attributed to Joseph Mallord William Turner, 1775–1851
The Hurries: Coal Boats Loading, Whitehaven
ca. 1795
7
Joseph Mallord William Turner, 1775–1851
A Three Storied Georgian House in a Park
ca. 1795
8
Joseph Mallord William Turner, 1775–1851
South Porch and Tower of an Unidentified Church
between 1790 and 1795
9
Joseph Mallord William Turner, 1775–1851
Santa Lucia, A Convent near Caserta
ca. 1795
10
Joseph Mallord William Turner, 1775–1851
From the Isola Borromena, Lago Maggiore
ca. 1795
11
Joseph Mallord William Turner, 1775–1851
Sir William Hamilton's Villa
ca. 1795
12
Joseph Mallord William Turner, 1775–1851
Waterfall of Lodore, Cumberland
undated
13
Print made by William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
14
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
15
Print made by William Blake, 1757–1827
Pity
ca. 1795
16
Henry Phillip Hope, active 1799–1818
Femme Greque
undated
17
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
18
Nicholas Pocock, 1740–1821
The Sailor's Departure
ca. 1795
19
Sir George Howland Beaumont seventh Baronet, 1753–1827
Tree
1790s
20
unknown artist
Solitude, The Reading Magdalene
undated
21
Thomas Hearne, 1744–1817
View of Bath from Spring Gardens
1790
22
Thomas Hearne, 1744–1817
Unloading Pit Props at Coalbrookdale
after 1790
23
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
24
Francis Nicholson, 1753–1844
London Bridge and The Monument
ca. 1795
25
Charles Heathcote Tatham, 1772–1842
Design for a Monument to the Duke of Wellington
undated
26
Gangaram Chintaman Tambat, active 1790s
An Ox
undated
27
Gangaram Chintaman Tambat, active 1790s
Elephant
undated
28
Francis David Soiron, Born 1764
St. James's Park
1790
29
Dr. Thomas Monro, 1759–1833
Composition: Recollection of J.R. Cozen's of Nemi
between 1790 and 1820
30
Monro School
Fanali di Villa Franca
ca. 1795
31
Humphry Repton, 1752–1818
Sarsden House and Gardens, Oxfordshire: Bird's-eye View
ca. 1795
32
Attributed to William Alfred Delamotte, 1775–1863
Richmond Bridge
undated
33
unknown artist
Gloucester Cathedral
ca. 1795
34
John Augustus Atkinson, 1775–1831
The Poet
undated
35
John Augustus Atkinson, 1775–1831
Cavalrymen Passing Through a Stream, Being Mustered by a Trumpeter
undated
36
Sir Richard Westmacott, 1775–1856
The Good Samaritan
undated
37
Frederick Calvert, ca. 1785–ca. 1845
Carisbrook Castle, Isle of Wight
undated
38
Frederick Calvert, ca. 1785–ca. 1845
Ryde, Isle of Wight
undated
39
Frederick Calvert, ca. 1785–ca. 1845
Culver Cliff, Sandown Bay, Isle of Wight
undated
40
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
41
Print made by unknown artist
The Welcome Home
1790
42
Michael "Angelo" Rooker, 1746–1801
The Chapel of the Greyfriars Monastery, Winchester
between 1790 and 1795
43
Charles Heathcote Tatham, 1772–1842
Design for a Bookcase
undated
44
John Thirtle, 1777–1839
Binham Priory
undated
45
Michael "Angelo" Rooker, 1746–1801
Abbot's Kitchen, Glastonbury
ca. 1795
46
Attributed to Gangaram Chintaman Tambat, active 1790s
Praying Man
undated
47
unknown artist
A Forest Road
undated
48
unknown artist
Alpine Landscape with Figures and Bridge
undated
49
John Webber, 1752–1793
Queen Charlotte's Sound, New Zealand
1790
50
unknown artist
Mountain Scene, Mist Rising
undated
51
Jonathan Girtin, ca.1780–aft.1820
Coastal Scene
undated
52
William Ward, 1766–1826
Jack in the Bilboes
1790
53
Robert Pollard, 1755–1838
Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty
1790
54
unknown artist
Oliver Plunket
1790
55
Luigi Schiavonetti, 1765–1810
The Mask
1790
56
John Beugo, 1759–1841
Adam Ferguson, L.L.D
1790
57
Thomas Malton, 1726–1801
Principal Front of the Bank of England
1790
58
Thomas Malton, 1726–1801
Internal View of the Four per cent Reduced Annuity Office, at the Bank of England
1790
59
Print made by Francesco Bartolozzi, 1728–1815
Lord FitzGibbon
1790
60
William Anderson, 1757–1837
A Two-Decker Running up the Estuary with Figures on the Beach in the Foreground
1790
61
Thomas Rowlandson, 1756–1827
Distress
1790 to 1795
62
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
63
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
64
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
65
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
66
Thomas Rowlandson, 1756–1827
Female Dancer with a Tambourine
between 1790 and 1795
67
Thomas Girtin, 1775–1802
The Tithe Barn at Abbotsbury with the Abbey on the hill..
ca. 1795
68
Thomas Girtin, 1775–1802
Ruins of Savoy Palace
ca. 1795
69
Print made by John Carter, 1748–1817
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
70
Thomas Rowlandson, 1756–1827
The Duchess of Devonshire and the Countess of Bessborough
1790
71
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
72
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
73
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
74
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
75
Thomas Rowlandson, 1756–1827
The Opera Singers
between 1790 and 1795
76
Thomas Rowlandson, 1756–1827
Labourers at Rest
between 1790 and 1795
77
Monro School
Near Sterzing, Tyrol
ca. 1795
78
Thomas Girtin, 1775–1802
The Land Gate, Rye, Sussex
ca. 1795
79
Thomas Girtin, 1775–1802
Pevensey Castle, Sussex
ca. 1795
80
Thomas Girtin, 1775–1802
View of Winchelsea, Sussex
ca. 1795
81
Thomas Girtin, 1775–1802
Saltwood Castle, Kent
ca. 1795
82
Thomas Girtin, 1775–1802
St. Paul's Cathedral, from St. Martin's-le-Grand, London
ca. 1795
83
Thomas Girtin, 1775–1802
Near Ramsgate, Kent
ca. 1795
84
Thomas Girtin, 1775–1802
Writtle Church, Essex
ca. 1795
85
Thomas Girtin, 1775–1802
Tolleshunt-Beckingham, Essex
ca. 1795
86
Thomas Girtin, 1775–1802
Great Marlow Church, Buckinghamshire
ca. 1795
87
Thomas Girtin, 1775–1802
Layer Marney Hall, Essex
ca. 1795
88
Thomas Girtin, 1775–1802
Carlisle Cathedral, Cumberland, from the South-west
ca. 1795
89
Thomas Girtin, 1775–1802
Rye, Sussex
ca. 1795
90
attributed to Thomas Girtin, 1775–1802
In the Farnese Gardens, Rome
ca. 1795
91
unknown artist
Fishing near a Waterfall
1790
92
Henry James Brocas, ca. 1790–1846
Rustic Studies
undated
93
James Moore, 1762–1799
Unidentified Castle
undated
94
John Warwick Smith, 1749–1831
Ruins of Criccieth Castle and Part of the Town on the Bay on Cardigan. East View, Caernarfonshire