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Collection
Prints and Drawings
44
Creator
Moore, James, 1762–1799
17
Girtin, Thomas, 1775–1802
6
Boydell, John, 1720–1804
3
Boydell, Josiah, 1752–1817
3
Browne, John, 1741–1801
3
Ellis, William, 1747–1810
3
Webber, John, 1752–1793
3
Farington, Joseph, 1747–1821
2
Howitt, Samuel, 1756–1822
2
Smith, John, 1749–1831
2
Thirtle, John, 1777–1839
2
Aglio, Agostino, 1777–1857
1
Alexander, William, 1767–1816
1
Daniell, Thomas, 1749–1840
1
Daniell, William, 1769–1837
1
Johnson, Joseph, 1738–1809
1
Turner, J. M. W. (Joseph Mallord William), 1775–1851
1
White Abbott, John, 1763–1851
1
Witton, P. H. Jr., Active 1792
1
Date
1791
665
1867
252
1800
197
1834
197
1826
169
1814
158
1802
129
1825
111
1830
111
1836
107
1820
100
1764
92
1827
90
1818
89
1793
87
1835
79
1758
74
1803
71
1784
70
1833
68
1841
61
1801
60
1829
57
1832
57
1847
57
1772
55
1799
53
1816
53
1850
53
1811
52
1821
49
1828
48
1775
44
1792
[remove]
44
1819
44
1804
43
1812
43
1810
40
1813
40
1857
40
1805
39
1808
39
1822
38
1845
37
1860
37
1789
36
1838
35
1817
34
1851
34
1774
30
1790
30
1859
30
1797
29
1777
28
1840
28
1831
27
1839
27
1870
27
1896
27
1815
26
1844
26
1795
25
1823
25
1809
24
1824
24
1837
24
1842
24
1854
23
1861
23
1771
22
1796
22
1855
22
1880
22
1807
21
1794
20
1782
17
1848
17
1863
17
1866
17
1874
17
2000
17
1780
16
1788
16
1846
16
1806
15
1853
15
1787
14
1865
14
1897
14
1925
14
1759
13
1778
13
1783
13
1798
13
1843
13
1779
12
1856
12
1762
11
1852
11
1858
11
On-site Access
Accessible by appointment in the Study Room
44
Image Use
Free to Use
44
Image Available
Available
43
Unavailable
1
Classification
Drawings & Watercolors
38
Prints
6
Creator Gender
male
44
Collective Title
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
17
Views in the South Seas 1776-1780
3
Views in the Province of Kiang Nan, China
1
Views of the Ruins of the Principal Houses Destroyed During the Riots at Birmingham
1
Vues des ruines des principaux batiments qui ont souffert dans les emeutes de Birmingham
1
Period
18th century
38
18th century-19th century
6
Materials & Techniques
wove paper
[remove]
44
graphite
34
watercolor
14
black ink
6
pen
6
brown ink
5
etching (printing process)
5
gray wash
3
laid paper
3
line engraving
3
aquatint
2
soft ground
2
gray ink
1
letterpress printing
1
scratching out
1
squaring (transferring technique)
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
11
to
48
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
19
to
69
Work Type
drawing
37
watercolor
16
intaglio print
5
relief print
1
Genre
landscape
[remove]
44
architectural subject
26
genre subject
12
animal art
4
cityscape
3
sporting art
2
marine art
1
Subject Terms
landscape
21
trees
15
architectural subject
9
genre subject
7
man
7
river
7
men
6
buildings
5
hats
5
ruins
5
church
4
dog (animal)
4
hills
4
animal art
3
cityscape
3
clouds
3
cottage
3
door
3
evening
3
park (grounds)
3
more
Subject Terms
»
Associated Places
United Kingdom
14
England
11
Europe
9
Devon
3
Greater London
3
Cymru
2
Wales
2
Aberdeenshire
1
Asia
1
Banff
1
Beddington
1
Beddington Park
1
Berkshire
1
Birmingham
1
Carew Manor
1
Carnarvonshire
1
China
1
Clapham
1
Clapham Common
1
Cliveden
1
more
Associated Places
»
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
5
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
Art of a Changing Society - British Watercolors & Drawings 1775-1950 (Wichita Art Museum, 1983-10-23 - 1983-12-04)
1
English Drawings and Watercolors from the collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
1
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
1
