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Collection
Prints and Drawings
35
Creator
Varley, John, 1778–1842
19
Carter, John, 1748–1817
3
Girtin, Thomas, 1775–1802
3
Harraden, Richard Banks, 1778–1862
3
Turner, J. M. W. (Joseph Mallord William), 1775–1851
3
Unknown artist
2
Alexander, William, 1767–1816
1
Angus, William, 1752–1821
1
Cockburn, James Pattison, 1779–1847
1
Cozens, John Robert, 1752–1797
1
Edwards, Edward, 1738–1806
1
Ellice, Jane Lady, 1813–1864
1
Harley, George, 1791–1871
1
Malton, Thomas, 1726–1801
1
Rowlandson, Thomas, 1756–1827
1
Date
1796
295
1814
157
1800
67
1825
59
1818
53
1834
52
1820
51
1827
47
1810
44
1815
44
1790
43
1817
43
1772
40
1795
39
1835
39
1797
38
1812
38
1811
36
1793
[remove]
35
1799
35
1823
34
1836
33
1808
32
1830
32
1813
30
1912
30
1791
29
1792
28
1819
28
1822
27
1805
26
1821
26
1831
26
1784
25
1804
25
1806
25
1829
25
1807
24
1826
23
1785
22
1842
22
1850
22
1860
21
1798
20
1809
20
1832
19
1816
18
1845
17
1782
16
1794
16
1802
16
1824
14
1833
14
1840
14
1890
14
1775
13
1788
13
1837
13
1839
13
1759
12
1761
12
1801
11
1803
11
1717
10
1764
10
1780
10
1843
10
1789
9
1828
9
1859
9
1778
8
1852
8
1857
8
2004
8
1700
7
1767
7
1786
7
1855
7
1870
7
1871
7
1880
7
1762
6
1768
6
1774
6
1844
6
1754
5
1847
5
1849
5
1893
5
1739
4
1765
4
1769
4
1777
4
1781
4
1787
4
1841
4
1848
4
1858
4
1874
4
1746
3
On-site Access
Accessible by appointment in the Study Room
35
Image Use
Free to Use
35
Image Available
Available
35
Classification
Drawings & Watercolors
34
Prints
1
Creator Gender
male
35
unknown
2
female
1
Collective Title
The Seats of the Nobility and Gentry in Great Britain and Wales in a Collection of Select Views
1
Period
18th century-19th century
23
18th century
12
Materials & Techniques
wove paper
[remove]
35
graphite
28
watercolor
26
black ink
4
pens
3
scratching out
3
black chalk
2
gray wash
2
laid paper
2
pen
2
board
1
brown ink
1
etching (printing process)
1
gouache
1
gray ink
1
gum arabic
1
line engraving
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
7
to
51
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
13
to
71
Work Type
drawing
32
watercolor
27
intaglio print
1
Genre
architectural subject
21
landscape
19
cityscape
5
genre subject
4
marine art
2
Subject Terms
trees
22
architectural subject
21
landscape
18
figures
9
clouds
8
hills
8
river
8
houses
7
boats
6
buildings
6
cityscape
6
mountains
6
bridge (built work)
5
castle
5
rivers
5
road
4
ruins
4
arches
3
boat
3
church
3
more
Subject Terms
»
Associated Places
United Kingdom
[remove]
35
England
28
Europe
14
Cymru
7
Wales
7
London
5
Thames
5
Cambridge
3
Cambridgeshire
3
City of Westminster
3
Palace of Westminster
3
Barnard Castle
2
Battersea
2
Clare College
2
Durham
2
Greater London
2
Kent
2
Norwich
2
University of Cambridge
2
York
2
more
Associated Places
»
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
3
Country Houses in Great Britain - Yale Center for British Art (Yale Center for British Art, 1979-10-10 - 1980-01-29)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
Oil on Water - Oil Sketches by British Watercolorists (Yale Center for British Art, 1986-08-26 - 1986-11-09)
1
The Paul Mellon Bequest : Treasures of a Lifetime (Yale Center for British Art, 2001-02-17 - 2001-04-29)
1
Thomas Girtin: Genius in the North (Harewood House Trust Ltd., 1999-03-09 - 1999-06-13)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
33
Yale Center for British Art, Bequest of Richard L. Purdy
1
Yale Center for British Art, Paul Mellon Fund
1
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Materials & Techniques
wove paper
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Date
1793
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Associated Places
United Kingdom
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1
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
2
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
3
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
4
John Varley, 1778–1842
On the Thames
undated
5
formerly John Varley, 1778–1842
Old Mill at Battersea
undated
6
Richard Banks Harraden, 1778–1862
Milton's Mulberry Tree, Christ's College Gardens, Cambridge
undated
7
Richard Banks Harraden, 1778–1862
Clare College, Cambridge
undated
8
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
9
Richard Banks Harraden, 1778–1862
Trinity Hall from the Garden, Cambridge
undated
10
John Varley, 1778–1842
London from the Thames
undated
11
John Varley, 1778–1842
Norwich
undated
12
pupil of John Varley, 1778–1842
View on the Thames at Battersea
undated
13
James Pattison Cockburn, 1779–1847
Bishop's Bridge, Norwich
undated
14
John Varley, 1778–1842
Romantic Composition
undated
15
pupil of John Varley, 1778–1842
On the Thames
undated
16
John Varley, 1778–1842
View of York
undated
17
pupil of John Varley, 1778–1842
Landscape Composition, Dolbadern
undated
18
pupil of John Varley, 1778–1842
Landscape in Wales with Mountains, Lake, Castle and Two Figures in the Foreground
undated
19
pupil of John Varley, 1778–1842
Mountainous Landscape, with River Flowing to Bridge in Distance, a Figure Right
undated
20
John Varley, 1778–1842
Bamburgh Castle, Northumberland
undated
21
John Varley, 1778–1842
Barnard Castle, County Durham
undated
22
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
23
John Varley, 1778–1842
A Welsh Landscape a Lay-in'
undated
24
John Varley, 1778–1842
Carnarvon Castle
undated
25
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
26
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
27
Thomas Girtin, 1775–1802
Flint Castle
ca. 1798
28
Thomas Girtin, 1775–1802
Harewood House, Yorkshire
ca. 1798
29
Thomas Girtin, 1775–1802
A Devonshire Farm
ca. 1798
30
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
31
John Varley, 1778–1842
Ouse Bridge, York
undated
32
William Alexander, 1767–1816
The Dent de Lion, Margate, Kent
ca. 1798
33
John Varley, 1778–1842
Ludlow, Shropshire
undated
34
unknown artist
A Barge on the Thames near Fulton
undated
35
Edward Edwards, 1738–1806
Barn Elmes
1793