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Collection
Prints and Drawings
3
Creator
Barry, James, 1741–1806
1
Breda, Carl Frederick van, 1759–1818
1
Daniell, Thomas, 1749–1840
1
Legat, Francis, 1755–1809
1
Pyott, W., active late 18th century
1
Date
1994
13
1795
9
1700
5
1799
5
1800
5
1780
3
1781
3
1792
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3
1796
3
1802
3
1828
3
1863
3
1772
2
1789
2
1797
2
1811
2
1812
2
1818
2
1825
2
1829
2
1838
2
1842
2
1762
1
1765
1
1771
1
1785
1
1786
1
1787
1
1791
1
1798
1
1801
1
1805
1
1807
1
1813
1
1814
1
1815
1
1823
1
1833
1
1834
1
1836
1
1837
1
1841
1
1843
1
1845
1
1851
1
1852
1
1857
1
1858
1
1860
1
1864
1
1867
1
1872
1
1873
1
1882
1
1919
1
1962
1
1963
1
1965
1
1967
1
1983
1
On-site Access
Accessible in the Study Room
3
Image Use
Free to Use
3
Image Available
Available
3
Classification
Prints
2
Drawings & Watercolors
1
Creator Gender
male
3
Period
18th century
3
Materials & Techniques
wove paper
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3
Engraving
1
graphite
1
mezzotint
1
Height [cm]
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61
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71
Work Type
intaglio print
2
drawing
1
Genre
architectural subject
1
genre subject
1
literary theme
1
portrait
1
Subject Terms
architectural subject
1
book
1
emancipation
1
genre subject
1
hut
1
jewelry
1
map
1
men
1
palm trees
1
portrait
1
slavery
1
Associated People
Carl Bernhard Wadström (1746–1799), abolitionist
1
Panah, Peter, son of the king of Cape Mesurado (in present-day Liberia)
1
Shakespeare, William (1564–1616), playwright and poet
1
Exhibition History
Figures of Empire: Slavery and Portraiture in Eighteenth-Century Atlantic Britain (Yale Center for British Art, 2014-10-02 - 2014-12-14)
1
The Black Figure in the European Imaginary (Cornell Fine Arts Museum, 2017-01-20 - 2017-05-15)
1
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
1
Credit Line
Yale Center for British Art, Paul Mellon Fund
2
Yale Center for British Art, Gift of Paul F. Walter
1
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Materials & Techniques
wove paper
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Date
1792
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Height [cm]
49
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1
Francis Legat, 1755–1809
"King Lear", Act V, Scene III
1792
2
Thomas Daniell, 1749–1840
Tremal Naig's Choultry, Madura
1792
3
Print made by W. Pyott, active late 18th century
The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
1792