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Materials & Techniques white gouache

Remove constraint Materials & Techniques: white gouache

Creator Ruskin, John, 1819–1900

Remove constraint Creator: Ruskin, John, 1819–1900

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The Rocky Bank of a River
Creator:
John Ruskin, 1819–1900
Date:
ca. 1853
Materials & Techniques:
Pen and black ink, gray wash, graphite, and white gouache; verso: pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 7/8 x 18 5/8 inches (32.7 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Champagnole
Creator:
John Ruskin, 1819–1900
Date:
1846
Materials & Techniques:
Watercolor, graphite and white gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 x 7 inches (12.7 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Given in honor of Patrick Noon, Curator of Prints, Drawings & Rare Books (1979-97), from the collection of Iola S. Haverstick
The Great Square at Torcello
Creator:
John Ruskin, 1819–1900
Date:
1850
Materials & Techniques:
Pen and black ink, watercolor, white gouache and graphite on thick, smooth, beige wove paper
Dimensions:
Sheet: 9 3/4 x 13 5/8 inches (24.8 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Doorhead of the Palazzo Contarini della Porta di Ferro
Creator:
John Ruskin, 1819–1900
Date:
undated
Materials & Techniques:
Pen and black ink, brown wash and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 10 7/8 inches (22.5 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Chauncey B. Tinker, B.A. 1899
Mountainous Landscape
Creator:
John Ruskin, 1819–1900
Date:
undated
Materials & Techniques:
Watercolor, white gouache, and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 x 11 1/4 inches (23.2 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection