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Materials & Techniques watercolor

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Francis Danby Oberon and Titania
Francis Danby, 1793–1861
Oberon and Titania
1837
Samuel Palmer The Bright Cloud
Samuel Palmer, 1805–1881
The Bright Cloud
undated
Joseph Mallord William Turner Teignmouth, Devonshire
Joseph Mallord William Turner, 1775–1851
Teignmouth, Devonshire
ca. 1813
Joseph Mallord William Turner Weymouth
Joseph Mallord William Turner, 1775–1851
Weymouth
ca. 1811
Joseph Mallord William Turner Santa Lucia, A Convent near Caserta
Joseph Mallord William Turner, 1775–1851
Santa Lucia, A Convent near Caserta
ca. 1795
Joseph Mallord William Turner From the Isola Borromena, Lago Maggiore
Joseph Mallord William Turner, 1775–1851
From the Isola Borromena, Lago Maggiore
ca. 1795
Edward Lear Avenue of Trees
Edward Lear, 1812–1888
Avenue of Trees
1867
Edward Lear Opposite Beni Hassan
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
Edward Lear Colósaneh, 5:45 - 6:00 p.m., January 3, 1867 (62)
Edward Lear, 1812–1888
Colósaneh, 5:45 - 6:00 p.m., January 3, 1867 (62)
1867
Edward Lear Sheikh El Wachshee, El Luxor
Edward Lear, 1812–1888
Sheikh El Wachshee, El Luxor
1867
Edward Lear Lago d'Iseo
Edward Lear, 1812–1888
Lago d'Iseo
1867
William Blake Title Page, The Book of Thel (Plate 2)
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
1794
William Blake Urizen (Plate 8)
Print made by William Blake, 1757–1827
Urizen (Plate 8)
1794
William Blake Chapter III, "As the stars are apart from the earth..." (Plate 7)
Print made by William Blake, 1757–1827
Chapter III, "As the stars are apart from the earth..." (Plate 7)
1794
William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
1794
William Blake Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
1794
William Blake Chapter IX, "They lived a period of years..." (Plate 25)
Print made by William Blake, 1757–1827
Chapter IX, "They lived a period of years..." (Plate 25)
1794
William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
1794
William Blake "In living creations appear'd..." (Plate 6)
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 6)
1794
William Blake Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)
Print made by William Blake, 1757–1827
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)
1794
William Blake Urizen (Plate 14)
Print made by William Blake, 1757–1827
Urizen (Plate 14)
1794
William Blake Chapter V, "The globe of life blood trembled..." (Plate 15)
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 15)
1794
William Blake From a Globe of Blood Rises Enitharmon (Plate 16)
Print made by William Blake, 1757–1827
From a Globe of Blood Rises Enitharmon (Plate 16)
1794
William Blake Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
1794
William Blake Urizen (Plate 22)
Print made by William Blake, 1757–1827
Urizen (Plate 22)
1794
William Blake Praying Child and Howling Dog (Plate 24)
Print made by William Blake, 1757–1827
Praying Child and Howling Dog (Plate 24)
1794
William Blake Title Page, The First Book of Urizen (Plate 1)
Print made by William Blake, 1757–1827
Title Page, The First Book of Urizen (Plate 1)
1794
William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)
1794
William Blake "The Ox in the slaughter house moans..." (Plate 26)
Print made by William Blake, 1757–1827
"The Ox in the slaughter house moans..." (Plate 26)
1794
William Blake Chapter IX, "They lived a period of years..." (Plate 27)
Print made by William Blake, 1757–1827
Chapter IX, "They lived a period of years..." (Plate 27)
1794
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake Los Falls through Fire (Plate 21)
Print made by William Blake, 1757–1827
Los Falls through Fire (Plate 21)
1794
William Blake The First Book of Urizen, Plate 23 (Bentley 9)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23 (Bentley 9)
1794
William Blake Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)
1794
William Blake The First Book of Urizen, Plate 4 (Bentley 24)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4 (Bentley 24)
1794
William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
1794
William Blake "In living creations appear'd..." (Plate 8)
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 8)
1794
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake Chapter IV, "Los smitten with astonishment..." (Plate 12)
Print made by William Blake, 1757–1827
Chapter IV, "Los smitten with astonishment..." (Plate 12)
1794
William Blake Chapter IV, "Ages on ages roll'd over him..." (Plate 13)
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 13)
1794
William Blake Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)
Print made by William Blake, 1757–1827
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)
1794
William Blake From a Globe of Blood Rises Enitharmon (Plate 11)
Print made by William Blake, 1757–1827
From a Globe of Blood Rises Enitharmon (Plate 11)
1794
William Blake "They call'd her Pity, and fled..." (Plate 19)
Print made by William Blake, 1757–1827
"They call'd her Pity, and fled..." (Plate 19)
1794
William Blake "Los howld in a dismal stupor..." (Plate 10)
Print made by William Blake, 1757–1827
"Los howld in a dismal stupor..." (Plate 10)
1794
William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
1794
William Blake Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
1794
William Blake The First Book of Urizen, Plate 28 (Bentley 27)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 28 (Bentley 27)
1794
William Blake Chapter II, "Muster around the bleak desarts..." (Plate 6)
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 6)
1794
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake A Woody Landscape
William Blake, 1757–1827
A Woody Landscape
ca. 1801
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
Edward Francis Burney View near Bristol
Edward Francis Burney, 1760–1848
View near Bristol
undated
Richard Westall An Apple Tree Near a Cottage
Richard Westall, 1765–1836
An Apple Tree Near a Cottage
undated
Edward Francis Burney Love Vindicated (L'Amour Vinqe')
Edward Francis Burney, 1760–1848
Love Vindicated (L'Amour Vinqe')
undated
Thomas Sully Landscape with Trees and Mountains, Lake in Foreground
Thomas Sully, 1783–1872
Landscape with Trees and Mountains, Lake in Foreground
undated
Thomas Sully Landscape Scene From Hilltop, Looking into Sunlit Valley
Thomas Sully, 1783–1872
Landscape Scene From Hilltop, Looking into Sunlit Valley
undated
Thomas Sully Landscape with Building Structure
Thomas Sully, 1783–1872
Landscape with Building Structure
ca. 1805
Richard Parkes Bonington Shipping in an Estuary, Probably near Quilleboeuf
Richard Parkes Bonington, 1802–1828
Shipping in an Estuary, Probably near Quilleboeuf
1825 to 1826
Isaac Weld Killarney (Ireland)
Isaac Weld, 1774–1856
Killarney (Ireland)
ca. 1807
unknown artist Welsh Fisherwomen
unknown artist
Welsh Fisherwomen
undated
Francois Vivares Italian Landscape
Francois Vivares, 1709–1780
Italian Landscape
undated
William Pars A Glade in a Wood
William Pars, 1742–1782
A Glade in a Wood
undated
Francis Nicholson Cader Idris, North Wales
Francis Nicholson, 1753–1844
Cader Idris, North Wales
undated
George Morland A Hop Kiln
George Morland, 1763–1804
A Hop Kiln
1795
William Payne On the River Tivy, near Cardigan, Wales
William Payne, active 1850s
On the River Tivy, near Cardigan, Wales
1826
Sawrey Gilpin Two People: One Standing, One Seated on a Horse
Sawrey Gilpin, 1733–1807
Two People: One Standing, One Seated on a Horse
1760
Rev. William Gilpin Landscape with Two Men and a Castle Ruin on the Riverbank
Rev. William Gilpin, 1724–1804
Landscape with Two Men and a Castle Ruin on the Riverbank
1783
James Roberts Woman and Child
James Roberts, active 1766–1809
Woman and Child
undated
James Roberts Officer with Cockade and Sword
James Roberts, active 1766–1809
Officer with Cockade and Sword
undated
Thomas Stothard Charity Children and Little Vagabonds
Thomas Stothard, 1755–1834
Charity Children and Little Vagabonds
undated
Sir James Thornhill Diana and Actaeon: A Study for a Panel on a Staircase
follower of Sir James Thornhill, 1675–1734
Diana and Actaeon: A Study for a Panel on a Staircase
undated
James Ward Cottage and Farm Buildings
James Ward, 1769–1859
Cottage and Farm Buildings
undated
Sir James Thornhill The Fall of Phaeton: A Study for a Ceiling
follower of Sir James Thornhill, 1675–1734
The Fall of Phaeton: A Study for a Ceiling
undated
Humphry Repton A Summer House with Full-length Lattice Windows
Humphry Repton, 1752–1818
A Summer House with Full-length Lattice Windows
undated
William James Muller An Eastern Encampment
William James Muller, 1812–1845
An Eastern Encampment
undated
Cornelius Varley Cottage on a Bay
Attributed to Cornelius Varley, 1781–1873
Cottage on a Bay
undated
Frederick Mackenzie The West Door, Rochester Cathedral, Kent
Frederick Mackenzie, 1788–1854
The West Door, Rochester Cathedral, Kent
undated
George Morland Peasants Resting
George Morland, 1763–1804
Peasants Resting
1795
Giles F. Phillips Storm Over a Coast
Giles F. Phillips, 1780–1867
Storm Over a Coast
undated
unknown artist Woman Carrying Baskets
unknown artist
Woman Carrying Baskets
undated
John Thomas Serres Gibraltar, The Signal House
John Thomas Serres, 1759–1825
Gibraltar, The Signal House
undated
John Varley Two Donkeys in a Landscape
John Varley, 1778–1842
Two Donkeys in a Landscape
undated
John Inigo Richards At Steyning - Sussex
John Inigo Richards, 1730/31?–1810
At Steyning - Sussex
1795
John Inigo Richards Chester Castle
John Inigo Richards, 1730/31?–1810
Chester Castle
undated
John Varley Classic Composition
John Varley, 1778–1842
Classic Composition
ca. 1800
James Ward Scottish Peasant Women
James Ward, 1769–1859
Scottish Peasant Women
undated
Henry Pelham Portrait of the Fourth Baron Cleraine
Henry Pelham, 1749–1806
Portrait of the Fourth Baron Cleraine
undated
Mary Mitford On the Seine
Mary Mitford, active 1770
On the Seine
1770
John Nixon On the Sands at Brighton: Figures Walking on the Shore
John Nixon, ca. 1760–1818
On the Sands at Brighton: Figures Walking on the Shore
undated
John James Barralet View of Lucan House
John James Barralet, 1747–1815
View of Lucan House
1782
Robert Brandard Coast Scene with Figures
Robert Brandard, 1805–1862
Coast Scene with Figures
undated
Paul Sandby The Entrance to Chepstow Castle
Paul Sandby, 1731–1809
The Entrance to Chepstow Castle
ca. 1802
Charles Tomkins Reading Gate-Way
Charles Tomkins, 1757–1823
Reading Gate-Way
undated