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Materials & Techniques watercolor

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Subject Terms horses (animals)

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The Wayside Smithy
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 7 3/8 inches (25.1 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tours, Looking Backward
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1826 and 1830
Materials & Techniques:
Watercolor, gouache, graphite and pen and brown ink on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 4 7/8 x 7 3/8 inches (12.4 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Paul's Cathedral
Creator:
Thomas Hosmer Shepherd, 1792–1864
Date:
undated
Materials & Techniques:
Watercolor, black ink, brown ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/16 × 7 5/8 inches (13.5 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Temple Bar
Creator:
Thomas Hosmer Shepherd, 1792–1864
Date:
undated
Materials & Techniques:
Watercolor, brown ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 × 7 5/8 inches (14.6 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North-East View of Sir John Elvil's House on Englefield Green near Egham in Surrey
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/4 x 7 3/8 inches (13.3 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Match at Newmarket
Creator:
Peter Tillemans, 1684–1734
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite and gouache on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 3 9/16 × 7 3/8 inches (9 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Two Shetland Ponies With a Groom
Creator:
Charles Hancock, 1802–1877
Date:
1834
Materials & Techniques:
Oil, watercolor, gouache, and pen and brown ink on moderately thick, rough, beige wove paper
Dimensions:
Mount: 9 5/16 × 10 3/16 inches (23.7 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
Creator:
Henry Thomas Alken, 1785–1851
Date:
1842
Materials & Techniques:
Watercolor over etched outline, with gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 13/16 × 7 3/8 inches (12.2 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Esquire's Intrusion
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 7/16 inches (11.4 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Attendance on a Nobleman
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and gray-brown and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 3/8 inches (11.4 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Comforts of Bath: Coaches Arriving
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 5 5/8 x 8 7/16 inches (14.3 x 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Enraged Vicar
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and gray ink and pen and brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 1/16 x 7 5/16 inches (12.9 x 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Phaeton and Six
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 x 7 9/16 inches (13 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Departure from Wakefield
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor with pen and red-brown, brown and light gray ink over graphite; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Welcome
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown and gray-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Vicar's Family on the Road to Church
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Heralds
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and gray brown ink over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 3/16 x 7 7/16 inches (15.7 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection