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Materials & Techniques wove paper

Remove constraint Materials & Techniques: wove paper

Period 18th century

Remove constraint Period: 18th century

Height [cm] 14

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George Romney Figure Composition Study 12
George Romney, 1734–1802
Figure Composition Study 12
undated
George Romney Figure Composition Study 22
George Romney, 1734–1802
Figure Composition Study 22
undated
George Romney Figure Composition Study 3
George Romney, 1734–1802
Figure Composition Study 3
undated
George Romney Figure Composition Study 7
George Romney, 1734–1802
Figure Composition Study 7
undated
George Romney Figure Composition Study 41
George Romney, 1734–1802
Figure Composition Study 41
undated
George Romney Figure Composition Study 42
George Romney, 1734–1802
Figure Composition Study 42
undated
George Romney Figure Composition Study 43
George Romney, 1734–1802
Figure Composition Study 43
undated
George Romney Figure Composition Study 46
George Romney, 1734–1802
Figure Composition Study 46
undated
George Romney Figure Composition Study 47
George Romney, 1734–1802
Figure Composition Study 47
undated
George Romney Figure Composition Study 31
George Romney, 1734–1802
Figure Composition Study 31
undated
George Romney Study of a Male Figure
George Romney, 1734–1802
Study of a Male Figure
undated
George Romney Figure Composition Study 32
George Romney, 1734–1802
Figure Composition Study 32
undated
George Romney Figure Composition Study 29
George Romney, 1734–1802
Figure Composition Study 29
undated
George Romney Figure Composition Study 33
George Romney, 1734–1802
Figure Composition Study 33
undated
George Romney Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope
George Romney, 1734–1802
Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope
1793
George Romney The Witches' Cavern
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
George Romney The Banquet Scene
George Romney, 1734–1802
The Banquet Scene
ca. 1792
George Romney The Temptation of Christ
George Romney, 1734–1802
The Temptation of Christ
ca. 1796
George Romney Three Sketches of a Figure Asleep, Probably Adam and Eve for "Satan Discovered at the Ear of Eve"
George Romney, 1734–1802
Three Sketches of a Figure Asleep, Probably Adam and Eve for "Satan Discovered at the Ear of Eve"
undated
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Devils for the Temptation of Christ
George Romney, 1734–1802
Devils for the Temptation of Christ
1793
William Blake Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
ca. 1788
William Blake I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
Print made by William Blake, 1757–1827
I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
ca. 1788
William Blake II. "Reason or the ratio of all we have already known..." (Plate 11)
Print made by William Blake, 1757–1827
II. "Reason or the ratio of all we have already known..." (Plate 11)
ca. 1788
William Blake II. "Man by his reasoning power can only compare..." (Plate 4)
Print made by William Blake, 1757–1827
II. "Man by his reasoning power can only compare..." (Plate 4)
ca. 1788
William Blake III. "From a perception of only 3 senses..." (Plate 5)
Print made by William Blake, 1757–1827
III. "From a perception of only 3 senses..." (Plate 5)
ca. 1788
William Blake V. "Mans desires are limited by his perceptions..." (Plate 7)
Print made by William Blake, 1757–1827
V. "Mans desires are limited by his perceptions..." (Plate 7)
ca. 1788
William Blake Chapter III, "As the stars are apart from the earth..." (Plate 9)
Print made by William Blake, 1757–1827
Chapter III, "As the stars are apart from the earth..." (Plate 9)
1794
William Blake I. "Man cannot naturally Percieve..."(Plate 3)
Print made by William Blake, 1757–1827
I. "Man cannot naturally Percieve..."(Plate 3)
ca. 1788
William Blake IV. "None could have other than natural or organic thoughts..." (Plate 6)
Print made by William Blake, 1757–1827
IV. "None could have other than natural or organic thoughts..." (Plate 6)
ca. 1788
William Blake VI. "The desires & perceptions of man untaught..." (Plate 8)
Print made by William Blake, 1757–1827
VI. "The desires & perceptions of man untaught..." (Plate 8)
ca. 1788
William Blake "Therefore God becomes as we are..." (Plate 9)
Print made by William Blake, 1757–1827
"Therefore God becomes as we are..." (Plate 9)
ca. 1788
William Blake The Argument. "Man has no notion of moral fitness..." (Plate 2"
Print made by William Blake, 1757–1827
The Argument. "Man has no notion of moral fitness..." (Plate 2"
ca. 1788
William Blake Earth (Plate 5)
Print made by William Blake, 1757–1827
Earth (Plate 5)
1793
William Blake Does Thy God O Priest Take such Vengeance as This? (Plate 14)
