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Materials & Techniques watercolor

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Width [cm] 32

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Subject Terms hills

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Joseph Mallord William Turner Rheinfels Looking to Katz and Goarhausen
Joseph Mallord William Turner, 1775–1851
Rheinfels Looking to Katz and Goarhausen
1817
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake "Her Henry's holy shade..." (Design 15)
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
John Thomas Serres Piveral Point (one of five drawings on one mount)
John Thomas Serres, 1759–1825
Piveral Point (one of five drawings on one mount)
undated
Thomas Hearne View from Skiddaw over Derwentwater
Thomas Hearne, 1744–1817
View from Skiddaw over Derwentwater
between 1772 and 1782
Peter DeWint Malmesbury Abbey
attributed to Peter DeWint, 1784–1849
Malmesbury Abbey
undated
Henry Haseler Sidmouth from Offshore
Henry Haseler, active 1814–1825
Sidmouth from Offshore
ca. 1815
Edward Francis Burney Hilly Landscape with House
Edward Francis Burney, 1760–1848
Hilly Landscape with House
undated
John Northcote Nash Moonlight Landscape
John Northcote Nash, 1893–1977
Moonlight Landscape
undated
Henry Thomas Alken Wild Duck Shooting
Henry Thomas Alken, 1785–1851
Wild Duck Shooting
undated
Francis Oliver Finch The Shepherd - Evening
Francis Oliver Finch, 1802–1862
The Shepherd - Evening
1845
François Louis Thomas Francia The Watermill Above the Bridge at Charenton
François Louis Thomas Francia, 1772–1839
The Watermill Above the Bridge at Charenton
undated