Materials & Techniques: wove paper / Date: 1860 - YCBA Collections Search Search Results

1. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 10 7/8 inches (19 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 1/2 x 11 3/4 inches (21.6 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3. Evening with a Procession of Choir Boys Walking Towards Westminster Abbey

Creator:: Albert Goodwin, 1845–1932
Date:: undated
Materials & Techniques:: Watercolor and gouache with pen and brown ink and scratching out over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 14 3/4in. (25.6 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Chelsea Bridge with Men in a Barge

Creator:: Walter Greaves, 1846–1930
Date:: 1860
Materials & Techniques:: Graphite, pen and black ink on smooth, thick, beige card
Dimensions:: Sheet: 5 3/8 × 9 1/2 inches (13.7 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. View near Auckland: Three Maoris and a Dog

Creator:: Lt. Gen. Charles Emilius Gold, 1803?–1871
Date:: 1860
Materials & Techniques:: Watercolor, gouache and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 12 1/2 inches (27 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. View near Auckland: Maori Warrior and Women

Creator:: Lt. Gen. Charles Emilius Gold, 1803?–1871
Date:: 1860
Materials & Techniques:: Watercolor, gouache and graphite with scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 1/4 inches (17.5 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Near Goudhurst, Kent

Creator:: Attributed to J. Pearson, active 1860
Date:: 1860
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 14 1/8 inches (23.5 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Dover from Shakespeare's Cliff

Creator:: Print made by William Chapman, 1817–1879
Date:: 1860
Materials & Techniques:: Etching and line engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 16 1/2 inches (36.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Off Hastings

Creator:: Albert Goodwin, 1845–1932
Date:: undated
Materials & Techniques:: Watercolor on thick, rough, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/4 inches (26 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

10. The Mill Pond, Evelyn Woods

Creator:: George Vicat Cole, 1833–1893
Date:: 1860
Materials & Techniques:: Watercolor, gouache, pen and brown ink, and gum arabic on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 15 7/8 × 21 7/8 inches (40.3 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

11. From London Bridge

Creator:: David Roberts, 1796–1864
Date:: 1860
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 7/8 × 7 1/8 inches (12.4 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. On the Thames

Creator:: David Roberts, 1796–1864
Date:: 1860
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 × 6 7/8 inches (12.7 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Lion Brewery on the Thames, 1860

Creator:: David Roberts, 1796–1864
Date:: 1860
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 × 6 13/16 inches (12.7 × 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Three Columns at the Foot of the Capitol, Formerly Styled the Temple of Jupiter Tonons, and the Arch of Septimus Severus

Creator:: Robert MacPherson, 1814–1872
Date:: 1860s
Materials & Techniques:: Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:: Sheet: 16 3/16 × 12 1/2 inches (41.1 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery

15. Fancy, Cupid and Pleasure

Creator:: Simeon Solomon, 1840–1905
Date:: undated
Materials & Techniques:: Red chalk on medium, slightly textured, beige wove paper mounted on card
Dimensions:: Sheet: 16 3/4 × 23 7/8 inches (42.5 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

16. Twilight

Creator:: Albert Goodwin, 1845–1932
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 inches (26.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

17. Kensington Gardens, no. 2 (large plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/16 x 12 1/2 inches (43.6 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

18. Londres. Vue Prise de la Tour de l'Eglise de St. Paul

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1860
Materials & Techniques:: Lithograph, hand colored on moderately thick, smooth, cream wove paper
Dimensions:: Mount: 21 x 30 1/2 inches (53.4 x 77.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Westminster

Creator:: David Roberts, 1796–1864
Date:: 1860
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 15/16 × 6 7/8 inches (12.5 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. General View of the Forum of Trajan

Creator:: Robert MacPherson, 1814–1872
Date:: 1860s
Materials & Techniques:: Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:: Sheet: 9 1/4 × 16 1/4 inches (23.5 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. Melville Chapin, transfer from the Yale University Art Gallery

