Materials & Techniques: wove paper / Date: 1816 / Genre: landscape

1. Leeds

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Watercolor, scraping out and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 17 inches (29.2 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Observatory at Rosehill, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; early state, engraver's proof on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Spot where Harold Fell

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream laid paper, with cream chine collé
Dimensions:: Sheet: 14 7/8 × 21 inches (37.8 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Spot where Harold Fell

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816 to 1820
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Observatory at Rosehill, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 20 inches (33.7 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Vale of Ashburnham

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 20 3/8 inches (34.6 × 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Observatory at Rosehill, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 5/8 inches (38.1 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Crowhurst, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 14 7/8 inches (30.2 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Crowhurst, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 15 3/4 inches (28.9 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Vale of Heathfield, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 19 3/4 inches (34.9 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Ivy Bridge, Devonshire

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1816
Materials & Techniques:: Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 × 20 1/2 inches (35.6 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Ivy Bridge, Devonshire

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1816
Materials & Techniques:: Etching; engraver's proof, open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 3/4 inches (39.7 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Hylton Castle, County of Durham

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1816 to 1823
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/4 × 21 3/4 inches (40 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Winchelsea

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816 to 1820
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 × 14 1/2 inches (53.3 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Crowhurst, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816 to 1820
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 18 1/2 inches (34.9 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Dartmoor; Source of the Tamar and the Torridge

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 14 3/4 × 21 1/2 inches (37.5 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Harewood House

Creator:: Print made by John Scott, 1774–1828
Date:: 1816
Materials & Techniques:: Line engraving, published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 19 1/4 inches (34.3 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Village of Aldbury, Hertfordshire

Creator:: George Shepheard, ca. 1770–1842
Date:: 1816
Materials & Techniques:: Watercolor with pen and black ink and gouache over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 13 inches (20.7 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Thames Near the Penitentiary, Millbank, London

Creator:: John Varley, 1778–1842
Date:: 1816
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 16 1/8 inches (29.2 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Mount Soratte from Civita Castellana

Creator:: William Haygarth, active 1810–1816
Date:: 1816
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 21 1/8 inches (32.7 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. From the Church Hill, Ambleside

Creator:: John Harden, 1772–1847
Date:: 1816
Materials & Techniques:: Watercolor, gouache, and pen and black ink, with stumping on thick, rough, blue-gray wove paper
Dimensions:: Sheet: 7 1/8 × 11 inches (18.1 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Greytown

Creator:: Godfrey Thomas Vigne, 1801–1863
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 14 3/4 inches (13.7 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. View of Swanage Bay, Dorset

Creator:: unknown artist
Date:: 1816
Materials & Techniques:: Watercolor over graphite on medium, smooth wove paper laid to card
Dimensions:: Sheet: 4 1/2 x 5 3/4in. (11.4 x 14.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Clifton Mount

Creator:: Godfrey Thomas Vigne, 1801–1863
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 13 inches (24.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Crater of Vesuvius

Creator:: William Haygarth, active 1810–1816
Date:: 1816
Materials & Techniques:: Brown wash, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 1/8 × 21 1/8 inches (33.3 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Harewood House

Creator:: Print made by John Scott, 1774–1828
Date:: 1816
Materials & Techniques:: Line engraving, engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 17 3/4 inches (28.9 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Gledhow

Creator:: Print made by George Cooke, 1781–1834
Date:: 1816
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/8 × 17 1/4 inches (28.9 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Plymouth Dock from Mount Edgecumbe

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and engraving, first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 × 17 1/4 inches (27.9 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Plymouth Dock from Mount Edgecumbe

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 3/16 × 15 15/16 inches (36 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Gledhow

Creator:: Print made by George Cooke, 1781–1834
Date:: 1816
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 1/8 × 21 3/8 inches (38.4 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Little Devil's Bridge

Creator:: Print made by unknown artist
Date:: between 1816 and 1820
Materials & Techniques:: Etching with graphite; touched engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 11 9/16 inches (21.9 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Observatory at Rosehill, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 inches (25.1 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Mt. St. Bernard (Switzerland)

Creator:: Isaac Weld, 1774–1856
Date:: 1816
Materials & Techniques:: Watercolor, pen and gray ink, gouache, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 5/16 × 12 15/16 inches (21.1 × 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Bowmen at a Moonlit Lake Shooting Wildfowl

Creator:: William West of Clifton near Bristol, 1801–1861
Date:: undated
Materials & Techniques:: Gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 7/16 inches (22.9 × 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. An Island with Returning Birds at Nightfall

Creator:: William West of Clifton near Bristol, 1801–1861
Date:: undated
Materials & Techniques:: Brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 1/4 inches (25.4 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Landscape with a Man Washing His Feet at a Fountain, after Poussin

Creator:: David Cox, 1783–1859
Date:: ca. 1821
Materials & Techniques:: Watercolor, pen and brown ink, gum arabic, and scratching out on very thick, slightly textured, beige cardboard
Dimensions:: Sheet: 11 3/4 x 15 5/8 inches (29.8 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

