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Materials & Techniques watercolor

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Francis Danby The Avon Gorge, Looking toward Clifton
Francis Danby, 1793–1861
The Avon Gorge, Looking toward Clifton
ca. 1820
Joseph Mallord William Turner Lulworth Castle, Dorset
Joseph Mallord William Turner, 1775–1851
Lulworth Castle, Dorset
ca. 1820
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake The Little Girl Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Girl Lost (Plate 20)
1789
William Blake "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
William Blake, 1757–1827
"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
between 1797 and 1798
William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
William Blake, 1757–1827
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
between 1797 and 1798
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake A Dream (Plate 4)
Print made by William Blake, 1757–1827
A Dream (Plate 4)
1789
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
unknown artist View of the Bridge over Uduanulla, near Rahamahal, Bihar
unknown artist
View of the Bridge over Uduanulla, near Rahamahal, Bihar
undated
Jacob More View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
Jacob More, 1740–1793
View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
1783
Lewis Vaslet The Spoiled Child, Scene II
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene II
ca. 1802
William Alexander City of Lin Tsin, Shantung, with a View of the Grand Canal
William Alexander, 1767–1816
City of Lin Tsin, Shantung, with a View of the Grand Canal
1795
John Linnell Job Rebuked by His Friends
circle of John Linnell, 1792–1882
Job Rebuked by His Friends
undated
Gabriel Charton Paysanne de Cracouie; Paysan de Kalmieux
Print made by Gabriel Charton, active 1810
Paysanne de Cracouie; Paysan de Kalmieux
ca. 1810
John Collet In Place
John Collet, ca. 1725–1780
In Place
1769
Mary Hoare Prospero and Miranda
Mary Hoare, 1744–1820
Prospero and Miranda
1781
John Absolon Group of Peasants with Musical Instruments
Attributed to John Absolon, 1815–1895
Group of Peasants with Musical Instruments
undated
Mary Hoare The Three Witches from Macbeth: Though the Bark Cannot be Lost...
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Though the Bark Cannot be Lost..
ca. 1781