Travelling. J.M.W. Turner in Search of the Sublime and Picturesque (LWL - Museum für Kunst und Kultur, 2019-11-08 - 2020-01-26)
1
Wilde Americk - Discovery and Exploration of the New World, 1500-1850 (Yale Center for British Art, 2001-09-27 - 2001-09-27)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
42
Yale Center for British Art, Gift of Paul F. Walter
1
Yale Center for British Art, Paul Mellon Fund
1
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Materials & Techniques
wove paper
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Date
1792
Remove constraint Date: 1792
Genre
landscape
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1
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
2
attributed to John Thirtle, 1777–1839
Near the Ferry going to Gott's, Leeds
undated
3
John Webber, 1752–1793
The Balagans or Summer Habitations, with the Method of Drying Fish, at St. Peter and Paul, Kamtschatka
1792
4
John Webber, 1752–1793
View in the Island of Pulo Condore
1792
5
John Warwick Smith, 1749–1831
The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
July 14, 1792
6
John Webber, 1752–1793
View in the Island of Pulo Condore
1792
7
Print made by John Browne, 1741–1801
Evening
ca. 1797
8
Thomas Daniell, 1749–1840
Veransulean Pennisula
August 7, 1792
9
Samuel Howitt, 1756–1822
Racing Scene
1792
10
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green: English and French Text
1792
11
William Ellis, 1747–1810
Beddington
1792
12
John Thirtle, 1777–1839
View near Bishopsgate Bridge with Cow Tower, looking towards Mousehold
undated
13
Samuel Howitt, 1756–1822
The Kill
1792
14
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
15
Print made by John Browne, 1741–1801
Evening
ca. 1797
16
James Moore, 1762–1799
Dunnottar Castle, Scotland
1792
17
James Moore, 1762–1799
Dunnottar Castle, Scotland
1792
18
James Moore, 1762–1799
Dunnottar Castle
1792
19
James Moore, 1762–1799
Inchdrewer Castle, Scotland
1792
20
James Moore, 1762–1799
Findlater Castle, Scotland
1792
21
James Moore, 1762–1799
Cawdor Castle, Scotland
1792
22
James Moore, 1762–1799
Caslte Stalker, Scotland
1792
23
James Moore, 1762–1799
Dumbarton Castle, Scotland
1792
24
James Moore, 1762–1799
Dumbarton Castle, Scotland
1792
25
James Moore, 1762–1799
Glasgow Cathedral, Scotland
1792
26
Thomas Girtin, 1775–1802
Cottage near Newcastle, Northumberland
ca. 1797
27
Thomas Girtin, 1775–1802
Sharpham, near Totnes, Devon
ca. 1797
28
Thomas Girtin, 1775–1802
View of Kingswear, from Dartmouth, Devon
ca. 1797
29
James Moore, 1762–1799
Craigmillar Castle, Edinburgh, Scotland
1792
30
James Moore, 1762–1799
Edinburgh Castle, Scotland
1792
31
James Moore, 1762–1799
Stirling Castle, Scotland
1792
32
James Moore, 1762–1799
Linlithgow Palace, West Lothian, Scotland
1792
33
James Moore, 1762–1799
Deskford Castle, Scotland
1792
34
James Moore, 1762–1799
Elgin Cathedral, Scotland
1792
35
James Moore, 1762–1799
Cawdor Castle, Scotland
1792
36
Thomas Girtin, 1775–1802
London from Highgate Hill
1792
37
Thomas Girtin, 1775–1802
Findlater Castle, Banff
between 1792 and 1793
38
John Warwick Smith, 1749–1831
The Northern Boundary of St. Bride's Bay
1792
39
Attributed to Agostino Aglio the elder, 1777–1857
Landscape with a Distant Ridge
undated
40
William Alexander, 1767–1816
View in China: Figures with Pagoda and Mountain
1792 to 1794
41
Joseph Farington, 1747–1821
View of Taplow and Maidenhead from Cliveden
1792
42
Joseph Farington, 1747–1821
Cookham on the Thames, Berkshire
1792
43
John White Abbott, 1763–1851
Slate Quarry at Widecombe, Devon
1792
44
Print made by William Ellis, 1747–1810
Clapham
1792