21. Ponte Lucano and the Tomb of Plautii, Tivoli

Creator:: Robert MacPherson, 1814–1872
Date:: 1860s
Materials & Techniques:: Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:: Sheet: 8 15/16 × 13 7/8 inches (22.7 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery

22. Grand Canal, Venice (#19)

Creator:: Robert MacPherson, 1814–1872
Date:: 1860s
Materials & Techniques:: Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:: Sheet: 10 3/16 × 13 9/16 inches (25.9 × 34.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery

23. Rushford Mill

Creator:: Francis Bedford, 1816–1894
Date:: ca. 1865
Materials & Techniques:: Carbon print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 1/8 inches (22.2 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

24. St. Peters Church, Clearwell, England

Creator:: H. T. Bowers, active 19th century
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 14 1/4 × 11 3/8 inches (36.2 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

25. Plant Study

Creator:: Robert Burrows, 1810–1883
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 4 1/4 × 6 1/8 inches (10.8 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

26. On the Teith, near Collander

Creator:: W. Church Esq., active 1862–1867
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 1/4 × 10 1/2 inches (21 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

27. Aquatic Landscape; Men with Boats and Fishtraps

Creator:: unknown artist
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 5 7/8 × 7 7/8 inches (14.9 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

28. River Scene with Cliff, Man in Boat

Creator:: Payne Jennings, active ca. 1875, died 1926
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 11 1/2 × 9 3/8 inches (29.2 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

29. Bend in the Dargle

Creator:: Payne Jennings, active ca. 1875, died 1926
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 9 3/8 × 11 3/8 inches (23.8 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

30. Rustic Steps and Bridge in Landscape

Creator:: unknown artist
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 1/8 × 6 1/4 inches (20.6 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

31. Ruined Abbey

Creator:: Payne Jennings, active ca. 1875, died 1926
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 11 1/2 × 9 1/2 inches (29.2 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

32. Study of a Tree Overgrown with Ivy

Creator:: Attributed to James Mudd, 1821–ca. 1906
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 14 1/2 × 11 1/2 inches (36.8 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs

33. View in Betchworth Park, Surrey

Creator:: Alfred Rosling, 1802–ca. 1880
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 1/4 × 6 1/2 inches (21 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

34. On the Severn

Creator:: unknown artist
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 7/8 × 7 7/8 inches (22.5 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

35. Loch Mouraig

Creator:: James Valentine, 1815–1879
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 1/4 × 9 3/8 inches (18.4 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

36. Study of the Royal Stag

Creator:: James Valentine, 1815–1879
Date:: ca. 1865
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 1/2 inches (11.4 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

37. Study of the Royal Stag

Creator:: James Valentine, 1815–1879
Date:: ca. 1865
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 1/2 inches (11.4 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

38. Study of the Royal Stag

Creator:: James Valentine, 1815–1879
Date:: ca. 1865
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 1/2 inches (11.4 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

39. Waterfall

Creator:: Payne Jennings, active ca. 1875, died 1926
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 11 1/2 × 9 1/2 inches (29.2 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

40. Trees in the Snow

Creator:: A. Booty Esq., active 1867
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 1/8 × 9 1/2 inches (18.1 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

41. The Death of Chatterton

Creator:: Print made by Thomas Oldham Barlow, 1824–1889
Date:: 1860
Materials & Techniques:: Mezzotint and stipple engraving on thick, moderately textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 26 3/4 × 39 3/8 inches (67.9 × 100 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Purchased with a gift from Bart and Nini Tiernan

42. Kenilworth Castle

Creator:: Attributed to Francis Bedford, 1816–1894
Date:: ca. 1865
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs

43. Loch Ranza

Creator:: Thomas Annan, 1829–1887
Date:: early 1860s
Materials & Techniques:: Albumen print on thin, smooth, cream wove paper
Dimensions:: Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

44. Long Ships Lighthouse off the Land’s End, Cornwall

Creator:: William May, active 19th century
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 11 1/4 × 15 inches (28.6 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs

