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Collection
Prints and Drawings
142
Creator
Blake, William, 1757–1827
88
Ireland, Samuel, died 1800
29
Girtin, Thomas, 1775–1802
6
Wheatley, Francis, 1747–1801
5
Colnaghi,, established 1760, active ca. 1785–1911
3
Schiavonetti, Luigi, 1765–1810
3
Cardon, Anthony, 1772–1813
2
Howitt, Samuel, 1756–1822
2
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
Anderson, William, 1757–1837
1
Bunbury, Henry William, 1750–1811
1
Cotman, John Sell, 1782–1842
1
Cozens, John Robert, 1752–1797
1
Dickinson, William, 1746–1823
1
Dighton, Robert, 1752–1814
1
Fores, S. W., 1761–1838
1
Hamilton, William, 1751–1801
1
Morland, George, 1763–1804
1
Rowlandson, Thomas, 1756–1827
1
Sandby, Paul, 1731–1809
1
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Creator
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Date
1752
179
1794
[remove]
142
1797
124
1790
113
1792
103
1791
102
1745
100
1785
91
1793
81
1700
77
1789
76
1780
71
1795
45
1783
35
1740
33
1787
32
1800
32
1798
31
1775
30
1765
28
1764
27
1761
25
1776
25
1781
25
1755
24
1788
24
1770
23
1796
23
1782
22
1753
21
1786
21
1763
20
1768
20
1777
20
1799
20
1760
19
1746
18
1778
18
1754
16
1762
15
1717
13
1757
13
1779
13
1715
12
1771
12
1784
12
1772
11
1748
9
1774
9
1767
8
1730
7
1758
7
1773
7
0
6
1736
6
1742
6
1701
5
1734
5
1743
5
1750
5
1759
5
1725
4
1737
4
1738
4
1747
4
1749
4
1756
4
1766
4
1712
3
1718
3
1720
3
1723
3
1728
3
1769
3
1705
2
1709
2
1713
2
1724
2
1732
2
1735
2
1739
2
1744
2
1600
1
1648
1
1667
1
1675
1
1697
1
1707
1
1711
1
1731
1
1733
1
1741
1
1751
1
1803
1
1808
1
1813
1
1818
1
1823
1
1824
1
1825
1
On-site Access
Accessible in the Study Room
141
On view
1
Image Use
Free to Use
142
Image Available
Available
139
Unavailable
3
Classification
Prints
94
Drawings & Watercolors
46
Drawing & Watercolors-Architectural
1
Drawings & Watercolors-Miniatures
1
Creator Gender
male
142
Collective Title
Picturesque Views with an Historical Account of the Inns of Court in London and Westminster
28
The First Book of Urizen, Copy A
28
The First Book of Urizen, Copy C
26
Europe. A Prophecy, Copy A
17
Songs of Innocence and of Experience, Copy F
17
Cries of London
3
The Cries of London
2
Propagation of a Lie
1
Period
18th century
[remove]
142
Materials & Techniques
watercolor
[remove]
142
wove paper
131
color printing
93
relief etching
88
black ink
54
graphite
36
oil paint
17
pen
9
brown ink
7
gouache
7
hand coloring
6
laid paper
6
stipple engraving
6
aquatint
5
etching (printing process)
5
ink
5
gray ink
3
gray wash
3
black chalk
1
blue wash
1
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
8
to
85
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
6
to
118
Unknown
1
Work Type
watercolor
135
relief print
88
drawing
74
intaglio print
6
frontispiece
2
miniature
1
Genre
literary theme
56
religious and mythological subject
47
architectural subject
35
historical subject
18
genre subject
10
landscape
7
figure study
2
marine art
2
sporting art
2
portrait
1
Subject Terms
text
66
men
62
literary theme
55
religious and mythological subject
47
nudes
45
architectural subject
35
women
30
vines
28
flames
27
trees
27
fire
24
beard
20
leaf
20
historical subject
18
branches
17
children
17
clouds
13
infant
10
kneeling
10
serpent
9
more
Subject Terms
»
Associated Places
Europe
8
United Kingdom
8
England
6
Kent
2
Boxley
1
Cobham
1
Cobham Hall
1
Cymru
1
Denbighshire
1
Essex
1
Glasgow
1
Glasgow Cathedral
1
Hampshire
1
Italy
1
Lazio
1
Lichfield
1
Lichfield Cathedral
1
Roma
1
Scotland
1
Southampton
1
more
Associated Places
»
Associated People
Close, Sir Barry, baronet (1756–1813), army officer in the East India Company and political officer in India
1
Gabriel (Archangel)
1
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
47
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
47
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
43
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
33
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
30
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
6
William Blake (The Metropolitan Museum of Art, 2000-03-26 - 2000-07-05)
6
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
4
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
3
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
2
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
2
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
1
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
