<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Materials & Techniques wove paper

Remove constraint Materials & Techniques: wove paper

Period 18th century

Remove constraint Period: 18th century

Width [cm] 51

Remove constraint Width [cm]: 51

Search Results

William Blake Pity
Print made by William Blake, 1757–1827
Pity
ca. 1795
Edward Rooker The Magicians Marching off After the Success of their Incantations
Edward Rooker, 1724–1774
The Magicians Marching off After the Success of their Incantations
ca. 1763
Agostino Brunias A Negroes Dance in the Island of Dominica
Print made by Agostino Brunias, 1728–1796
A Negroes Dance in the Island of Dominica
1779
Edward Rooker A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River
Edward Rooker, 1724–1774
A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River
ca. 1763
Richard Westall Queen Judith reciting to Alfred when a child
Richard Westall, 1765–1836
Queen Judith reciting to Alfred when a child
Paul Sandby Munn Shanklin Chine, Isle of Wight
Paul Sandby Munn, 1773–1845
Shanklin Chine, Isle of Wight
1797
Paul Sandby Views in the Levant: The Sacred Cave of Archidamus
Paul Sandby, 1731–1809
Views in the Levant: The Sacred Cave of Archidamus
ca. 1785
James Wyatt Cobham Hall, Kent: Elevation of Dairy
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of Dairy
1794
William Ward Jack in the Bilboes
William Ward, 1766–1826
Jack in the Bilboes
1790
Thomas Malton the Younger The Great Court and Chapel of Trinity College in the University of Cambridge
Thomas Malton the Younger, 1748–1804
The Great Court and Chapel of Trinity College in the University of Cambridge
1798
John Boydell A View Taken near Mr. Smith's House at Battersea, Looking up the Thames
John Boydell, 1720–1804
A View Taken near Mr. Smith's House at Battersea, Looking up the Thames
1752
Thomas Malton the Younger Kings College Chapel, The Public Library, and East End of the Senate House, in the University of Cambridge
Thomas Malton the Younger, 1748–1804
Kings College Chapel, The Public Library, and East End of the Senate House, in the University of Cambridge
1798
unknown artist Westminster Bridge from Lambeth Walk
unknown artist
Westminster Bridge from Lambeth Walk
undated
Richard Earlom George Augustus Elliot Lord Heathfield
Print made by Richard Earlom, 1743–1822
George Augustus Elliot Lord Heathfield
1788
unknown artist Rouen: A Map of the City and Surrounding Areas
unknown artist
Rouen: A Map of the City and Surrounding Areas
undated
unknown artist Le Havre and Le Manche: A Map of Le Havre
unknown artist
Le Havre and Le Manche: A Map of Le Havre
undated
James Wyatt Cobham Hall, Kent: Elevation of Building with Archway and Tower at Either End
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of Building with Archway and Tower at Either End
ca. 1790
James Wyatt Cobham Hall, Kent: Plan of the Dairy
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of the Dairy
1794
Thomas Daniell Madras
Thomas Daniell, 1749–1840
Madras
undated
James Wyatt [One of] Five Designs for a Church
James Wyatt, 1746–1813
[One of] Five Designs for a Church
undated
unknown artist Design after a Greek Vase
unknown artist
Design after a Greek Vase
undated
unknown artist Design after a Greek Vase
unknown artist
Design after a Greek Vase
undated
James Seymour Setting Off for the Chase: The Huntsman Leading out a Pack of Harriers followed by the Master and the Whipper-In
James Seymour, 1702–1752
Setting Off for the Chase: The Huntsman Leading out a Pack of Harriers followed by the Master and the Whipper-In
undated
James Basire Plate XIII: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
W. Pyott The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
Print made by W. Pyott, active late 18th century
The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
1792
Thomas Rowlandson Bodmin Cornwall: The Arrival of the Stage-Coach
Thomas Rowlandson, 1756–1827
Bodmin Cornwall: The Arrival of the Stage-Coach
1795
James Basire Plate XI: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate XI: St Stephen's Chapel
1795
John Warwick Smith Lake Windermere from Calgarth with Belle Isle
John Warwick Smith, 1749–1831
Lake Windermere from Calgarth with Belle Isle
ca. 1790
John Warwick Smith Approach to Belle Grange Park
John Warwick Smith, 1749–1831
Approach to Belle Grange Park
1789
John Warwick Smith Village of Stonethwaite and Eagle Cragg, Borrowdale
John Warwick Smith, 1749–1831
Village of Stonethwaite and Eagle Cragg, Borrowdale
1792
James Basire Plate IX: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
Thomas Daniell Boats near a Dutch Folly Fort, Canton
Thomas Daniell, 1749–1840
Boats near a Dutch Folly Fort, Canton
ca. 1785
James Basire Plate X: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
James Basire Plate VIII: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
James Basire Plate XII: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
Thomas Rowlandson The Duchess of Devonshire and the Countess of Bessborough
Thomas Rowlandson, 1756–1827
The Duchess of Devonshire and the Countess of Bessborough
1790
Thomas Rowlandson Bodmin Cornwall: French Prisoners on Parole
Thomas Rowlandson, 1756–1827
Bodmin Cornwall: French Prisoners on Parole
1795
John Warwick Smith Hafod: Upper Part of Cascade
John Warwick Smith, 1749–1831
Hafod: Upper Part of Cascade
1793
John Warwick Smith Bay Scene in Moonlight
John Warwick Smith, 1749–1831
Bay Scene in Moonlight
1787
Joseph Farington View of the Convent of the Clarisses at Valenciennes after the Seige
Joseph Farington, 1747–1821
View of the Convent of the Clarisses at Valenciennes after the Seige
1793