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Materials & Techniques wove paper

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Creator Gender male

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Subject Terms vine

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Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
William Blake Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
ca. 1788
William Blake II. "Reason or the ratio of all we have already known..." (Plate 11)
Print made by William Blake, 1757–1827
II. "Reason or the ratio of all we have already known..." (Plate 11)
ca. 1788
William Blake III. "From a perception of only 3 senses..." (Plate 5)
Print made by William Blake, 1757–1827
III. "From a perception of only 3 senses..." (Plate 5)
ca. 1788
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake Songs of Innocence, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
William Blake The Chimney Sweeper (Plate 10)
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 10)
1789
William Blake The Ecchoing Green (Plate 8)
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 8)
1789
William Blake The Divine Image (Plate 24)
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
William Blake Fame (Design 93)
William Blake, 1757–1827
Fame (Design 93)
between 1797 and 1798
William Blake The Ecchoing Green (Plate 10)
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 10)
1789
William Blake Songs of Innocence, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
William Blake Introduction (Plate 3)
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
Print made by William Blake, 1757–1827
I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
ca. 1788
William Blake The Argument. "Man has no notion of moral fitness..." (Plate 2"
Print made by William Blake, 1757–1827
The Argument. "Man has no notion of moral fitness..." (Plate 2"
ca. 1788
William Blake I. "Man cannot naturally Percieve..."(Plate 3)
Print made by William Blake, 1757–1827
I. "Man cannot naturally Percieve..."(Plate 3)
ca. 1788
William Blake The Divine Image (Plate 12)
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
Francis Wheatley Country Scene: Figures by a Cottage Door and Cattle in a Stream
Francis Wheatley, 1747–1801
Country Scene: Figures by a Cottage Door and Cattle in a Stream
1795
Henry J. Townsend Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus
Print made by Henry J. Townsend, 1810–1890
Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus
1853
George Richmond The Shepherd
Print made by George Richmond, 1809–1896
The Shepherd
1827
Bill Jay Colin Jacobson
Bill Jay, 1940–2009
Colin Jacobson
2004
James Tibbits Willmore The Golden Bough
Print made by James Tibbits Willmore, 1800–1863
The Golden Bough
1856
James Tibbits Willmore The Golden Bough
Print made by James Tibbits Willmore, 1800–1863
The Golden Bough
1856
Eliot Hodgkin Sketchbook Study for Forest of Kale
Eliot Hodgkin, 1905–1987
Sketchbook Study for Forest of Kale
ca. 1940
Eliot Hodgkin Study for Forest of Kale
Eliot Hodgkin, 1905–1987
Study for Forest of Kale
ca. 1940
Eliot Hodgkin Study for Forest of Kale with Figure
Eliot Hodgkin, 1905–1987
Study for Forest of Kale with Figure
ca. 1940