Company Culture (Yale Center for British Art, 2003-09-16 - 2004-01-05)
1
English Portrait Drawings & Miniatures (Yale Center for British Art, 1979-12-05 - 1980-02-17)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
J. M. W. Turner - The Foundations of Genius (The Taft Museum, 1986-09-18 - 1986-11-02)
1
J.M.W. Turner: Romance & Reality (Yale Center for British Art, 2025-03-29 - 2025-07-27)
1
Papermaking and The Art of Watercolor in Eighteenth-Century Britain: Paul Sandby's "View of…Mr. Whatman's Turkey Mill" (Yale Center for British Art, 2006-02-22 - 2006-06-04)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
139
Yale Center for British Art, Bequest of William S. Konecky
1
Yale Center for British Art, Paul Mellon Fund
1
Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Doris M. Brixey
1
Search Constraints
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Materials & Techniques
watercolor
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Date
1794
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Period
18th century
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1
Joseph Mallord William Turner, 1775–1851
Tivoli with the Temple of the Sybil and the Cascades
ca. 1794–97
On view
2
Joseph Mallord William Turner, 1775–1851
The Angler
1794
3
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
1794
4
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2b)
1794
5
Print made by William Blake, 1757–1827
Urizen Swims through Dark Waters (Plate 5)
1794
6
Print made by William Blake, 1757–1827
Chapter III, "As the stars are apart from the earth..." (Plate 7)
1794
7
Print made by William Blake, 1757–1827
Fettered Urizen Weeping (Plate 12)
1794
8
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
1794
9
Print made by William Blake, 1757–1827
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)
1794
10
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 15)
1794
11
Print made by William Blake, 1757–1827
Los with the child Orc and Enitharmon (Plate 18)
1794
12
Print made by William Blake, 1757–1827
"The Ox in the slaughter house moans..." (Plate 23)
1794
13
Print made by William Blake, 1757–1827
Praying Child and Howling Dog (Plate 24)
1794
14
Print made by William Blake, 1757–1827
Chapter IX, "They lived a period of years..." (Plate 25)
1794
15
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 45)
1794
16
Print made by William Blake, 1757–1827
My Pretty Rose Tree (Plate 47)
1794
17
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
18
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 4)
1794
19
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
1794
20
Print made by William Blake, 1757–1827
Urizen (Plate 14)
1794
21
Print made by William Blake, 1757–1827
"They call'd her Pity, and fled..." (Plate 17)
1794
22
Print made by William Blake, 1757–1827
From a Globe of Blood Rises Enitharmon (Plate 16)
1794
23
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
1794
24
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
1794
25
Print made by William Blake, 1757–1827
Urizen (Plate 21)
1794
26
Print made by William Blake, 1757–1827
The Clod & the Pebble (Plate 36)
1794
27
Print made by William Blake, 1757–1827
A Little Girl Lost (Plate 44)
1794
28
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
1794
29
Print made by William Blake, 1757–1827
Urizen (Plate 22)
1794
30
Print made by William Blake, 1757–1827
Earth's Answer (Plate 35)
1794
31
Print made by William Blake, 1757–1827
Songs of Experience, Frontispiece (Plate 32)
1794
32
Print made by William Blake, 1757–1827
Introduction (Plate 34)
1794
33
Print made by William Blake, 1757–1827
Songs of Experience, Title Page (Plate 33)
1794
34
Print made by William Blake, 1757–1827
Nurses Song (Plate 37)
1794
35
Print made by William Blake, 1757–1827
A Poison Tree (Plate 41)
1794
36
Print made by William Blake, 1757–1827
A Little Boy Lost (Plate 43)
1794
37
Print made by William Blake, 1757–1827
The Human Abstract (Plate 46)
1794
38
Print made by William Blake, 1757–1827
The Fly (Plate 48)
1794
39
Print made by William Blake, 1757–1827
The First Book of Urizen, Title Page (Plate 1)
1794
40
Print made by William Blake, 1757–1827
London (Plate 39)
1794
41
Print made by William Blake, 1757–1827
Holy Thursday (Plate 38)
1794
42
Print made by William Blake, 1757–1827
The Tyger (Plate 42)
1794
43
Print made by William Blake, 1757–1827
Urizen (Plate 8)
1794
44
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 6)
1794
45
Print made by William Blake, 1757–1827
