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Collection
Prints and Drawings
51
Creator
Girtin, Thomas, 1775–1802
30
Lewis, Frederick Christian the Elder, 1779–1856
5
Smirke the Younger, Robert, Sir, 1781–1867
4
Malton, James, 1761–1803
3
Varley, Cornelius, 1781–1873
3
Varley, John, 1778–1842
2
Alexander, William, 1767–1816
1
Annesley, Charles Rev., 1787–1863
1
Baker, Benjamin, 1766–1841
1
Comte, Benjamin, 1760–1851
1
Dayes, Edward, 1763–1804
1
Harraden, Richard Banks, 1778–1862
1
Hearne, Thomas, 1744–1817
1
Nasmyth, Patrick, 1787–1831
1
Rawle, Samuel, 1771–1860
1
Smith, John, 1749–1831
1
Upham, John William, 1772–1828
1
Vernor, & Hood, active 1795–1807
1
Walker, Ralph, active 1768–1796
1
Date
1791
644
1796
320
1800
258
1968
113
1827
109
1818
88
1839
70
1799
69
1834
65
1835
61
1811
60
1820
58
1831
58
1790
57
1825
56
1832
53
1802
[remove]
51
1814
50
1830
50
1795
46
1815
46
1785
45
1826
45
1793
44
1836
44
1781
43
1794
42
1817
42
1823
42
1837
41
1792
40
1819
40
1833
40
1772
38
1764
36
1812
34
1829
34
1867
34
1807
32
1813
32
1700
31
1805
31
1810
31
1822
31
1912
30
1964
30
1797
29
1803
29
1806
27
1850
27
1804
24
1840
24
1798
23
1828
23
1842
23
1784
22
1845
22
1860
22
1824
21
1801
20
1809
20
1816
19
1775
18
1841
18
1909
18
1780
17
1808
17
1861
17
1966
17
1777
15
1838
15
1761
14
1789
14
1843
14
1844
14
1852
13
1863
13
1920
13
1821
12
1846
12
1847
12
1848
12
1779
11
1788
11
1855
11
1900
11
1759
10
1771
10
1782
10
1786
10
1849
10
1857
10
1970
10
1767
9
1787
9
1859
9
1870
9
0
8
1778
8
1853
8
On-site Access
Accessible by appointment in the Study Room
51
Image Use
Free to Use
51
Image Available
Available
51
Classification
Prints
32
Drawings & Watercolors
18
Drawing & Watercolors-Architectural
1
Creator Gender
male
51
Collective Title
A Collection of Continental Drawings, From a Set of Four Sketchbooks, 1802-1804
4
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
4
The Beauties of England and Wales
1
Period
19th century
50
Materials & Techniques
wove paper
[remove]
51
soft-ground etching
30
graphite
18
watercolor
10
gray wash
8
aquatint
7
yellow wash
3
brown ink
2
etching (printing process)
2
line engraving
2
black ink
1
blue wash
1
colored ink
1
drypoint
1
gouache
1
green wash
1
pen
1
scratching out
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
10
to
52
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
9
to
81
Work Type
intaglio print
33
drawing
19
watercolor
16
Genre
architectural subject
51
cityscape
27
landscape
10
genre subject
3
religious and mythological subject
3
marine art
1
Subject Terms
architectural subject
[remove]
51
river
25
cityscape
15
boats
13
buildings
13
people
13
trees
12
carts
9
barges (flat-bottomed watercraft)
8
bridge (built work)
8
horse (animal)
8
landscape
8
carriages
7
horses (animals)
7
stairs
7
castle
6
clouds
6
houses
6
dog (animal)
5
arches
4
more
Subject Terms
»
Associated Places
Europe
35
France
30
Île-de-France
30
Seine
28
Paris
21
United Kingdom
11
Cathédrale Notre-Dame de Paris
9
Pont Neuf
8
Bassin de l'Arsenal
6
England
6
Wales
6
Jardins des Tuileries
5
Musée du Louvre
5
Palais des Tuileries
5
Acqueduct of Louveciennes
4
Cymru
4
Louveciennes
4
Marly-le-Roi
4
Panthéon
4
Yvelines
4
more
Associated Places
»
Exhibition History
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
3
British Painting and the European Continent (Haus der Kunst Munich, 1979-11-20 - 1980-01-27)
2
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
2
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
2
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
2
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
Edward Lear and the Art of Travel (Yale Center for British Art, 2000-09-20 - 2001-01-14)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
Sainte-Genevieve La Pantheon - Symbole des revolutions (Canadian Centre for Architecture, 1989-09-26 - 1989-11-30)
1
Sites and Sensibilities - Views of Rome 1500-1992 (Mount Holyoke College Art Museum, 1992-09-01 - 1992-11-08)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Works of Splendor and Imagination - The Exhibition Watercolor 1770-1870 (Yale Center for British Art, 1981-09-16 - 1981-11-22)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
50
Yale Center for British Art, Paul Mellon Fund
1
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Materials & Techniques
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Date
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1
John William Upham, 1772–1828
The Abbey Barn, Abbotsbury
1802
2
John Varley, 1778–1842
View of Chepstow Castle, Monmouthshire, from Under the Bridge
1802
3
Thomas Girtin, 1775–1802
View of the Pantheon from the Arsenal
1802
4
Cornelius Varley, 1781–1873
Carnarvon Castle
1802
5
William Alexander, 1767–1816
Conway, North Wales: The Castle and the Old College House
1802
6
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats
1802
7
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
8
Patrick Nasmyth, 1787–1831
Netley Abbey
undated
9
James Malton, 1761–1803
Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
10
Thomas Hearne, 1744–1817
The Poor House, Hadley, Hertfordshire
1802
11
Cornelius Varley, 1781–1873
Tygwyn Ferry
1802
12
Thomas Girtin, 1775–1802
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
13
Thomas Girtin, 1775–1802
View of the Pantheon, Paris
1802
14
Sir Robert Smirke the younger, 1781–1867
Cave of Trophonius
1802-1804
15
Sir Robert Smirke the younger, 1781–1867
The Convent of St. Nicholas
1802-1804
16
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1802
17
Print made by Thomas Girtin, 1775–1802
View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance
1802
18
Thomas Girtin, 1775–1802
View of Pont Neuf, The Mint etc
1802
19
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michel, Taken from Pont Neuf
1802
20
Samuel Rawle, 1771–1860
Part of Audley House, Dukes Place
1802
21
Print made by Benjamin Comte, 1760–1851
Tynemouth Castle and Priory, Northumberland
1802
22
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
1802
23
Thomas Girtin, 1775–1802
View of the City with the Louvre &c., taken from Pont Marie
1802
24
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
25
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1802
26
Thomas Girtin, 1775–1802
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
27
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
28
Thomas Girtin, 1775–1802
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
29
Thomas Girtin, 1775–1802
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
30
Thomas Girtin, 1775–1802
View of the City with the Louvre &c. taken from Pont Marie
1802
31
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
32
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
33
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1802
34
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1802
35
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
36
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
37
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
38
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
39
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1802
40
Thomas Girtin, 1775–1802
A View of the Pont de la Tournelle and Notre Dame Taken From the Arsenal
1802
41
follower of John Varley, 1778–1842
Saint Peter's Church, Hereford, from Butcher's Row
1802
42
Cornelius Varley, 1781–1873
Carnarvon
1802
43
Sir Robert Smirke the younger, 1781–1867
Doric Order Septastyle Temple
between 1802 and 1804
44
Sir Robert Smirke the younger, 1781–1867
Interior of a Church
1802-1804
45
Print made by Benjamin Baker, 1766–1841
Plan of the West India Docks
1802
46
Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1802
47
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
48
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1802
49
Thomas Girtin, 1775–1802
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
1802
50
Rev. Charles Annesley, 1787–1863
The Devil's Bridge, Aberystwyth
undated
51
John Warwick Smith, 1749–1831
The Colosseum, Rome
1802