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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
17
Creator
Basire, James, 1769–1822
11
Stothard, Charles Alfred, 1786–1821
10
CUNDY, Thomas, 1790–1867
3
Mackenzie, Frederick, 1788–1854
3
Storm, G.F., active mid–19th century
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Capon, William, 1757–1827
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Muller, William James, 1812–1845
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On-site Access
Accessible by appointment in the Study Room
17
Image Use
Free to Use
17
Image Available
Available
16
Unavailable
1
Classification
Prints
13
Drawing & Watercolors-Architectural
3
Drawings & Watercolors
1
Creator Gender
male
17
Collective Title
"Vetusta Monumenta", Society of Antiquaries of London, 1747-1906
10
Vetusta Monumenta
3
Period
19th century
17
Materials & Techniques
wove paper
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17
line engraving
10
hand coloring
8
graphite
4
black ink
3
pen
3
wash
3
etching (printing process)
2
engraving (printing process)
1
gouache
1
watercolor
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intaglio print
13
drawing
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watercolor
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Genre
architectural subject
16
religious and mythological subject
7
historical subject
1
landscape
1
Subject Terms
architectural subject
16
religious and mythological subject
7
design
3
house
3
Plan
2
church
1
clouds
1
coronations
1
exterior view
1
historical subject
1
landscape
1
pines
1
ruins
1
Associated Places
England
17
London
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United Kingdom
17
City of Westminster
13
Palace of Westminster
13
Europe
3
House of Commons
2
St. Stephen's Chapel, Palace of Westminster
2
Hampstead
1
Exhibition History
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Oil on Water - Oil Sketches by British Watercolorists (Yale Center for British Art, 1986-08-26 - 1986-11-09)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
17
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Materials & Techniques
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1842
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1
William James Muller, 1812–1845
Pines on Hampstead Heath
1842
2
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
3
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVII: The Painted Chamber
1842
4
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXVIII
1842
5
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
6
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
7
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
8
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
9
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
10
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
11
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXIX
1842
12
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
13
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
14
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
15
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Elevation towards Grosvenor Street
1842
16
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1842
17
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan for the New Entrance to Grosvenor House
1842