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Materials & Techniques white chalk

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Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
John Frederick Lewis Study of a Lion and Study of a Lioness' Head
John Frederick Lewis, 1804–1876
Study of a Lion and Study of a Lioness' Head
ca. 1820
James Ward Study of a Sleeping Dog
James Ward, 1769–1859
Study of a Sleeping Dog
undated
James Ward Ferrets
James Ward, 1769–1859
Ferrets
undated
James Ward Study of a Calf
James Ward, 1769–1859
Study of a Calf
undated
James Ward Study of the Head of a Ram
James Ward, 1769–1859
Study of the Head of a Ram
undated
James Ward Head of a Tiger
James Ward, 1769–1859
Head of a Tiger
undated
Sir Edwin Henry Landseer A Dappled Horse in a Stable
style of Sir Edwin Henry Landseer, 1802–1873
A Dappled Horse in a Stable
undated
James Ward A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
James Ward, 1769–1859
A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
1827
Thomas Gainsborough Study of a Goat
Thomas Gainsborough, 1727–1788
Study of a Goat
late 1770s
Sir Edwin Henry Landseer Sheep Dog Sleeping
Attributed to Sir Edwin Henry Landseer, 1802–1873
Sheep Dog Sleeping
undated
James Ward Studies of Dogs lying down
James Ward, 1769–1859
Studies of Dogs lying down
undated
Johan Joseph Zoffany Elephants Fighting
Johan Joseph Zoffany, 1733–1810
Elephants Fighting
between 1784 and 1788
unknown artist Landscape with Horses by a Pool
unknown artist
Landscape with Horses by a Pool
undated
Charles West Cope Study of a Boy Holding a Horse's Head
Charles West Cope, 1811–1890
Study of a Boy Holding a Horse's Head
undated
Thomas Gainsborough Study of a Cow
Thomas Gainsborough, 1727–1788
Study of a Cow
between 1755 and 1760
Andrew Geddes Sheepdog Asleep in a Landscape
Attributed to Andrew Geddes, 1783–1844
Sheepdog Asleep in a Landscape
undated