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Materials & Techniques watercolor

Remove constraint Materials & Techniques: watercolor

Height [cm] 49

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Subject Terms landscape

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The Avon Gorge, Looking toward Clifton
Creator:
Francis Danby, 1793–1861
Date:
ca. 1820
Materials & Techniques:
Watercolor, gouache, and graphite with scraping out on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 19 1/4 x 28 3/4 inches (48.9 x 73 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Moselle Bridge, Coblenz
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1842
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/8 x 24 1/4in. (48.6 x 61.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Quorn towards Ashby de la Zouch, Leicestershire
Creator:
Lionel Edwards, 1878–1966
Date:
1919
Materials & Techniques:
Watercolor, pen and black ink, graphite, gouache and black chalk on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 19 7/8 × 25 7/16 inches (50.5 × 64.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View near Tal-y-Llyn
Creator:
Cornelius Varley, 1781–1873
Date:
ca. 1805
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 1/4 x 25 1/4 inches (48.9 x 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Moorland with Sheep and Shepherd
Creator:
Claude Hayes, 1852–1922
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 3/8 × 29 1/4 inches (49.2 × 74.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pile Driving on the Banks of the Thames
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, brown ink, gouache and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 19 3/8 x 26 1/8 inches (49.2 x 66.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Former Winter Capital of Bhutan at Punakha Dzong
Creator:
Samuel Davis, 1760–1819
Date:
1783
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gouache, graphite, with scratching out and sponging on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 20 1/8 × 29 3/4 inches (51.1 × 75.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in the Levant: Rome with Ruins seen Through an Archway
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, graphite, pen and brown ink, and gum arabic on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 1/4 × 14 13/16 inches (48.9 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Sailing Dinghy with Three Men Leaving a Rocky Inlet
Creator:
Joseph Farington, 1747–1821
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 19 1/8 × 25 3/8 inches (48.6 × 64.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Val d'Aosta, Piedmont
Creator:
John Warwick Smith, 1749–1831
Date:
1784
Materials & Techniques:
Watercolor over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 19 3/8 x 28 inches (49.2 x 71.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Skiddaw and Derwentwater
Creator:
Joseph Farington, 1747–1821
Date:
ca. 1780
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 19 3/8 × 26 inches (49.2 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection