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Materials & Techniques watercolor

Period 18th century

Joseph Mallord William Turner Landscape with Barn

Joseph Mallord William Turner, 1775–1851

Landscape with Barn

ca. 1795

Joseph Mallord William Turner View of Ely Cathedral

Joseph Mallord William Turner, 1775–1851

View of Ely Cathedral

ca. 1796

Joseph Mallord William Turner Christ Church Gate, Canterbury

Joseph Mallord William Turner, 1775–1851

Christ Church Gate, Canterbury

1793 to 1794

Joseph Mallord William Turner Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam

Joseph Mallord William Turner, 1775–1851

Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam

1793

Joseph Mallord William Turner Newark-upon-Trent

Joseph Mallord William Turner, 1775–1851

Newark-upon-Trent

ca. 1796

Joseph Mallord William Turner Fisherman's Cottage, Dover

Joseph Mallord William Turner, 1775–1851

Fisherman's Cottage, Dover

ca. 1790s

Joseph Mallord William Turner Autumn Sowing of the Grain

Joseph Mallord William Turner, 1775–1851

Autumn Sowing of the Grain

ca. 1794

Joseph Mallord William Turner St. Augustine's Gate, Canterbury

Joseph Mallord William Turner, 1775–1851

St. Augustine's Gate, Canterbury

ca. 1793

Joseph Mallord William Turner Villa in a Valley near Vietri sul Mare

Joseph Mallord William Turner, 1775–1851

Villa in a Valley near Vietri sul Mare

ca. 1794

Joseph Mallord William Turner Sir William Hamilton's Villa

Joseph Mallord William Turner, 1775–1851

Sir William Hamilton's Villa

ca. 1795

Joseph Mallord William Turner Santa Lucia, A Convent near Caserta

Joseph Mallord William Turner, 1775–1851

Santa Lucia, A Convent near Caserta

ca. 1795

Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry

Joseph Mallord William Turner, 1775–1851

Man with Horse and Cart Entering a Quarry

ca. 1797

Joseph Mallord William Turner St. Augustine's Gate, Canterbury

Joseph Mallord William Turner, 1775–1851

St. Augustine's Gate, Canterbury

between 1792 and 1793

Joseph Mallord William Turner North East View of Grantham Church, Lincolnshire

Joseph Mallord William Turner, 1775–1851

North East View of Grantham Church, Lincolnshire

ca. 1797

Joseph Mallord William Turner A Great Tree

Joseph Mallord William Turner, 1775–1851

A Great Tree

ca. 1796

Joseph Mallord William Turner The Bridge over the River Rye at Helmsley, with the Castle Beyond

Joseph Mallord William Turner, 1775–1851

The Bridge over the River Rye at Helmsley, with the Castle Beyond

between 1798 and 1799

Joseph Mallord William Turner A Three Storied Georgian House in a Park

Joseph Mallord William Turner, 1775–1851

A Three Storied Georgian House in a Park

ca. 1795

Joseph Mallord William Turner Villa Salviati on the Arno

Joseph Mallord William Turner, 1775–1851

Villa Salviati on the Arno

between 1796 and 1797

Joseph Mallord William Turner Near Grindelwald

Joseph Mallord William Turner, 1775–1851

Near Grindelwald

ca. 1796

Joseph Mallord William Turner From the Isola Borromena, Lago Maggiore

Joseph Mallord William Turner, 1775–1851

From the Isola Borromena, Lago Maggiore

ca. 1795

Joseph Mallord William Turner Landscape with Waterfall

Joseph Mallord William Turner, 1775–1851

Landscape with Waterfall

ca. 1796

Joseph Mallord William Turner Dent de Lion, near Margate

Joseph Mallord William Turner, 1775–1851

Dent de Lion, near Margate

ca. 1791

Joseph Mallord William Turner Villa d'Este

Joseph Mallord William Turner, 1775–1851

Villa d'Este

ca. 1796

Joseph Mallord William Turner Interior of St. John's Palace, Eltham

Joseph Mallord William Turner, 1775–1851

Interior of St. John's Palace, Eltham

ca. 1793

Joseph Mallord William Turner The Angler

Joseph Mallord William Turner, 1775–1851

The Angler

1794

Joseph Mallord William Turner Windsor

Joseph Mallord William Turner, 1775–1851

Windsor

ca. 1798

Joseph Mallord William Turner Landscape with Trees and Figures

Joseph Mallord William Turner, 1775–1851

Landscape with Trees and Figures

ca. 1796

William Blake "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

Print made by William Blake, 1757–1827

"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

1793

William Blake "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

Print made by William Blake, 1757–1827

"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

1793

William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

Print made by William Blake, 1757–1827

Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

1789

William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

Print made by William Blake, 1757–1827

I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

1789

William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

Print made by William Blake, 1757–1827

III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

1789

William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

Print made by William Blake, 1757–1827

IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

1789

William Blake "Albions Angel rose upon the Stone of Night..." (Plate 12)

Print made by William Blake, 1757–1827

"Albions Angel rose upon the Stone of Night..." (Plate 12)

1794

William Blake "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)

Print made by William Blake, 1757–1827

"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)

1794

William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

Print made by William Blake, 1757–1827

Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

1794

William Blake Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)

Print made by William Blake, 1757–1827

Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)

1794

William Blake Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)

Print made by William Blake, 1757–1827

Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)

1794

William Blake The First Book of Urizen, Plate 23 (Bentley 9)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 23 (Bentley 9)

1794

William Blake Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)

Print made by William Blake, 1757–1827

Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)

1794

William Blake Praying Child and Howling Dog (Plate 25)

Print made by William Blake, 1757–1827

Praying Child and Howling Dog (Plate 25)

1794

William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)

Print made by William Blake, 1757–1827

Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)

1794

William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)

Print made by William Blake, 1757–1827

II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)

1789

William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

Print made by William Blake, 1757–1827

III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

1789

William Blake "Shot from the heights of Enitharmon..." (Plate 17)

Print made by William Blake, 1757–1827

"Shot from the heights of Enitharmon..." (Plate 17)

1794

William Blake The First Book of Urizen, Plate 4 (Bentley 24)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 4 (Bentley 24)

1794

William Blake "Los howld in a dismal stupor..." (Plate 10)

Print made by William Blake, 1757–1827

"Los howld in a dismal stupor..." (Plate 10)

1794

William Blake Chapter IV, "Los smitten with astonishment..." (Plate 12)

Print made by William Blake, 1757–1827

Chapter IV, "Los smitten with astonishment..." (Plate 12)

1794

William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 14)

Print made by William Blake, 1757–1827

Chapter IV, "From the caverns of his jointed spine..." (Plate 14)

1794

William Blake Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)

Print made by William Blake, 1757–1827

Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)

1794

William Blake Chapter V, "The globe of life blood trembled..." (Plate 17)

Print made by William Blake, 1757–1827

Chapter V, "The globe of life blood trembled..." (Plate 17)

1794

William Blake Los with the child Orc and Enitharmon (Plate 18)

Print made by William Blake, 1757–1827

Los with the child Orc and Enitharmon (Plate 18)

1794

William Blake "They call'd her Pity, and fled..." (Plate 19)

Print made by William Blake, 1757–1827

"They call'd her Pity, and fled..." (Plate 19)

1794

William Blake Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

Frontispiece (Plate 1)

ca. 1788

William Blake Frontispiece. Albion's Angel (Plate 1)

Print made by William Blake, 1757–1827

Frontispiece. Albion's Angel (Plate 1)

1793

William Blake Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)

Print made by William Blake, 1757–1827

Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)

1793

William Blake "What time the thirteen Governors that England sent convene..." (Plate 15)

Print made by William Blake, 1757–1827

"What time the thirteen Governors that England sent convene..." (Plate 15)

1793

William Blake "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)

Print made by William Blake, 1757–1827

"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)

1793

William Blake "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)

Print made by William Blake, 1757–1827

"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)

1793

William Blake "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)

Print made by William Blake, 1757–1827

"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)

1793

William Blake "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)

Print made by William Blake, 1757–1827

"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)

1793

William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

Print made by William Blake, 1757–1827

"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

1793

William Blake "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)

Print made by William Blake, 1757–1827

"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)

1793

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake The Author Writing (Design 105)

William Blake, 1757–1827

The Author Writing (Design 105)

between 1797 and 1798

William Blake "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)

William Blake, 1757–1827

"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)

between 1797 and 1798

William Blake "Up stairs in a whirlwind rattle..." (Design 29)

William Blake, 1757–1827

"Up stairs in a whirlwind rattle..." (Design 29)

between 1797 and 1798

William Blake The Purple Year awaking from the Roots of Nature (Design 3)

William Blake, 1757–1827

The Purple Year awaking from the Roots of Nature (Design 3)

between 1797 and 1798

William Blake "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)

William Blake, 1757–1827

"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)

between 1797 and 1798

William Blake The Beginning of Poesy. The Blind Begging Bard (Design 41)

William Blake, 1757–1827

The Beginning of Poesy. The Blind Begging Bard (Design 41)

between 1797 and 1798

William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)

William Blake, 1757–1827

"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)

between 1797 and 1798

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake A Circular Dance (Design 23)

William Blake, 1757–1827

A Circular Dance (Design 23)

between 1797 and 1798

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)

William Blake, 1757–1827

"Nor fear the rocks, nor seek the shore..." (Design 101)

between 1797 and 1798

William Blake The Mourner at the Tomb (Design 103)

William Blake, 1757–1827

The Mourner at the Tomb (Design 103)

between 1797 and 1798

William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

William Blake, 1757–1827

The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

between 1797 and 1798

William Blake "Oft did the harvest to their sickle yield..." (Design 109)

William Blake, 1757–1827

"Oft did the harvest to their sickle yield..." (Design 109)

between 1797 and 1798

William Blake "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)

William Blake, 1757–1827

"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)

between 1797 and 1798

William Blake A Shepherd Reading the Epitaph (Design 115)

William Blake, 1757–1827

A Shepherd Reading the Epitaph (Design 115)

between 1797 and 1798