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Collection
Prints and Drawings
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46
Creator
Blake, William, 1757–1827
11
Cristall, Joshua, 1768–1847
10
Bartolozzi, Francesco, 1727–1815
4
Davis, Samuel, 1760–1819
4
Crome, John, 1768–1821
3
Cozens, John Robert, 1752–1797
2
Owen, Samuel, 1768–1857
2
Reynolds, Joshua, Sir, 1723–1792
2
Sequeira, Domingos Antonio de, 1768–1837
2
Audouin, Pierre, 1768–1822
1
Cosway, Richard, 1742–1821
1
Dayes, Edward, 1763–1804
1
Dickinson, William, 1746–1823
1
Dorrell, Edmund, 1778–1857
1
Dunthorne, John, active 1783–1792
1
Gainsborough, Thomas, 1727–1788
1
Hills, Robert, 1769–1844
1
Kauffmann, Angelica, 1741–1807
1
Smith, John Raphael, 1752–1812
1
Vincent, George, 1796–1832
1
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1800
746
1791
742
1802
464
2004
392
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389
1834
375
1867
341
1771
337
1832
335
1830
307
1826
302
1793
297
1804
290
1795
262
1827
262
1814
258
1825
258
1818
241
1799
236
1820
231
1794
225
1836
220
1833
218
1772
217
1792
208
1797
198
1835
190
1749
185
1945
185
1784
182
1870
166
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164
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164
1803
162
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161
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1789
158
1764
155
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0
151
1808
148
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146
1828
145
1955
145
1819
142
1831
141
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141
1813
134
1821
134
1805
129
1968
129
1790
128
1829
123
1850
123
1810
117
1815
117
1838
116
1854
113
1745
112
1846
112
1758
109
1989
107
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106
1823
105
1822
103
1837
102
1798
100
1999
99
1768
96
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96
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1824
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84
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83
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83
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78
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77
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74
1781
71
1842
71
1780
70
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70
1910
69
1848
67
1860
67
1844
66
1748
65
1777
65
1857
65
1869
65
1788
63
1990
62
1896
61
1774
57
1893
53
On-site Access
Accessible by appointment in the Study Room
46
Image Use
Free to Use
46
Image Available
Available
45
Unavailable
1
Classification
Drawings & Watercolors
25
Prints
21
Creator Gender
male
44
female
1
Collective Title
There Is No Natural Religion, Copy B
11
Iconographie Anglaise par Reynolds et Autres
1
Period
18th century
24
18th century-19th century
16
19th century
3
Materials & Techniques
wove paper
[remove]
46
graphite
22
watercolor
19
color printing
11
relief etching
11
black ink
5
brown ink
5
gouache
4
pen
4
stipple engraving
4
black chalk
3
card
2
etching (printing process)
2
gray wash
2
mezzotint
2
scraping
2
gray ink
1
line engraving
1
red ink
1
scraping out
1
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Materials & Techniques
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Height [cm]
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0
to
64
Width [cm]
Width [cm] range begin
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Current results range from
0
to
77
Work Type
drawing
25
watercolor
22
relief print
11
intaglio print
10
frontispiece
1
Genre
landscape
13
literary theme
12
genre subject
8
architectural subject
7
portrait
7
marine art
4
religious and mythological subject
4
figure study
3
military art
1
still life
1
Subject Terms
trees
20
men
12
landscape
11
literary theme
11
text
10
hills
8
architectural subject
7
vine
6
woman
6
women
6
children
5
genre subject
5
portrait
5
seated
5
branches
4
coat
4
man
4
shepherds
4
birds
3
book
3
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Subject Terms
»
Associated Places
United Kingdom
3
Campagna
2
England
2
Italy
2
Albano, Lago
1
Argyll
1
Asia
1
Castel Gandolfo
1
East Sussex
1
English Channel
1
Essex
1
Europe
1
Hastings
1
Nemi, Lago di
1
Scotland
1
Tarbert
1
Tarbert Castle
1
Thibet
1
Waltham Abbey
1
Zhonghua
1
Associated People
Pinto de Sousa Coutinho, Luis, first Viscount Balsemão (1735–1804 )
2
Abington, Frances (1737–1815), actress
1
Deane, Silas (1737–1789) American merchant, politician and diplomat
1
Kauffmann, Angelica (1741–1807), history and portrait painter
1
Manners, Lord Robert (1758–1782), naval officer
1
Mary Magdalene
1
The Virgin Mary
1
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
11