37. Foxhunting: Full Cry

Creator:: Edwin W. Cooper of Beccles, 1785–1833
Date:: 1816
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 19 3/16 inches (32.1 × 48.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Foxhunting: Unkennelling the Pack

Creator:: Edwin W. Cooper of Beccles, 1785–1833
Date:: 1816
Materials & Techniques:: Watercolor, pen and ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 11/16 × 19 3/16 inches (32.2 × 48.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Foxhunting: Near the Death

Creator:: Edwin W. Cooper of Beccles, 1785–1833
Date:: 1816
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 12 5/8 × 19 3/16 inches (32.1 × 48.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Foxhunting: The Death

Creator:: Edwin W. Cooper of Beccles, 1785–1833
Date:: 1816
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 19 1/8 inches (32.1 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Harewood House

Creator:: Print made by John Scott, 1774–1828
Date:: 1816
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 17 9/16 inches (27.3 × 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Ivy Bridge, Devonshire

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1816
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/2 × 17 1/2 inches (31.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Ivy Bridge, Devonshire

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1816
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 17 5/8 inches (31.8 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Source of the Tamer and Torridge

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/2 × 17 1/4 inches (31.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Battle Abbey, The spot where Harold Fell

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; later engraver's proof india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 5/8 × 17 3/8 inches (32.1 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Bodiham Castle, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 13 inches (26 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Crowhurst, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 1/2 inches (30.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Classical City in Landscape

Creator:: John Martin, 1789–1854
Date:: 1816
Materials & Techniques:: Brown wash with pen and black ink on moderately thick, smooth, beige wove paper mounted on board
Dimensions:: Mount: 8 1/4 x 11 1/16 inches (21 x 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

49. A Country House with Figures on the Drive

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 17 1/4 × 23 11/16 inches (43.8 × 60.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Courtyard of Mr. Bank's House, Northernhay, Exeter

Creator:: John White Abbott, 1763–1851
Date:: 1816
Materials & Techniques:: Pen and brown ink and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 7 1/2 inches (26.7 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Near Weston-Super-Mare with Steep Holme Island

Creator:: George Cumberland, 1754–1848
Date:: 1816
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 6 1/8 × 8 7/8 inches (15.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. A View of Hall-head Sugar Plantation, Jamaica

Creator:: Print made by John Byrne, 1786–1847
Date:: 1816
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 10 5/8 inches (21.6 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Langhorne

53. Sheet of Composition Studies of River Scenes

Creator:: unknown artist
Date:: after 1816
Materials & Techniques:: Pen and brown ink on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 9 x 8 1/4 inches (22.9 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Constraints

Materials & Techniques wove paper

Date 1816

Genre landscape

Search Results

1. Leeds

2. The Observatory at Rosehill, Sussex

3. The Spot where Harold Fell

4. The Spot where Harold Fell

5. The Observatory at Rosehill, Sussex

6. The Vale of Ashburnham

7. The Observatory at Rosehill, Sussex

8. Crowhurst, Sussex

9. Crowhurst, Sussex

10. Vale of Heathfield, Sussex

11. Ivy Bridge, Devonshire

12. Ivy Bridge, Devonshire

13. Hylton Castle, County of Durham

14. Winchelsea

15. Crowhurst, Sussex

16. Dartmoor; Source of the Tamar and the Torridge

17. Harewood House

18. The Village of Aldbury, Hertfordshire

19. The Thames Near the Penitentiary, Millbank, London

20. Mount Soratte from Civita Castellana

21. From the Church Hill, Ambleside

22. Greytown

23. View of Swanage Bay, Dorset

24. Clifton Mount

25. Crater of Vesuvius

26. Harewood House

27. Gledhow

28. Plymouth Dock from Mount Edgecumbe

29. Plymouth Dock from Mount Edgecumbe

30. Gledhow

31. Little Devil's Bridge

32. The Observatory at Rosehill, Sussex

33. Mt. St. Bernard (Switzerland)

34. Bowmen at a Moonlit Lake Shooting Wildfowl

35. An Island with Returning Birds at Nightfall

36. Landscape with a Man Washing His Feet at a Fountain, after Poussin

37. Foxhunting: Full Cry

38. Foxhunting: Unkennelling the Pack

39. Foxhunting: Near the Death

40. Foxhunting: The Death

41. Harewood House

42. Ivy Bridge, Devonshire

43. Ivy Bridge, Devonshire

44. Source of the Tamer and Torridge

45. Battle Abbey, The spot where Harold Fell

46. Bodiham Castle, Sussex

47. Crowhurst, Sussex

48. Classical City in Landscape

49. A Country House with Figures on the Drive

50. The Courtyard of Mr. Bank's House, Northernhay, Exeter

51. Near Weston-Super-Mare with Steep Holme Island

52. A View of Hall-head Sugar Plantation, Jamaica

53. Sheet of Composition Studies of River Scenes