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Collection
Prints and Drawings
60
Creator
Hayley, William, 1745–1820
23
Girtin, Thomas, 1775–1802
16
Vernor, & Hood, active 1795–1807
14
Lewis, Frederick Christian the Elder, 1779–1856
10
Blake, William, 1757–1827
9
Greig, John, active 1803–1853
9
Storer, James Sargant, 1771–1853
9
Cadell, Thomas, 1773–1836
6
Flaxman, Mary A., 1786–1833
6
Bartolozzi, Francesco, 1727–1815
4
Girtin, James, ca. 1780–after 1820
4
Johnson, Joseph, 1738–1809
4
Harraden, Richard Banks, 1778–1862
3
Byrne, William, 1743–1805
2
Carr, Johnson, 1743–1765
2
Hoppner, John, 1758–1810
2
Medland, Thomas, 1755–1823
2
Pickett, W., active 1792–1820
2
Thompson, John P., active 1798–1811
2
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
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1834
264
1830
181
1800
174
1833
151
1826
130
1793
122
1802
101
1999
96
1812
91
1827
89
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86
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86
1814
84
1794
81
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81
1832
78
1808
77
1828
74
1799
73
1820
70
1797
69
1835
68
1836
68
1792
64
1809
62
1850
61
1803
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60
1825
60
1838
60
1859
58
0
57
1810
55
1990
54
1831
53
1896
53
1821
52
1807
51
1822
51
1813
49
1816
47
1745
45
1819
44
1829
44
1839
44
1837
43
1824
41
1842
39
1739
38
1851
38
1801
37
1995
37
1804
36
1806
34
1983
32
1798
30
1897
30
1796
28
1823
28
1845
28
1630
27
1805
27
1844
27
1815
26
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26
1789
24
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2015
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1762
22
1855
22
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1858
20
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20
1857
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19
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16
1791
16
1852
16
1907
16
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16
1750
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15
1891
15
1919
15
1846
14
1847
14
1889
14
1890
14
1920
14
1974
14
1781
13
1784
13
1788
13
1853
13
1902
13
1972
13
2002
13
1778
12
1785
12
1854
12
On-site Access
Accessible in the Study Room
60
Image Use
Free to Use
60
Image Available
Available
36
Unavailable
24
Classification
Prints
60
Creator Gender
male
59
female
2
unknown
2
Collective Title
The Life, and Posthumous Writings, of William Cowper
17
The Triumphs of Temper
6
Byrne's Britannia Depicta
2
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
2
Liber Studiorum, 1838
1
Period
19th century
59
18th century
1
Materials & Techniques
wove paper
[remove]
60
etching (printing process)
30
line engraving
25
aquatint
17
soft-ground etching
16
stipple engraving
5
chine collé
2
hand coloring
2
mezzotint
2
Engraving
1
watercolor
1
Height [cm]
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66
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75
Unknown
1
Work Type
intaglio print
[remove]
60
frontispiece
2
Genre
literary theme
25
architectural subject
18
cityscape
14
landscape
10
portrait
6
genre subject
3
marine art
1
Subject Terms
architectural subject
17
river
12
cityscape
7
buildings
6
boats
5
people
5
carriages
4
carts
4
horse (animal)
4
trees
4
barges (flat-bottomed watercraft)
3
arches
2
breeches
2
bridge (built work)
2
chain
2
clouds
2
collar
2
domes
2
hat
2
house
2
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Subject Terms
»
Associated Places
Europe
16
France
16
Île-de-France
16
Seine
13
Paris
11
Panthéon
4
Pont Neuf
4
Val-de-Marne
4
Bassin de l'Arsenal
3
Cathédrale Notre-Dame de Paris
3
Charenton-le-Pont
3
Pont de Charenton-le-Pont
3
Acqueduct of Louveciennes
2
Bourse de Paris
2
Louveciennes
2
Marly-le-Roi
2
Marne
2
Pont de la Concorde
2
Quartier de Chaillot
2
Saint-Germain-en-Laye
2
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
2
George III (1738–1820), king of the United Kingdom of Great Britain and Ireland, and king of Hanover
1
Napoleon I (1769–1821), Emperor of the French
1
Newton, Francis Milner (1720–1794), portrait painter
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
3
Circa 1800 - The Beginnings of Modern Printmaking (Rutgers University Art Gallery, 1981-03-08 - 1981-04-19)
1
Circa 1800 - The Beginnings of Modern Printmaking (The Baltimore Museum of Art, 1981-05-12 - 1981-06-28)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
52
Yale Center for British Art; Yale University Art Gallery Collection
4
Yale Center for British Art, Paul Mellon Fund
3
Yale Center for British Art, Yale University Art Gallery Collection
1
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Materials & Techniques
wove paper
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Date
1803
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intaglio print
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1
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
2
Print made by William Byrne, 1743–1805
Eton, from the Slough Road
1803
3
Print made by William Byrne, 1743–1805
Wickham from the Marlow Road
1803
4
Print made by William Say, 1768–1834
Lady Mildmay and Child
1803
5
unknown artist
Visit to the Convent at Amiens
1803
6
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
7
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
8
William Watts, 1752–1851
Sheerness Dockyard
1803
9
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1803
10
Print made by John Sell Cotman, 1782–1842
Lakenham, near Norwich
ca. 1808
11
William Ward, 1766–1826
A Vegetable Market
1803
12
Richard Banks Harraden, 1778–1862
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
13
Print made by Francesco Bartolozzi, 1728–1815
Earth
1803
14
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
15
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
16
James Girtin, ca. 1780–after 1820
Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
1803
17
James Girtin, ca. 1780–after 1820
Half Title page for: Views in Paris and its Environs
1803
18
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
19
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
20
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
21
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
22
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1803
23
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
24
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
25
Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
26
Thomas Girtin, 1775–1802
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
27
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
28
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1803
29
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
30
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
31
Print made by William Daniell, 1769–1837
Francis Milner Newton, Esq., R.A., Late Secretary to the Royal Academy
1803
32
Print made by unknown artist
Frontispiece to The Sporting Magazine or Monthly Calendar, Volume 48
1803
33
Print made by Caroline Watson, 1760–1814
Judith, or Cowper's Oak
1803-1804
34
Print made by Thomas Medland, 1755–1823
Rouen, from Mount St. Catherine
1803
35
Print made by Thomas Medland, 1755–1823
Light House at Havre
1803
36
Print made by James Gillray, 1756–1815
The King of Brobdingnag and Gulliver
1803
37
Print made by William Blake, 1757–1827
Canto V. Verse 43
1803
38
Print made by William Blake, 1757–1827
Canto III. Verse 201
1803
39
Print made by William Blake, 1757–1827
Mrs Cowper Mother of the Poet
1803-1804
40
Print made by William Blake, 1757–1827
Canto IV. Verse 328
1803
41
Print made by William Blake, 1757–1827
Canto I. Verse 29
1803
42
Print made by William Blake, 1757–1827
Canto II. Verse 471
1803
43
Print made by William Blake, 1757–1827
Canto VI. Verse 294
1803
44
Print made by William Blake, 1757–1827
William Cowper
1803-1804
45
Print made by Charles Wilkin, 1750–1814
Her Grace The Duchess of Rutland
1803
46
Print made by John Greig, active 1803–1853
The Wilderness
1803-1804
47
Text by William Hayley, 1745–1820
The Life, and Posthumous Writings, of William Cowper (volume 1)
1803-1804
48
Print made by Francesco Bartolozzi, 1728–1815
Joan of Arc Maid of Orleans Receiving the Consecrated Banner
1803
49
Print made by James S. Storer, 1771–1853
Olney Bridge
1803-1804
50
Print made by John Greig, active 1803–1853
The Temple in the Wilderness
1803-1804
51
Print made by James S. Storer, 1771–1853
Views from the Alcove
1803-1804
52
Print made by John Greig, active 1803–1853
The Peasant's Nest
1803-1804
53
Print made by James S. Storer, 1771–1853
Cowper's Summer House
1803-1804
54
Print made by John Greig, active 1803–1853
Olney Church
1803-1804
55
Print made by John Greig, active 1803–1853
The Elms
1803-1804
56
Print made by James S. Storer, 1771–1853
The Rustic Bridge
1803-1804
57
Print made by John Greig, active 1803–1853
Weston House
1803-1804
58
Print made by James S. Storer, 1771–1853
The Shrubbery
1803-1804
59
Print made by James S. Storer, 1771–1853
Weston Lodge
1803-1804
60
Print made by James S. Storer, 1771–1853
The Alcove from the Avenue
1803-1804