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Materials & Techniques watercolor

Remove constraint Materials & Techniques: watercolor

Height [cm] 36

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Width [cm] 52

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The Amphitheater at Nimes
Creator:
William Marlow, 1740–1813
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 x 20 3/8in. (35.6 x 51.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of a Chain Bridge Now Being Erected over the Menai at Bangor Ferry
Creator:
Studio of Thomas Telford, 1757–1834
Date:
1819
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 13/16 × 21 1/2 inches (37.6 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Ganges
Creator:
William Simpson, 1823–1899
Date:
1863
Materials & Techniques:
Watercolor and gouache over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 14 1/2 x 20 5/8 inches (36.8 x 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Dieppe

Dieppe
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, red ink, green ink, brown ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Mount: 15 1/16 × 20 1/2 inches (38.3 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
L'Orient 1776: Map of the Port of Orient
Creator:
unknown artist
Date:
1776
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink, red ink, yellow ink, gray wash and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Mount: 15 7/8 × 20 3/8 inches (40.3 × 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Occupied Fort
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 14 5/16 × 24 1/16 inches (36.4 × 61.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Thames from Richmond Hill Looking Southwest
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1791
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 x 20 5/8 inches (36.2 x 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Pays de Valais
Creator:
John Robert Cozens, 1752–1797
Date:
between 1780 and 1785
Materials & Techniques:
Watercolor, graphite and red-brown gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/4 x 20 1/2 inches (36.2 x 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wollaton Park, Nottingham: South Elevation
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
ca. 1801
Materials & Techniques:
Graphite, pen and black and brown ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 14 1/8 × 20 5/8 inches (35.9 × 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cottages at Chatsworth, Derbyshire: Elevation
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
after 1818
Materials & Techniques:
Graphite, pen and black ink, watercolor on slightly textured, medium, white wove paper
Dimensions:
Sheet: 14 × 20 5/8 inches (35.6 × 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pire Pahar
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Mount: 16 5/16 × 24 1/16 inches (41.4 × 61.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection