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Materials & Techniques wove paper

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Date 1842

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Classification Prints

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1. Caligula's Palace and Bridge, Bay of Baiæ

Caligula's Palace and Bridge, Bay of Baiæ
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1842
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 1/8 × 36 3/8 inches (66.4 × 92.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Caligula's Palace and Bridge, Bay of Baiæ

Caligula's Palace and Bridge, Bay of Baiæ
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1842
Materials & Techniques:
Etching and line engraving; first published state on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 25 1/4 × 36 1/8 inches (64.1 × 91.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. St. Mark's Place, Venice - Juliet and her Nurse

St. Mark's Place, Venice - Juliet and her Nurse
Creator:
Print made by George Hollis, 1792–1842
Date:
1842
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 25 3/8 × 33 3/8 inches (64.5 × 84.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. St. Mark's Place, Venice - Juliet and her Nurse

St. Mark's Place, Venice - Juliet and her Nurse
Creator:
Print made by George Hollis, 1792–1842
Date:
1842
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 24 1/8 × 30 1/2 inches (61.3 × 77.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Crossing the Brook

Crossing the Brook
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1842
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 1/8 × 22 5/8 inches (76.5 × 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Modern Italy

Modern Italy
Creator:
Print made by William Miller, 1796–1882
Date:
1842
Materials & Techniques:
Etching and line engraving, with graphite and scraping out; touched engraver's proof (a) on thick, sightly textured, cream wove paper
Dimensions:
Sheet: 22 × 27 7/8 inches (55.9 × 70.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Dido and Aeneas; The Morning of the Chase

Dido and Aeneas; The Morning of the Chase
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1842
Materials & Techniques:
Etching and line engraving with graphite; touched engraver's proof (a) on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 21 1/8 × 28 1/8 inches (53.7 × 71.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Mercury and Herse

Mercury and Herse
Creator:
Print made by John Cousen, 1804–1880
Date:
1842
Materials & Techniques:
Etching and line engraving; engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 27 1/2 × 23 inches (69.9 × 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Ancient Italy

Ancient Italy
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1842
Materials & Techniques:
Etching and line engraving, with scraping out and touched with graphite and white chalk; engraver's proof (a) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 26 3/4 × 38 1/2 inches (67.9 × 97.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Modern Italy

Modern Italy
Creator:
Print made by William Miller, 1796–1882
Date:
1842
Materials & Techniques:
Etching and line engraving with graphite; touched engraver's proof (c) on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 26 1/4 × 39 3/4 inches (66.7 × 101 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Modern Italy

Modern Italy
Creator:
Print made by William Miller, 1796–1882
Date:
1842
Materials & Techniques:
Etching and line engraving; earliest engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 3/8 × 25 1/8 inches (46.7 × 63.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Mercury and Herse

Mercury and Herse
Creator:
Print made by John Cousen, 1804–1880
Date:
1842
Materials & Techniques:
Etching; open etched state on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 32 × 24 inches (81.3 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Ancient Italy

Ancient Italy
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1842
Materials & Techniques:
Etching and line engraving; engraver's proof II, Moon's Impressions on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 1/8 × 36 1/8 inches (66.4 × 91.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Modern Italy

Modern Italy
Creator:
Print made by William Miller, 1796–1882
Date:
1842
Materials & Techniques:
Etching; open etched state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 22 3/8 × 28 inches (56.8 × 71.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Modern Italy

Modern Italy
Creator:
Print made by William Miller, 1796–1882
Date:
1842
Materials & Techniques:
Etching and line engraving with graphite; touched early engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 23 1/2 × 30 1/8 inches (59.7 × 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Coronation of Queen Victoria

The Coronation of Queen Victoria
Creator:
Print made by Charles E. Wagstaff, 1808–
Date:
1842
Materials & Techniques:
Etching, line engraving, stipple engraving, and mezzotint on thick, slightly textured, cream wove paper, with cream chine-collé
Dimensions:
Sheet: 29 1/4 × 37 3/8 inches (74.3 × 94.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Vol. 6, Plate XXVIII

Vol. 6, Plate XXVIII
Creator:
Print made by G.F. Storm, active mid–19th century
Date:
1842
Materials & Techniques:
Etching on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Line engraving on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 1/2 inches (38.4 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Vol. 6, Plate XXVII: The Painted Chamber

Vol. 6, Plate XXVII: The Painted Chamber
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Line engraving on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Vol. 6, Plate XXIX

Vol. 6, Plate XXIX
Creator:
Print made by G.F. Storm, active mid–19th century
Date:
1842
Materials & Techniques:
Etching on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 21 7/8 × 15 1/8 inches (55.6 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 3/4 inches (38.4 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Vol. 6, Plate XXXII: The Story of Hezekiah.

Vol. 6, Plate XXXII: The Story of Hezekiah.
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.

Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. This View of the Capture of Amoy, on the Coast of China, on the 26th August, 1841

This View of the Capture of Amoy, on the Coast of China, on the 26th August, 1841
Creator:
Henry Papprill, 1816–d.after 1883
Date:
1842
Materials & Techniques:
Aquatint on thick, smooth, cream wove paper
Dimensions:
Sheet: 12 3/4 × 22 13/16 inches (32.4 × 57.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Engraving on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 13 × 19 inches (33 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. St. Benedicte

St. Benedicte
Creator:
Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:
1842
Materials & Techniques:
Black ink on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 × 8 1/4 inches (14.6 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1

This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1
Creator:
Henry Papprill, 1816–d.after 1883
Date:
1842
Materials & Techniques:
Aquatint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 1/16 × 22 3/16 inches (30.6 × 56.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Mr. Jonas Webb, of Babraham, and his Three Rams

Mr. Jonas Webb, of Babraham, and his Three Rams
Creator:
Print made by John West Giles, active 1827–1865
Date:
1842
Materials & Techniques:
Lithograph with hand coloring on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 3/4 x 23 1/4 inches (47.6 x 59.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Sydney, New South Wales

Sydney, New South Wales
Creator:
Published by J & F Harwood, 1820s–1844
Date:
1842
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

35. Remains of the East Gate, Bermondsey Abbey

Remains of the East Gate, Bermondsey Abbey
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1842
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

36. Rambles in Yucatan, The House of the Caciques

Rambles in Yucatan, The House of the Caciques
Date:
1842
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

37. Sydney, New South Wales

Sydney, New South Wales
Creator:
Print made by unknown artist
Date:
1842
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

38. Crossing the Brook

Crossing the Brook
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1842
Materials & Techniques:
Etching and line engraving with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 19 × 15 1/2 inches (48.3 × 39.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

39. The Penitent

No cover image available
Creator:
Print made by Frederick Bacon, 1803–1887
Date:
between 1842 and 1887
Materials & Techniques:
Stipple engraving and etching on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 19 15/16 x 13 1/2 inches (50.6 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection