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Materials & Techniques white chalk

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Creator Ward, James, 1769–1859

Remove constraint Creator: Ward, James, 1769–1859

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James Ward Study from Nature, One of the Children of Charity for the Large Picture of the Waterloo Allegory
James Ward, 1769–1859
Study from Nature, One of the Children of Charity for the Large Picture of the Waterloo Allegory
undated
James Ward Studies of Hands
James Ward, 1769–1859
Studies of Hands
undated
James Ward The Wood Cutter
James Ward, 1769–1859
The Wood Cutter
undated
James Ward Study of a Sleeping Dog
James Ward, 1769–1859
Study of a Sleeping Dog
undated
James Ward Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."
James Ward, 1769–1859
Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."
1820 to 1830
James Ward Study of a Calf
James Ward, 1769–1859
Study of a Calf
undated
James Ward Study of the Head of a Ram
James Ward, 1769–1859
Study of the Head of a Ram
undated
James Ward Study of a Climbing Plant (Pumpkin Family)
James Ward, 1769–1859
Study of a Climbing Plant (Pumpkin Family)
undated
James Ward Ferrets
James Ward, 1769–1859
Ferrets
undated
James Ward Studies of Dogs lying down
James Ward, 1769–1859
Studies of Dogs lying down
undated
James Ward Head of a Tiger
James Ward, 1769–1859
Head of a Tiger
undated
James Ward Windsor Park Paling
James Ward, 1769–1859
Windsor Park Paling
undated
James Ward The Beggar's Oak, Bagot's Park, Aug. 12th, 1820 (A Celebrated Ancient Tree on Lord Bagot's Blithfield Hall Estate in Staffordshire)
James Ward, 1769–1859
The Beggar's Oak, Bagot's Park, Aug. 12th, 1820 (A Celebrated Ancient Tree on Lord Bagot's Blithfield Hall Estate in Staffordshire)
1820
James Ward A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
James Ward, 1769–1859
A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
1827