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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
43
Creator
Cruikshank, George, 1792–1878
12
Turner, J. M. W. (Joseph Mallord William), 1775–1851
10
Cooper, Thomas Sidney, 1803–1902
4
Fisher,, Son & Co., active 1821–1848
4
Smith, William R., active 1819–1851
3
Cousins, Samuel, 1801–1887
2
Henry, Graves & Co., ca. 1812–1892
2
Miller, William, 1796–1882
2
Willmore, James Tibbits, 1800–1863
2
Allom, Thomas, 1804–1872
1
Armytage, James Charles, -1897
1
Arnout, Jules, 1814–1868
1
Boys, Thomas Shotter, 1803–1874
1
Browne, Hablot Knight, 1815–1882
1
Bulwer, James Rev., 1794–1879
1
Challis, Ebenezer, active 1837–1859
1
Charles, Tilt, active c.1815–1853
1
Churton, Edward, 1781 or 1782–1855
1
Constable, John, 1776–1837
1
Cooke, Edward William, 1811–1880
1
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1834
264
1830
180
1800
171
1833
151
1793
122
1802
101
1999
96
1812
91
1827
88
1811
86
1818
86
1814
84
1832
78
1808
76
1828
74
1799
73
1794
69
1797
69
1820
69
1835
68
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1792
64
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1825
60
1826
60
1859
58
0
57
1803
54
1810
54
1990
54
1831
53
1896
53
1821
52
1807
51
1822
51
1809
50
1813
49
1816
47
1795
46
1745
45
1819
44
1829
44
1839
44
1837
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43
1824
40
1842
39
1739
38
1801
37
1851
37
1995
37
1804
36
1983
32
1806
31
1798
30
1897
30
1796
28
1823
28
1845
28
1630
27
1805
27
1844
27
1815
26
1817
26
1789
24
1700
23
2015
23
1762
22
1855
22
1841
20
1858
20
2012
20
1857
19
1977
19
1780
18
1791
16
1852
16
1907
16
1979
16
1750
15
1790
15
1840
15
1891
15
1919
15
1784
14
1846
14
1889
14
1890
14
1920
14
1974
14
1781
13
1788
13
1902
13
1972
13
2002
13
1778
12
1785
12
1853
12
1854
12
1994
12
On-site Access
Accessible by appointment in the Study Room
43
Image Use
Free to Use
43
Image Available
Available
42
Unavailable
1
Classification
Prints
43
Creator Gender
male
41
unknown
1
Collective Title
Picturesque Views in England and Wales
8
Campbell's Poetical Works
2
Etchings
1
Pickwick Papers
1
Period
19th century
43
Materials & Techniques
wove paper
[remove]
43
line engraving
16
etching (printing process)
14
mezzotint
3
stipple engraving
3
chine collé
2
engraving (printing process)
2
graphite
2
aquatint
1
brown ink
1
hand coloring
1
photography
1
scraping
1
watercolor
1
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68
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286
Work Type
intaglio print
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43
Genre
landscape
9
architectural subject
7
marine art
7
genre subject
6
cityscape
3
portrait
3
historical subject
2
literary theme
2
military art
1
religious and mythological subject
1
sporting art
1
Subject Terms
architectural subject
6
landscape
5
genre subject
4
portrait
3
cathedral
2
costume
2
dress
2
gown
2
horses (animals)
2
jewelry
2
marine art
2
pearls
2
woman
2
workers
2
arch
1
armchair
1
bales
1
barges
1
baskets
1
bay (body of water)
1
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Subject Terms
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Associated Places
United Kingdom
6
England
5
Europe
3
India
3
City of Westminster
1
Criccieth
1
Criccieth Castle
1
Gwynedd
1
Hyderabad
1
Jagannath Temple
1
Kent
1
Knole
1
Lincoln
1
Lincoln Cathedral
1
Lincolnshire
1
London
1
Norfolk
1
Palace of Westminster
1
Salisbury cathedral
1
Sutlej
1
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Associated Places
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Associated People
Duke of Kent and Strathearn
1
Gardiner, Marguerite, countess of Blessington (1789–1849), author
1
Queen Victoria
1
Exhibition History
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
2
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art; Yale University Art Gallery Collection
19
Yale Center for British Art, Paul Mellon Collection
18
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan
