
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1822
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof (b) on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 × 19 5/8 inches (33 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Longships Lighthouse, Lands End
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1836
Materials & Techniques:
Etching and line engraving with chine collé; 1st published state on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/8 × 22 inches (41.6 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Thomas Oldham Barlow, 1824–1889
Date:
1856
Materials & Techniques:
Mezzotint and etching; published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 27 × 38 5/8 inches (68.6 × 98.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Zurich

No cover image available
Creator:
Print made by Thomas Abiel Prior, 1809–1886
Date:
1854
Materials & Techniques:
Etching and line engraving with chine collé; India proof before letters on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 23 1/2 × 34 7/8 inches (59.7 × 88.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1854
Materials & Techniques:
Etching and line engraving with chine collé; India proof, second state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 23 1/2 × 34 3/4 inches (59.7 × 88.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection