View of Hampton Court, Herefordshire, from the Southeast
ca. 1806
2
Joseph Mallord William Turner, 1775–1851
View of Hampton Court, Herefordshire, from the Northwest
ca. 1806
3
William Blake, 1757–1827
The Entrance Front of Hayley's House at Eartham
1801
4
Peter La Cave, active 1769–1810
Mountain Landscape: with cows and goats foreground and figures, left
1801
5
William Mulready, 1786–1863
Study for a Girl Reading
undated
6
William Mulready, 1786–1863
Denial and Disappointment
undated
7
Dominic M. Serres, c.1761–1804
A View in a Lane near Hampstead
1801
8
William Mulready, 1786–1863
The Fight Interrupted
undated
9
Samuel Owen, 1768–1857
Margate Harbor
ca. 1806
10
Benjamin Robert Haydon, 1786–1846
Studies of Napoleon, arms folded, with other figures
undated
11
Julius Caesar Ibbetson, 1759–1817
The Sailor's Farewell
1801
12
William Hamilton, 1751–1801
Hero and Leander
1801
13
George Jones, 1786–1869
Study of Sailing Ships
undated
14
George Jones, 1786–1869
Interior of a Blacksmith's Forge
undated
15
George Jones, 1786–1869
Chantrey's Studio
undated
16
Benjamin Robert Haydon, 1786–1846
Figure studies
undated
17
George Jones, 1786–1869
The Blacksmith
undated
18
George Jones, 1786–1869
Portentous Things
undated
19
George Jones, 1786–1869
Study of J.M.W. Turner Sketching
undated
20
Print made by James S. Storer, 1771–1853
Hampton Court, Herefordshire
1801
21
Print made by James Basire II, 1769–1822
The Sherburne Chapel in Mitton Church
1801
22
Print made by James Basire II, 1769–1822
Stonyhurst
1801
23
Charles Tomkins, 1757–1823
Goodman's Field Theatre
1801
24
Thomas Sully, 1783–1872
Town Scene on River
undated
25
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Sky Study - Turner's Principle (no. 11); Landscape With Hills and Tree (no. 12)
undated
26
unknown artist
King Henry VI, Second Part, Act 3, Scene 3
1801
27
William Wilkins, 1778–1839
Elevation of a Proposed Building for Downing College, Cambridge
ca. 1806
28
Print made by Conrad Gessner, 1764–1826
Cavalry Charging
1801
29
B. Pym, active 1793–1805
Henry James Pye, Esq
1801
30
Thomas Rowlandson, 1756–1827
Undertakers Regaling
1801
31
Print made by James Gillray, 1756–1815
A Cognocenti Contemplating ye Beauties of ye Antique
1801
32
Print made by Robert Thew, 1758–1802
King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
1801
33
Print made by James S. Storer, 1771–1853
Hampton Court, Herefordshire
1801
34
Print made by Anthony Cardon, 1772–1813
Cupid Wounded
1801
35
Print made by James S. Storer, 1771–1853
Hampton Court, Herefordshire
1801
36
Robert Streatfeild, 1786–1852
Spa, Germany - a road flanked by a high bank
undated
37
Thomas Sully, 1783–1872
Landscape with Trees and Windmill
undated
38
Thomas Sully, 1783–1872
Small Waterfall in Forest
undated
39
Thomas Sully, 1783–1872
Hilly Landscape with House, Path, and Figures
undated
40
Thomas Sully, 1783–1872
Sloans Spring New Jersey
undated
41
Thomas Sully, 1783–1872
City Scene with Buildings
undated
42
Thomas Sully, 1783–1872
Two Figures in Stream, Bordered by Large Trees
undated
43
Thomas Sully, 1783–1872
Rolling Fields, Mountains in Distance
undated
44
Thomas Sully, 1783–1872
Two Hunters and Two Dogs in Winter Scene
undated
45
Thomas Sully, 1783–1872
Fort Putnam From Constitution Island
undated
46
Thomas Sully, 1783–1872
Ridge Road
undated
47
Thomas Sully, 1783–1872
Catskill - from J R Livingstons. TS
undated
48
Thomas Sully, 1783–1872
Figures Among Ruins on Hill
undated
49
Thomas Sully, 1783–1872
Landscape with Figures in Field
undated
50
Thomas Sully, 1783–1872
Landscape with Castle in Background
undated
51
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape with Mountains in Distance and Seated Figures in Foreground (no. 1); Landscape with River and Building, Mountains in Distance (no. 2)
undated
52
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape With Tree in Foreground and Mountains in Distance - Hobbema and Ruysdael's Principle (no. 5); Figure in interior Scene - Teniers and Ostade's Principle (no. 6)
undated
53
Thomas Sully, 1783–1872
Landscape Looking Through Ruined Archway
undated
54
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape with Figure Reclining Against Hill - Titian and Venetian School (no. 7); Landscape - Variety of Watercolor Washes (no. 8)
undated
55
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape with Castle - Modern Manner (no. 13); Landscape with Figures in Foreground (no. 14)
undated
56
Thomas Sully, 1783–1872
Landscape with Knoll with Trees, Figure on Horseback
undated
57
Thomas Hearne, 1744–1817
The Tower of London
1801
58
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam
1801
59
George Jones, 1786–1869
Magdalen Tower and Bridge, Oxford
undated
60
William Mulready, 1786–1863
Sketch of Two Figures in an Interior: One Seated, One Standing
undated
61
William Mulready, 1786–1863
Figures in a Doorway
undated
62
George Jones, 1786–1869
Two Horses Feeding: Each Seen Three-Quarters From the Rear, Facing Left
undated
63
George Jones, 1786–1869
Head of a Donkey
undated
64
Robert Dighton, 1752–1814
William Molyneaux, second Earl of Sefton: on a Box Seat, Holding Reins and Whip
between 1801 and 1802
65
George Jones, 1786–1869
A Camel Resting
undated
66
George Jones, 1786–1869
Figures on an Elephant and Other Elephant Studies
undated
67
unknown artist
Breakfast at Breteuil
1801
68
Print made by Charles Turner, 1774–1857
The Milk Maid
1801
69
Print made by Peltro W. Tomkins, 1760–1840
Her Royal Highness the Princess Royal
1801
70
Thomas Sully, 1783–1872
Cottage
undated
71
Thomas Sully, 1783–1872
Hilly Landscape
undated
72
Thomas Sully, 1783–1872
Landscape Scene From Hilltop, Looking into Sunlit Valley
undated
73
Thomas Sully, 1783–1872
Landscape with Trees and Lake
undated
74
Thomas Sully, 1783–1872
Landscape with Ruined Castle, Trees
undated
75
Thomas Sully, 1783–1872
Landscape, with Winding River, Figure on Hill in Foreground
undated
76
Thomas Sully, 1783–1872
Landscape with Castle, Hills and Mountains
undated
77
Thomas Sully, 1783–1872
Landscape with Trees and Lake With Figures and Boat
undated
78
Thomas Sully, 1783–1872
Mountainous Landscape with Lake and Figure in Foreground
undated
79
Thomas Sully, 1783–1872
Street Scene, Lined with Buildings
undated
80
Thomas Sully, 1783–1872
Shore Scene with Buildings and Boats
undated
81
Thomas Sully, 1783–1872
Wooded River Scene
undated
82
Thomas Sully, 1783–1872
Tree-lined Lane
undated
83
Thomas Sully, 1783–1872
Horse, Cart and Driver on Wide, Tree-lined Lane
undated
84
Thomas Sully, 1783–1872
Landscape with Mountains, Castle, Trees and Lake
undated
85
Thomas Sully, 1783–1872
Fishermen at a Mountain Stream
undated
86
Print made by John Raphael Smith, 1752–1812
John Philpot Curran
1801
87
Samuel Rawle, 1771–1860
Premier Map of London and Suburbs: Undertakers regaling themselves at Death's Door, Battersea Rise, Surry
1801
88
Robert Streatfeild, 1786–1852
Boulogne, France - a Mill in a Wooded Valley
undated
89
Thomas Sully, 1783–1872
Figures at a Table Inside a Cottage
undated
90
Thomas Sully, 1783–1872
Landscape with Canal and Lock; Figures at Lock
undated
91
Thomas Sully, 1783–1872
Augt 15th. Conway Castle
undated
92
Thomas Sully, 1783–1872
Rocky Landscape, Large Tree Trunk in Foreground
undated
93
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Cottage with Figures in Front (no. 15); Landscape with River and Mountains - Sunshine (no. 16)
undated
94
Print made by William Ward, 1766–1826
Her Royal Highnes the Princess Elizabeth
1801
95
John Raphael Smith, 1752–1812
Edward Jenner, M.D. F.R.S. & c
1801
96
Thomas Sully, 1783–1872
Landscape with Trees and Mountains, Lake in Foreground
undated
97
Thomas Sully, 1783–1872
From "Charley's Hope" Mrs. Griffiths Place, Near Brunswick, New Jersey
undated
98
Thomas Sully, 1783–1872
Mountain Scene with Stream, Cows and Figures
undated
99
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape - Color Wash, Titian (no. 9); Landscape - color wash, Rubens (no. 10)
undated
100
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape with Large Cliff in Foreground - Cuyp's Principle (no. 3); Landscape with Tree in Foreground, Mountains in Distance - Both's Principle (no. 4)