3
Yale Center for British Art, Paul Mellon Fund
2
Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952
1
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Materials & Techniques
wove paper
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Date
1837
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intaglio print
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1
Print made by William Miller, 1796–1882
The Dead Eagle, Oran
1837
2
Print made by David Lucas, 1802–1881
Salisbury Cathedral
1837
3
Print made by Charles Rosenberg, active 1828–1848
The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837
1837
4
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
5
Print made by W. R. Smith, active 1819–1851
Lowestoffe, Suffolk
1837
6
Print made by James Tibbits Willmore, 1800–1863
Llangollen, North Wales
1837
7
John Graham, 1754–1817
Knowle Park, the Seat of the Earl of Plymouth
1837
8
Print made by Ebenezer Challis, active 1837–1859
Entrance to Lincoln Cathedral
1837
9
Print made by Samuel Cousins, 1801–1887
Sunshine of Love
1837
10
Print made by James Tibbits Willmore, 1800–1863
Winander-Mere, Westmoreland
1837
11
Print made by Samuel Cousins, 1801–1887
The Countess of Blessington
1837
12
Print made by W. R. Smith, active 1819–1851
Whitehaven, Cumberland
1837
13
Print made by S. Fisher, active 1831–1844
Crickieth Castle, North Wales
1837
14
Print made by W. R. Smith, active 1819–1851
Whitehaven, Cumberland
1837
15
Print made by Thomas Jeavons, ca. 1800–1867
Kidwelly Castle, South Wales
1837
16
Print made by William Miller, 1796–1882
The Dead Eagle, Oran
1837
17
Edward Francis Finden, 1791–1857
Yarmouth, Norfolk
1837
18
Print made by William Radclyffe, 1780–1855
Keswick Lake, Cumberland
1837
19
Print made by Henry Melville, active 1826–1841
House of Lords, Her Majesty Opening the Session of Parliament
ca. 1837
20
Print made by George Cruikshank, 1792–1878
Oliver Escapes being Bound Apprentice to the Sweep
1837
21
Print made by George Cruikshank, 1792–1878
Oliver Recovering from the Fever
1837
22
Print made by George Cruikshank, 1792–1878
Oliver Asking for More
1837
23
Print made by George Cruikshank, 1792–1878
Oliver Introduced to the Respectable Old Gentleman
1837
24
Print made by George Cruikshank, 1792–1878
Oliver plucks up a spirit
1837
25
Print made by George Cruikshank, 1792–1878
Oliver being Introduced to the Respectable Old Gentleman
1837
26
Print made by George Cruikshank, 1792–1878
The Black Knight & the Clerk of Copmanhurst
1837
27
Print made by George Cruikshank, 1792–1878
Athelstane's Escape from the Dungeon
1837
28
Print made by George Cruikshank, 1792–1878
Oliver Amazed at the Dodger's Mode of 'going to work'
1837
29
Print made by George Cruikshank, 1792–1878
Master Bates Explains a Professional Technicality
1837
30
Print made by George Cruikshank, 1792–1878
Oliver's Reception by Fagin and the Boys
1837
31
Print made by George Cruikshank, 1792–1878
Oliver Claimed by his Affectionate Friends
1837
32
Print made by James Charles Armytage, 1802–1897
Mont Ferrier, France
1837
33
Print made by unknown artist
Edward Duke of Kent, Father of Her Majesty Queen Victoria
after 1837
34
Print made by George Presbury, active 1840
Runjeet Singh and His Suwarree, or Cavalcade of Seiks
1837
35
Print made by Thomas Sidney Cooper, 1803–1902
Cow Shed
1837
36
Thomas Sidney Cooper, 1803–1902
Horses and Chickens
1837
37
Print made by Thomas Sidney Cooper, 1803–1902
Yoked Horses, No. 32
1837
38
Thomas Sidney Cooper, 1803–1902
Cattle at Barnet Fair
1837
39
after Louis Jules Arnout, 1814–1867
Hotel de Ville de New York
1837
40
Print made by Hablot Knight Browne, 1815–1882
Mr. Winkle's Situation When the Door Blew To
1837
41
Print made by Thomas Higham, 1796–1844
Tombs of the Kings of Golconda
1837
42
Print made by T. Kelly, active ca. 1837
Devotees in India Sacrificing Themselves to the Idol Juggernaut
1837
43
Print made by Richard Cockle Lucas, 1800–1883
Etchings by R. C. Lucas
between 1837 and 1874