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
11
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
2
Masters of the Sea - British Marine Watercolors (National Maritime Museum, 2005-08-25 - 2005-10-25)
2
Masters of the Sea - British Marine Watercolors (Yale Center for British Art, 1987-06-10 - 1987-08-02)
2
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
2
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
2
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
1
Circa 1800 - The Beginnings of Modern Printmaking (Rutgers University Art Gallery, 1981-03-08 - 1981-04-19)
1
Circa 1800 - The Beginnings of Modern Printmaking (The Baltimore Museum of Art, 1981-05-12 - 1981-06-28)
1
Edward Lear and the Art of Travel (Yale Center for British Art, 2000-09-20 - 2001-01-14)
1
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Papermaking and The Art of Watercolor in Eighteenth-Century Britain: Paul Sandby's "View of…Mr. Whatman's Turkey Mill" (Yale Center for British Art, 2006-02-22 - 2006-06-04)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
43
Yale Center for British Art; Yale University Art Gallery Collection
2
Yale Center for British Art, Paul Mellon Fund
1
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1
Print made by William Blake, 1757–1827
I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
ca. 1788
2
Print made by William Blake, 1757–1827
II. "Reason or the ratio of all we have already known..." (Plate 11)
ca. 1788
3
Print made by William Blake, 1757–1827
I. "Man cannot naturally Percieve..."(Plate 3)
ca. 1788
4
Print made by William Blake, 1757–1827
II. "Man by his reasoning power can only compare..." (Plate 4)
ca. 1788
5
Print made by William Blake, 1757–1827
III. "From a perception of only 3 senses..." (Plate 5)
ca. 1788
6
Print made by William Blake, 1757–1827
V. "Mans desires are limited by his perceptions..." (Plate 7)
ca. 1788
7
Print made by William Blake, 1757–1827
"Therefore God becomes as we are..." (Plate 9)
ca. 1788
8
Print made by William Blake, 1757–1827
The Argument. "Man has no notion of moral fitness..." (Plate 2"
ca. 1788
9
Print made by William Blake, 1757–1827
IV. "None could have other than natural or organic thoughts..." (Plate 6)
ca. 1788
10
Print made by William Blake, 1757–1827
VI. "The desires & perceptions of man untaught..." (Plate 8)
ca. 1788
11
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
ca. 1788
12
Joshua Cristall, 1768–1847
Girl in a Brown Dress
undated
13
Samuel Owen, 1768–1857
Shipping on a Stormy Day
undated
14
Samuel Owen, 1768–1857
Sailing Ships and Small Boats in Rough Sea off the Coast
undated
15
Samuel Davis, 1760–1819
Tassisudon
1783
16
Benjamin West, 1738–1820
The Three Marys
1783
17
Print made by Pierre Audouin, 1768–1822
Angelica Kauffman
undated
18
Print made by Francesco Bartolozzi, 1728–1815
Georgiana, Countess Spencer
1783
19
Joshua Cristall, 1768–1847
Open Landscape with Cathedral in Distance
undated
20
John Crome, 1768–1821
A Boatload
undated
21
Joshua Cristall, 1768–1847
Tarbert Castle
undated
22
Joshua Cristall, 1768–1847
Landing a Catch of Mackerel, Hastings
undated
23
Print made by John Raphael Smith, 1752–1812
Mademoiselle Baccelli
1783
24
Print made by William Dickinson, 1746–1823
Lord Robert Manners, Captain R.N
1783
25
Print made by Francesco Bartolozzi, 1728–1815
Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
undated
26
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
1783
27
W.H. Drayton, Esqr
1783
28
Silas Deane, Esqr
1783
29
Print made by Francesco Bartolozzi, 1728–1815
Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
undated
30
George Vincent, 1796–1832
Willow Tree Near Mr. Weston's House
undated
31
Joshua Cristall, 1768–1847
Study of a Man Holding a Stick
undated
32
Joshua Cristall, 1768–1847
Family Posed in Front of a Doorway
undated
33
Joshua Cristall, 1768–1847
A Seated Child
undated
34
Joshua Cristall, 1768–1847
Country Folk Gathered Around a Cooking Pot
undated
35
Joshua Cristall, 1768–1847
Landscape with Cattle Watering
undated
36
Joshua Cristall, 1768–1847
Arcadian Shepherds by a Pool
undated
37
John Robert Cozens, 1752–1797
The Lake of Albano and Castel Gandolfo
between 1783 and 1785
38
Edmund Dorrell, 1778–1857
In the yard of a farmhouse
undated
39
John Dunthorne, active 1783–1792
A Preacher
undated
40
Robert Hills, 1769–1844
Studies of a Farmhouse, Covered Wagon, and Harrows
undated
41
John Robert Cozens, 1752–1797
The Lake of Nemi
between 1783 and 1785
42
Samuel Davis, 1760–1819
Kapta [Chapcha] Castle
1783
43
Samuel Davis, 1760–1819
The Village of Buxadaur [Buxa Duar] [Thibet]
1783
44
Edward Dayes, 1763–1804
Waltham Abbey, Essex
1783
45
Samuel Davis, 1760–1819
Chukha Castle in Bhutan
1783
46
Print made by John Crome, 1768–1821
Three Landscape Studies
undated