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
1794
46
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
47
Print made by William Blake, 1757–1827
"Enitharmon slept. ..." (Plate 10)
1794
48
Print made by William Blake, 1757–1827
"In thoughts perturb'd they rose..." (Plate 11)
1794
49
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
50
Print made by William Blake, 1757–1827
Famine (Plate 8)
1794
51
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 17)
1794
52
Print made by William Blake, 1757–1827
"They call'd her Pity, and fled..." (Plate 19)
1794
53
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
54
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23 (Bentley 9)
1794
55
Print made by William Blake, 1757–1827
Praying Child and Howling Dog (Plate 25)
1794
56
Print made by William Blake, 1757–1827
"The Ox in the slaughter house moans..." (Plate 26)
1794
57
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4 (Bentley 24)
1794
58
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
1794
59
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 8)
1794
60
Print made by William Blake, 1757–1827
Chapter III, "As the stars are apart from the earth..." (Plate 9)
1794
61
Print made by William Blake, 1757–1827
"And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
1794
62
Print made by William Blake, 1757–1827
"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
1794
63
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
64
Print made by William Blake, 1757–1827
"Arise 'O Rintrah eldest born..." (Plate 9)
1794
65
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
66
Print made by William Blake, 1757–1827
The First Book of Urizen; Title Page (Plate 1)
1794
67
Print made by William Blake, 1757–1827
"Los howld in a dismal stupor..." (Plate 10)
1794
68
Print made by William Blake, 1757–1827
From a Globe of Blood Rises Enitharmon (Plate 11)
1794
69
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 13)
1794
70
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
1794
71
Print made by William Blake, 1757–1827
Los with the child Orc and Enitharmon (Plate 18)
1794
72
Print made by William Blake, 1757–1827
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)
1794
73
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)
1794
74
Print made by William Blake, 1757–1827
Chapter IX, "They lived a period of years..." (Plate 27)
1794
75
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 28 (Bentley 27)
1794
76
Print made by William Blake, 1757–1827
Fettered Urizen Weeping (Plate 3)
1794
77
Print made by William Blake, 1757–1827
Plague (Plate 13)
1794
78
Print made by William Blake, 1757–1827
"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
1794
79
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
80
Print made by William Blake, 1757–1827
Chapter IV, "Los smitten with astonishment..." (Plate 12)
1794
81
Print made by William Blake, 1757–1827
Los Falls through Fire (Plate 21)
1794
82
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)
1794
83
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 6)
1794
84
Print made by William Blake, 1757–1827
Urizen Swims through Dark Waters (Plate 7)
1794
85
Print made by William Blake, 1757–1827
The Angel (Plate 40)
1794
86
Print made by William Blake, 1757–1827
The Ancient of Days; Frontispiece (Plate 1)
1794
87
Print made by William Blake, 1757–1827
Europe a Prophecy; Title Page (Plate 2)
1794
88
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
1794
89
Print made by William Blake, 1757–1827
Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
1794
90
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 15 (Bentley 14)
1794
91
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of Dairy
1794
92
William Hamilton, 1751–1801
A Dramatic Scene with Three Women in an Interior
1794
93
William Anderson, 1757–1837
On a Man-o'-War
between 1794 and 1799
94
Gangaram Chintaman Navgire Tambat, active 1790s
Portrait of a Priest of the Bohras
1794
95
George Morland, 1763–1804
Landscape with Horses, Farmer and Dog
1794
96
John Smart, 1741–1811
Major General Sir Barry Close
1794
97
Print made by Anthony Cardon, 1772–1813
Do You Want Any Matches?
1794
98
Print made by Luigi Schiavonetti, 1765–1810
Sweet China Oranges, Sweet China
1794
99
Samuel Ireland, 1744–1800
Rolls Chapel
between 1794 and 1800
100
Samuel Ireland, 1744–1800
Clement's Inn
between 1794 and 1800
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