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Collection
Prints and Drawings
61
Creator
Hope, Henry Phillip, active 1799–1818
40
DeWint, Peter, 1784–1849
7
Richardson, Thomas Miles Sr., 1784–1848
4
Cotman, John Sell, 1782–1842
3
Shepherd, George Sidney, 1784–1862
2
Unknown artist
2
Gilpin, William, 1724–1804
1
Malton, Thomas the Younger, 1748–1804
1
Tatham, Charles Heathcote, 1772–1842
1
Tomkins, Charles, 1757–1823
1
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1791
637
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303
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1839
75
1799
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1717
5
1730
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1743
5
On-site Access
Accessible in the Study Room
61
Image Use
Free to Use
61
Image Available
Unavailable
44
Available
17
Classification
Drawing & Watercolors-Architectural
44
Drawings & Watercolors
16
Prints
1
Creator Gender
male
60
unknown
2
Period
18th century-19th century
51
18th century
6
19th century
4
Materials & Techniques
watercolor
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61
graphite
45
wove paper
40
black ink
39
laid paper
22
red ink
6
brown ink
5
tracing paper
5
pen
3
pink ink
3
gouache
2
card
1
etching (printing process)
1
hand coloring
1
white gouache
1
Height [cm]
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66
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Work Type
drawing
57
watercolor
27
intaglio print
1
Genre
architectural subject
[remove]
61
landscape
5
cityscape
1
marine art
1
Subject Terms
architectural subject
61
landscape
6
trees
6
church
4
windows
4
arches
3
bridge (built work)
3
castle
3
houses
3
river
3
buildings
2
chimneys
2
city
2
cityscape
2
clouds
2
hills
2
horses (animals)
2
priory
2
ruins
2
sailboats
2
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Associated Places
United Kingdom
11
England
10
Europe
6
Castle Acre
2
London
2
Norfolk
2
Berkshire
1
Bridgnorth
1
Chepstow
1
Chepstow Castle
1
Cymru
1
Derbyshire
1
Greater London
1
Kent
1
Kingston upon Thames
1
Leeds
1
Malmesbury
1
Malmesbury Abbey
1
Matlock
1
Monmouthshire
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Associated Places
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Exhibition History
Captive Bodies: British Prisons, 1750-1900 (Yale Center for British Art, 2018-08-27 - 2018-12-17)
1
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
61
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Materials & Techniques
watercolor
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Date
1799
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Genre
architectural subject
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Search Results
1
George Sidney Shepherd, 1784–1862
Wandshorst Church Surrey
undated
2
Henry Phillip Hope, active 1799–1818
Welgelegen: Vue de la Facade de Welgelegen
undated
3
Charles Heathcote Tatham, 1772–1842
Final Design for a Naval Monument: Plan and Elevation
1799
4
Charles Tomkins, 1757–1823
Painter-Stainers’ Hall
1799
5
George Sidney Shepherd, 1784–1862
St. George's Chapel, Windsor, Berks
undated
6
attributed to Peter DeWint, 1784–1849
Chepstow Castle from the Bridge
undated
7
attributed to Peter DeWint, 1784–1849
Malmesbury Abbey
undated
8
Thomas Malton the Younger, 1748–1804
Newgate
1799
9
unknown artist
Archiepiscopal Palace, Wrotham, Kent
undated
10
pupil of Peter DeWint, 1784–1849
Landscape with Country House
undated
11
imitator of John Sell Cotman, 1782–1842
Interior of a Church, Looking West from South Aisle
ca. 1804
12
John Sell Cotman, 1782–1842
Castle Acre Priory, Norfolk
ca. 1804
13
Peter DeWint, 1784–1849
The Old Bridge
undated
14
pupil of Peter DeWint, 1784–1849
Near Matlock
undated
15
John Sell Cotman, 1782–1842
Castle Acre Priory, Norfolk, West Front
ca. 1804
16
attributed to Peter DeWint, 1784–1849
Houses at Kingston on the Thames
undated
17
Rev. William Gilpin, 1724–1804
Bridgnorth Bridge, Shropshire
1799
18
Henry Phillip Hope, active 1799–1818
La Fontaine de Topana a Constantinople
1799
19
Henry Phillip Hope, active 1799–1818
Bedgebury: Alternative design for Pavilion Window
undated
20
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan
undated
21
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
undated
22
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)
undated
23
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)
undated
24
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours
undated
25
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
26
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine
undated
27
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
undated
28
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
undated
29
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
undated
30
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
undated
31
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete
undated
32
Henry Phillip Hope, active 1799–1818
Plan of Private Entrance from the Uxbridge Road (Arklow House)
undated
33
Henry Phillip Hope, active 1799–1818
Plan of Bedroom (Arklow House)
undated
34
Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene
undated
35
Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene - Elevation
undated
36
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Plan and Elevations of Walls
undated
37
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Gallery - Plan and Elevations
undated
38
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Elevations and Ceiling Plan
undated
39
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan and Elevations
undated
40
unknown artist
Sketch I - Elevation of Pavilion Wall
undated
41
Henry Phillip Hope, active 1799–1818
Bedgebury: View of Interior of Pavilion (3 of 4)
undated
42
Henry Phillip Hope, active 1799–1818
Bedgeway: View of Interior of Pavilion... (4 of 4)
undated
43
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
undated
44
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
undated
45
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Projet de la Decoration du petit Salon de Verdure Hotel de Monsieur Rape quai d'Orsay
undated
46
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Premiere Etage - Plan
undated
47
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Rez-de-Chaussee - Plan
undated
48
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Plan of Pipes
undated
49
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan and Wall Elevations
undated
50
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan of Ceiling and Elevations of Walls Showing Details
undated
51
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library and Mr. Coevelt' s Bedroom - Plan and Wall Elevations of Library
undated
52
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Corner Bedrooom on Chamber Floor - Elevations and Ceiling Plan
undated
53
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Chamber Floor Bedroom over Anteroom - Plan of Ceiling and Wall Elevations
undated
54
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
undated
55
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan
undated
56
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)
undated
57
Thomas Miles Richardson Sr., 1784–1848
The Great Market, Newcastle Upon Tyne, with view of Spire of St. Nicholas
undated
58
Thomas Miles Richardson Sr., 1784–1848
Monk Bar, York
undated
59
Thomas Miles Richardson Sr., 1784–1848
Dunstanborough Castle
undated
60
Thomas Miles Richardson Sr., 1784–1848
Wooden Jetty
undated
61
Henry Phillip Hope, active 1799–1818
La Fontaine de Ste. Sophie a Constantinople
1799