45. The Foot-Bridge

Creator:: Alfred Rosling, 1802–ca. 1880
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 1/8 × 6 1/2 inches (20.6 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

46. Mt. Pleasant Fields, Hornsey

Creator:: George Shadbolt, 1830–1901
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 3/4 × 8 3/8 inches (17.1 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

47. View of Oakfield, Hornsey

Creator:: George Shadbolt, 1830–1901
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 × 8 1/4 inches (17.8 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

48. Stubbes, Essex

Creator:: George Shadbolt, 1830–1901
Date:: 1860
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 3/8 × 8 1/8 inches (16.2 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

49. Study of the Royal Stag

Creator:: James Valentine, 1815–1879
Date:: ca. 1865
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 1/2 inches (11.4 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

50. The Black Bridge

Creator:: James Valentine, 1815–1879
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 1/2 × 9 1/2 inches (19.1 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

51. View on the Trent, Nottingham Castle in the Distance

Creator:: George Bankart, died 1903
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 1/4 × 11 3/8 inches (21 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

52. Stonemasons, County Durham, England with Memorial Cross Erected in Burnmoor Church

Creator:: unknown artist
Date:: before 1868
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 14 1/4 × 11 1/8 inches (36.2 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

53. Loch Earu

Creator:: Rev. N. B. Drummond, active 1860s
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Mount: 12 × 14 1/2 inches (30.5 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs

54. Tree Study

Creator:: F. Beazley, active 1865–1871
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 1/2 × 9 1/2 inches (19.1 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

55. View on the Lochlong with Gate

Creator:: unknown artist
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 9 1/4 × 10 1/2 inches (23.5 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

56. Cedar, At Warwick

Creator:: Francis Bedford, 1816–1894
Date:: 1860s
Materials & Techniques:: Albumen print on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 1/4 × 6 1/2 inches (21 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs

57. The Temple of Aphaia at Aegina: Two Elevations

Creator:: Charles Robert Cockerell, 1788–1863
Date:: 1860
Materials & Techniques:: Graphite, pen and gray ink and brown wash within single black ink border on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 1/4 x 18 3/4 inches (33.7 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The Temple of Aphaia at Aegina: Wall Section

Creator:: Edmund Turrell, active 1835–1860
Date:: 1860
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 11/16 × 4 5/8 inches (19.5 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Temple of Aphaia at Aegina: Sections

Creator:: Edmund Turrell, active 1835–1860
Date:: 1860
Materials & Techniques:: Etching with collaged graphite additions on slightly textured, moderately thick, cream wove paper with drawings in graphite on attached wove paper
Dimensions:: Sheet: 12 1/8 × 18 3/8 inches (30.8 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Oakley Hall

Creator:: Henry Edridge, 1769–1821
Date:: 1860
Materials & Techniques:: Graphite and gray wash on thick, rough, cream wove paper
Dimensions:: Sheet: 6 1/4 × 9 7/8 inches (15.9 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Propylaea from the Northern Edge of the Stylobate of the Parthenon, Athens

Creator:: John Fulleylove, 1845–1908
Date:: undated
Materials & Techniques:: Watercolor over graphite with scraping out on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 7 3/8 inches (13.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Southern Side of the Erectheum, with the Foundation of the Earlier Temple of Athena Polias

Creator:: John Fulleylove, 1845–1908
Date:: undated
Materials & Techniques:: Watercolor and graphite on thick, rough, wove paper
Dimensions:: Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 12 5/16 inches (22.6 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Eastward Ho!

