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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
23
Creator
Basire, James, 1769–1822
11
Stothard, Charles Alfred, 1786–1821
10
CUNDY, Thomas, 1790–1867
3
Mackenzie, Frederick, 1788–1854
3
Pugin, Augustus Charles, 1762–1832
2
Pugin, Augustus Welby Northmore, 1812–1852
2
Storm, G.F., active mid–19th century
2
Boys, Thomas Shotter, 1803–1874
1
Callow, William, 1812–1908
1
Capon, William, 1757–1827
1
Harraden, Richard Banks, 1778–1862
1
Jones, Horace, Sir, 1819–1887
1
Lear, Edward, 1812–1888
1
Date
1791
644
1796
320
1800
258
1968
113
1827
109
1818
88
1839
70
1799
69
1834
65
1835
61
1811
60
1820
58
1831
58
1790
57
1825
56
1832
53
1802
51
1814
50
1830
50
1795
46
1815
46
1785
45
1826
45
1793
44
1836
44
1781
43
1794
42
1817
42
1823
42
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41
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40
1819
40
1833
40
1772
38
1764
36
1812
34
1829
34
1867
34
1807
32
1813
32
1700
31
1805
31
1810
31
1822
31
1912
30
1964
30
1797
29
1803
29
1806
27
1850
27
1804
24
1840
24
1798
23
1828
23
1842
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23
1784
22
1845
22
1860
22
1824
21
1801
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1809
20
1816
19
1775
18
1841
18
1909
18
1780
17
1808
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1861
17
1966
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15
1838
15
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12
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11
1759
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10
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10
1857
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1970
10
1767
9
1787
9
1859
9
1870
9
0
8
1778
8
1853
8
On-site Access
Accessible by appointment in the Study Room
23
Image Use
Free to Use
23
Image Available
Available
21
Unavailable
2
Classification
Prints
14
Drawings & Watercolors
6
Drawing & Watercolors-Architectural
3
Creator Gender
male
23
Collective Title
"Vetusta Monumenta", Society of Antiquaries of London, 1747-1906
10
Vetusta Monumenta
3
Period
19th century
23
Materials & Techniques
wove paper
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23
line engraving
10
hand coloring
8
black ink
7
graphite
7
pen
7
gray ink
3
wash
3
brown ink
2
etching (printing process)
2
watercolor
2
engraving (printing process)
1
gouache
1
gray wash
1
red ink
1
scratching out
1
stumping
1
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75
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64
Work Type
intaglio print
14
drawing
9
watercolor
3
Genre
architectural subject
23
religious and mythological subject
7
cityscape
2
landscape
2
genre subject
1
historical subject
1
Subject Terms
architectural subject
[remove]
23
religious and mythological subject
7
design
3
house
3
Plan
2
buildings
2
church
2
cityscape
2
landscape
2
river
2
water
2
Gothic (Medieval)
1
abbey
1
bay (body of water)
1
boats
1
castle
1
cattle
1
citadel
1
cliffs
1
coronations
1
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Subject Terms
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Associated Places
England
18
United Kingdom
18
London
16
City of Westminster
13
Palace of Westminster
13
Europe
4
House of Commons
2
St. Stephen's Chapel, Palace of Westminster
2
Abruzzi
1
Czech Republic
1
Devon
1
Italy
1
Jihoceský
1
Plym
1
Plymouth
1
Plymouth Sound
1
Prague
1
Stredoceský
1
Tamar
1
Vltava
1
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Associated Places
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Exhibition History
Edward Lear and the Art of Travel (Yale Center for British Art, 2000-09-20 - 2001-01-14)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
Works of Splendor and Imagination - The Exhibition Watercolor 1770-1870 (Yale Center for British Art, 1981-09-16 - 1981-11-22)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
22
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
1
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Materials & Techniques
wove paper
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Date
1842
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architectural subject
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1
Edward Lear, 1812–1888
Isola di Sora, 31 Mar. 1842
1842
2
William Callow, 1812–1908
The Royal Citadel and Cattewater, Plymouth
1842
3
Augustus Welby Northmore Pugin, 1812–1852
St. Peter's Church, Woolwich
1842
4
Sir Horace Jones, 1819–1887
Part of Goodrich Castle
1842
5
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXIX
1842
6
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
7
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
8
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
9
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
10
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
11
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
12
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
13
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
14
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
15
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
16
Thomas Shotter Boys, 1803–1874
Prague
ca. 1847
17
Print made by Augustus Welby Northmore Pugin, 1812–1852
St. Benedicte
1842
18
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVII: The Painted Chamber
1842
19
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXVIII
1842
20
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Elevation towards Grosvenor Street
1842
21
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1842
22
Richard Banks Harraden, 1778–1862
Warwick Vase, Public Library, Cambridge
1842
23
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan for the New Entrance to Grosvenor House
1842