Print made by William Blake, 1757–1827
Does Thy God O Priest Take such Vengeance as This? (Plate 14)
1793
William Blake Death's Door (Plate 17)
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1793
William Blake What is Man!, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
What is Man!, Frontispiece (Plate 1)
1793
William Blake Title Page, For Children. The Gates of Paradise (Plate 2)
Print made by William Blake, 1757–1827
Title Page, For Children. The Gates of Paradise (Plate 2)
1793
William Blake I Found Him Beneath a Tree (Plate 3)
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree (Plate 3)
1793
William Blake Water (Plate 4)
Print made by William Blake, 1757–1827
Water (Plate 4)
1793
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
William Blake Help! Help! (Plate 12)
Print made by William Blake, 1757–1827
Help! Help! (Plate 12)
1793
William Blake Aged Ignorance (Plate 13)
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1793
William Blake I Want! I Want! (Plate 11)
Print made by William Blake, 1757–1827
I Want! I Want! (Plate 11)
1793
William Blake Fear & Hope Are -- Vision (Plate 15)
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision (Plate 15)
1793
William Blake The Traveller Hasteth in the Evening (Plate 16)
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening (Plate 16)
1793
William Blake Air (Plate 6)
Print made by William Blake, 1757–1827
Air (Plate 6)
1793
William Blake Fire (Plate 7)
Print made by William Blake, 1757–1827
Fire (Plate 7)
1793
William Blake At Length for Hatching Ripe He Breaks the Shell (Plate 8)
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell (Plate 8)
1793
William Blake My Son! My Son! (Plate 10)
Print made by William Blake, 1757–1827
My Son! My Son! (Plate 10)
1793
William Blake I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
Print made by William Blake, 1757–1827
I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
1793
William Blake Title Page, Visions of the Daughters of Albion (Plate 2)
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
Samuel Howitt A Park Landscape with Shepherd and Sheep
Samuel Howitt, 1756–1822
A Park Landscape with Shepherd and Sheep
1793
Col. James Seymour Wentworth, Earl of Strafford
Col. James Seymour, active 1702–1739
Wentworth, Earl of Strafford
undated
James Playfair Design for a Country Mansion
James Playfair, 1755–1794
Design for a Country Mansion
undated
John Preston Neale House with Weathercock
Attributed to John Preston Neale, 1771/80–1847
House with Weathercock
undated
Paul Sandby A Castle on a River
Paul Sandby, 1731–1809
A Castle on a River
undated
Thomas Chambars Isaac Fuller
Print made by Thomas Chambars, ca. 1724–1789
Isaac Fuller
1762
Thomas Chambars Grinling Gibbons
Print made by Thomas Chambars, ca. 1724–1789
Grinling Gibbons
undated
Thomas Chambars Mrs. Beale and her Son Charles
Print made by Thomas Chambars, ca. 1724–1789
Mrs. Beale and her Son Charles
1762
Francesco Bartolozzi Ticket: For the Benefit of Mr. Salpietro
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salpietro
1799
unknown artist Man Walking Using a Long Staff
unknown artist
Man Walking Using a Long Staff
1755
unknown artist Man with a Stick, Seen From Behind
unknown artist
Man with a Stick, Seen From Behind
1755
Alexander Bannerman Francis Wouters
Alexander Bannerman, ca. 1730–1780
Francis Wouters
undated
Thomas Chambars Horatio Gentileschi and Edward Mascall
Print made by Thomas Chambars, ca. 1724–1789
Horatio Gentileschi and Edward Mascall
undated
Alexander Bannerman Dobson
Alexander Bannerman, ca. 1730–1780
Dobson
undated
Francesco Bartolozzi Sir James Wishart
Print made by Francesco Bartolozzi, 1728–1815
Sir James Wishart
between 1794 and 1798
unknown artist William Hergert, Earl Pembroke
unknown artist
William Hergert, Earl Pembroke
Francesco Bartolozzi Lord FitzGibbon
Print made by Francesco Bartolozzi, 1728–1815
Lord FitzGibbon
1790
Rev. William Gilpin Landscape with Castle, River and Mountain
Rev. William Gilpin, 1724–1804
Landscape with Castle, River and Mountain
between 1762 and 1783
Francesco Bartolozzi Funeral Card of Sir Joshua Reynolds
Print made by Francesco Bartolozzi, 1728–1815
Funeral Card of Sir Joshua Reynolds
1792
unknown artist West Cowes, Isle of Wight
unknown artist
West Cowes, Isle of Wight
undated
Paul Sandby Ruins of Newark Castle
style of Paul Sandby, 1731–1809
Ruins of Newark Castle
undated
John Warwick Smith Carnedd Llewelyn and Carnedd David, Carnarvonshire, Seen Across the River Ogwen
John Warwick Smith, 1749–1831
Carnedd Llewelyn and Carnedd David, Carnarvonshire, Seen Across the River Ogwen
undated
Robert Mabon William Lee, October 1, 1792
Robert Mabon, died 1798
William Lee, October 1, 1792
1792