Creator:: Print made by William Turner Davey, 1818–ca. 1884
Date:: 1860
Materials & Techniques:: Mezzotint and stipple engraving with hand coloring in watercolor on thick, smooth, beige wove paper
Dimensions:: Sheet: 30 3/4 × 23 1/2 inches (78.1 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Paul Walter

65. Still-Life with Casket and Coral

Creator:: Roger Fenton, 1819–1869
Date:: 1860 to 1861
Materials & Techniques:: Albumen print on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 1/4 × 11 3/8 inches (28.6 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

66. The Temple of Aphaia at Aegina: Front Elevation

Creator:: Charles Robert Cockerell, 1788–1863
Date:: 1860
Materials & Techniques:: Proof engraving on textured, thick, white wove paper
Dimensions:: Sheet: 13 1/16 × 13 1/2 inches (33.2 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Temple of Aphaia at Aegina: Longitudinal Section of Platform and Cave

Creator:: Charles Robert Cockerell, 1788–1863
Date:: 1860
Materials & Techniques:: Line engraving with graphite on smooth, thick, cream wove paper
Dimensions:: Sheet: 7 1/16 × 11 3/4 inches (17.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Album of cartes-de-visite, cabinet cards, and other photographs.

Creator:: Malan, A. H. (Alfred Henry)
Date:: circa 1870
Physical Description:: 1 volume (132 photographs) ; album 30 x 23 cm
Collection:: Rare Books and Manuscripts

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Materials & Techniques wove paper

Date 1860

Search Results

1. The Morning of Life

2. The Morning of Life

3. Evening with a Procession of Choir Boys Walking Towards Westminster Abbey

4. Chelsea Bridge with Men in a Barge

5. View near Auckland: Three Maoris and a Dog

6. View near Auckland: Maori Warrior and Women

7. Near Goudhurst, Kent

8. Dover from Shakespeare's Cliff

9. Off Hastings

10. The Mill Pond, Evelyn Woods

11. From London Bridge

12. On the Thames

13. The Lion Brewery on the Thames, 1860

14. The Three Columns at the Foot of the Capitol, Formerly Styled the Temple of Jupiter Tonons, and the Arch of Septimus Severus

15. Fancy, Cupid and Pleasure

16. Twilight

17. Kensington Gardens, no. 2 (large plate)

18. Londres. Vue Prise de la Tour de l'Eglise de St. Paul

19. Westminster

20. General View of the Forum of Trajan

21. Ponte Lucano and the Tomb of Plautii, Tivoli

22. Grand Canal, Venice (#19)

23. Rushford Mill

24. St. Peters Church, Clearwell, England

25. Plant Study

26. On the Teith, near Collander

27. Aquatic Landscape; Men with Boats and Fishtraps

28. River Scene with Cliff, Man in Boat

29. Bend in the Dargle

30. Rustic Steps and Bridge in Landscape

31. Ruined Abbey

32. Study of a Tree Overgrown with Ivy

33. View in Betchworth Park, Surrey

34. On the Severn

35. Loch Mouraig

36. Study of the Royal Stag

37. Study of the Royal Stag

38. Study of the Royal Stag

39. Waterfall

40. Trees in the Snow

41. The Death of Chatterton

42. Kenilworth Castle

43. Loch Ranza

44. Long Ships Lighthouse off the Land’s End, Cornwall

45. The Foot-Bridge

46. Mt. Pleasant Fields, Hornsey

47. View of Oakfield, Hornsey

48. Stubbes, Essex

49. Study of the Royal Stag

50. The Black Bridge

51. View on the Trent, Nottingham Castle in the Distance

52. Stonemasons, County Durham, England with Memorial Cross Erected in Burnmoor Church

53. Loch Earu

54. Tree Study

55. View on the Lochlong with Gate

56. Cedar, At Warwick

57. The Temple of Aphaia at Aegina: Two Elevations

58. The Temple of Aphaia at Aegina: Wall Section

59. The Temple of Aphaia at Aegina: Sections

60. Oakley Hall

61. The Propylaea from the Northern Edge of the Stylobate of the Parthenon, Athens

62. The Southern Side of the Erectheum, with the Foundation of the Earlier Temple of Athena Polias

63. The Morning of Life

64. Eastward Ho!

65. Still-Life with Casket and Coral

66. The Temple of Aphaia at Aegina: Front Elevation

67. The Temple of Aphaia at Aegina: Longitudinal Section of Platform and Cave

68. Album of cartes-de-visite, cabinet cards, and other photographs.