<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Materials & Techniques watercolor

Remove constraint Materials & Techniques: watercolor

Width [cm] 15

Remove constraint Width [cm]: 15

Subject Terms men

Remove constraint Subject Terms: men

Search Results

Robert Polhill Bevan Under the Hammer
Robert Polhill Bevan, 1865–1925
Under the Hammer
between 1912 and 1913
Edward Lear Silsilis
Edward Lear, 1812–1888
Silsilis
1854
William Blake Jerusalem, Tailpiece (Plate 100)
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake "Reuben return'd to his place, in vain..." (Plate 36)
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
William Blake "Then all the Males conjoined into One Male..." (Plate 69)
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
William Blake "Such are Cathedrons golden Halls..." (Plate 73)
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
William Blake "Albion cold lays on his Rock..." (Plate 94)
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
William Blake "Turning his back to the Divine Vision..." (Plate 33)
Print made by William Blake, 1757–1827
"Turning his back to the Divine Vision..." (Plate 33)
1804 to 1820
William Blake "In Great Eternity every particular Form..." (Plate 54)
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
William Blake "Repose on me till the morning of the Grave..." (Plate 62)
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
William Blake "Of the Mundane Shell which froze..." (Plate 64)
Print made by William Blake, 1757–1827
"Of the Mundane Shell which froze..." (Plate 64)
1804 to 1820
William Blake "It is easier to forgive an enemy..." (Plate 91)
Print made by William Blake, 1757–1827
"It is easier to forgive an enemy..." (Plate 91)
1804 to 1820
William Blake "Awake! Awake Jerusalem..." (Plate 97)
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
William Blake "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
Print made by William Blake, 1757–1827
"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
1804 to 1820
William Blake "And the Two that escaped..." (Plate 30)
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
William Blake "Highgates heights & Hampsteads..." (Plate 84)
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
William Blake "Became a Space & an Allegory..." (Plate 85)
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
unknown artist Moonlit Scene of Castle and Ships
unknown artist
Moonlit Scene of Castle and Ships
undated
John Linnell Horses in a Paddock
John Linnell, 1792–1882
Horses in a Paddock
1811
Thomas Rowlandson The Recruiting Officer
Thomas Rowlandson, 1756–1827
The Recruiting Officer
1797
William Payne Torquay
William Payne, active 1850s
Torquay
undated
J. Findlay Sir Violet Sighaway & Mr. Villiers
J. Findlay, active 1825–1857
Sir Violet Sighaway & Mr. Villiers
undated
John Glover River with Fishermen
John Glover, 1767–1849
River with Fishermen
1792
John Linnell Figures on a Bank, Kensington Gravel Pits
John Linnell, 1792–1882
Figures on a Bank, Kensington Gravel Pits
1812
Robert Mabon A Durbar Scene, Poona, October 3, 1792
Robert Mabon, died 1798
A Durbar Scene, Poona, October 3, 1792
1792
Peter DeWint Hay Wagons
Peter DeWint, 1784–1849
Hay Wagons
undated
Thomas Rowlandson Picking Mulberries
Thomas Rowlandson, 1756–1827
Picking Mulberries
undated
Samuel Prout Studies of Peasants, Diligences, and Hay Wagons
Samuel Prout, 1783–1852
Studies of Peasants, Diligences, and Hay Wagons
undated
unknown artist Mid-Day
unknown artist
Mid-Day
1799
unknown artist Morning
unknown artist
Morning
1799
unknown artist Evening
unknown artist
Evening
1799
Thomas Rowlandson The Doctor Overcame
Thomas Rowlandson, 1756–1827
The Doctor Overcame
undated
Thomas Girtin The Tithe Barn at Abbotsbury with the Abbey on the hill...
Thomas Girtin, 1775–1802
The Tithe Barn at Abbotsbury with the Abbey on the hill..
ca. 1795
Thomas Rowlandson The Miseries of the Country
Thomas Rowlandson, 1756–1827
The Miseries of the Country
undated
Thomas Rowlandson Naval Officers and a Bowl of Punch
Thomas Rowlandson, 1756–1827
Naval Officers and a Bowl of Punch
undated
Myles Birket Foster The Balloon
Myles Birket Foster, 1825–1899
The Balloon
undated
William Alexander Fort Opposite the Factory, Canton
William Alexander, 1767–1816
Fort Opposite the Factory, Canton
1793