Materials & Techniques: wove paper / Credit Line: Yale Center for British Art, Paul Mellon Collection / Width [cm]: 21

Print made by Samuel Palmer, 1805–1881

The Morning of Life

1860-1861

Print made by Samuel Palmer, 1805–1881

The Vine

1852

John Constable, 1776–1837

Brighton Beach Looking West

undated

John Constable, 1776–1837

Flowers in a Pitcher

undated

John Constable, 1776–1837

View near Arundel

between 1834 and 1835

George Stubbs, 1724–1806

Fowl Head and Neck, Lateral View

1795 to 1806

Joseph Mallord William Turner, 1775–1851

Rome from Monte Mario

ca. 1818

Edward Lear, 1812–1888

The Pontine Marshes above Terracina

ca. 1880

William Blake, 1757–1827

The Widow Embracing Her Husband's Grave

1805 to 1808

unknown artist

Little Sypeland

undated

Patrick Nasmyth, 1787–1831

Cloud Study

undated

Giles F. Phillips, 1780–1867

Fishmarket on the Beach

undated

Sir James Thornhill, 1675–1734

Design for a Ceiling Decoration (with a Parrot)

undated

Print made by unknown artist

Little Devil's Bridge

between 1816 and 1820

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Print made by James C. Allen, active 1821–1831

Orford Castle and Church

ca. 1830

Print made by James Baylis Allen, 1803–1876

Falls of the Rhine

1832

George Frederick Prosser, active 1828–1868

The Deep-Dene. The Seat of Thomas Hope, Esq

undated

Richard Parkes Bonington, 1802–1828

Trees and a Cottage by a River

1827

Isaac Shaw, active 1830

The Viaduct over the Sankey Canal

ca. 1830

George Cruikshank, 1792–1878

Devoted Wife

undated

Thomas Sully, 1783–1872

Hints for Composition by Varley - 1805

1805

Anthony Cardon, 1772–1813

Admiral William Sidney Smith and The Seige of Acre

1804

Print made by Schelte A. Bolswert, 1586–1659

Iustus Lipsius

ca. 1635

Sir Robert Smirke the younger, 1781–1867

Premuda, Yugoslavian Landscape, Opposite, Ancona

1802-1804

Sir Robert Smirke the younger, 1781–1867

Interior of the Holy Chapel of Loretta

1802-1804

Sir Robert Smirke the younger, 1781–1867

Premuda

1802-1804

Sir Robert Smirke the younger, 1781–1867

Study of Fontana Maggiore in Perugia

1802-1804

Sir Robert Smirke the younger, 1781–1867

Sketch of the High Alter of the Church of, Il Redentore

1802-1804

Sir Robert Smirke the younger, 1781–1867

Monument in the Garden of the Villa Altichiero Near Padua

1802-1804

Sir Robert Smirke the younger, 1781–1867

Palace in Padua

1802-1804

Robert Dixon, 1780–1815

The Black Tower Norwich

between 1810 and 1811

Robert Dixon, 1780–1815

Cottage at Diss

1811

Robert Dixon, 1780–1815

The Greyfriars Tower, Lynn, as it appeared 1801

between 1810 and 1811

Robert Dixon, 1780–1815

West Tower, Wymondham Church

1810

Robert Dixon, 1780–1815

Sketch at Mulbarton

between 1810 and 1811

Robert Dixon, 1780–1815

Remains of the Priory, Beeston Regis

1810

Robert Dixon, 1780–1815

Beeston Priory, Beeston Regis

between 1810 and 1811

Print made by William Miller, 1796–1882

Dryburgh Abbey

1833

Henry R. Cook, active 1802–1849

Lieutenant General, Henry Paget, the Earl of Uxbridge

1813

Sir Robert Smirke the younger, 1781–1867

Study of a Bridge

1802-1804

Sir Robert Smirke the younger, 1781–1867

The Fitting Up of the Medal Room in the Arsenal, Venice

1802-1804

Sir Robert Smirke the younger, 1781–1867

Entrance Gateway into the City of Perugia

1802-1804

Sir Robert Smirke the younger, 1781–1867

Small Harbor at the Island of Premuda

1802-1804

Luigi Balugani, 1737–1770

Ciath (Catha edulis)

undated

Luigi Balugani, 1737–1770

Legva' (Podocarpus gracilior)

undated

William Sawrey Gilpin, 1762–1843

An Arabian Stallion Walking to Right

undated

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

between 1831 and 1832

Paul Sandby, 1731–1809

The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs

undated

Heywood Hardy, 1843–1933

A Gentleman Standing, Seen Back View, Wearing a Driving or Riding Coat ..

undated

Peter DeWint, 1784–1849

Building a Hayrick

undated

Michael Angelo Hayes, 1811–1880

The Band of the 23rd Fusiliers

1838

Arthur James Stark, 1831–1902

Mare and Foal

undated

Henry Thomas Alken, 1785–1851

Horse and Dog

undated

Henry Thomas Alken "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

Henry Thomas Alken, 1785–1851

"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

between 1831 and 1832

Heywood Hardy, 1843–1933

A Gentleman Standing, Seen Full Face, Wearing a Driving or Riding Coat

undated

Print made by Francesco Bartolozzi, 1728–1815

Angelica Kauffman

1780

Henry Thomas Alken, 1785–1851

Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One

between 1818 and 1822

Henry Thomas Alken, 1785–1851

Knight Falling From His Horse at a Squire's Tilt

undated

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '

between 1831 and 1832

Samuel Howitt, 1756–1822

Nine Foxes Gathered Around a Tree: an Illustration of Aesop's Fable, "The Fox who Lost His Tail"

undated

James Seymour, 1702–1752

Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch

undated

John Frederick Tayler, 1802–1889

Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through

undated

John Frederick Tayler, 1802–1889

Six Foxhounds Resting

undated

Thomas Rowlandson, 1756–1827

How to Vault in the Saddle

1813

Paul Sandby, 1731–1809

A Castle on a River

undated

Robert Hills, 1769–1844

A Wagon With Hops and Two Sketches of Horses

undated

Thomas Rowlandson, 1756–1827

Picking Mulberries

undated

Mrs. P. D. H. Page, 20th century

Lookdown or Moonfish after Original by John White in the British Museum [Caribbean and Oceanic, No. 21]

undated

Lionel Grimston Fawkes, 1849–1931

Jamaica: the barbecue on the Rosebery Plantation, with the Manchester Mountains in the distance

undated

Lionel Grimston Fawkes Windward Islands, Barbados: The Pavilion, Queen's House, showing the verandah of the Artist's bedroom (the upper windows) and the covered way to the left leading to Queen's House, July 28, 1881

Lionel Grimston Fawkes, 1849–1931

Windward Islands, Barbados: The Pavilion, Queen's House, showing the verandah of the Artist's bedroom (the upper windows) and the covered way to the left leading to Queen's House, July 28, 1881

1881