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Collection
Prints and Drawings
101
Creator
Blake, William, 1757–1827
41
CARTWRIGHT, Joseph, c.1789–1829
20
Girtin, Thomas, 1775–1802
10
Chinnery, George, 1774–1852
5
Unknown artist
4
Byron, Frederick George, 1764–1794
2
Rowlandson, Thomas, 1756–1827
2
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
Webber, John, 1752–1793
2
Weld, Isaac, 1774–1856
2
Alexander, William, 1767–1816
1
Cozens, John Robert, 1752–1797
1
Daniell, Thomas, 1749–1840
1
Daniell, William, 1769–1837
1
Davis, Samuel, 1760–1819
1
Day, William, 1764–1807
1
Dayes, Edward, 1763–1804
1
Downman, John, 1750–1824
1
Gore, Charles, 1729–1807
1
Piranesi, Giovanni Battista, 1720–1778
1
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Date
1791
754
1796
343
1800
337
1867
319
1772
240
1832
186
1752
181
1790
158
1814
153
1804
151
1799
143
1771
136
1797
113
1795
110
1793
108
1745
102
1785
102
1789
[remove]
101
1792
101
1775
100
1700
96
1825
96
1830
94
1839
94
1794
92
1818
89
1784
84
1835
84
1820
82
1780
80
1802
79
1836
77
1801
76
0
71
1807
68
1827
63
1781
62
1798
61
1815
61
1805
60
1812
60
1787
59
1817
59
1755
52
1811
52
1810
50
1774
49
1782
47
1828
47
1803
46
1840
46
1819
45
1834
45
1765
44
1808
44
1788
42
1821
42
1740
41
1768
41
1783
41
1823
41
1813
40
1861
40
1764
38
1826
37
1777
35
1770
34
1786
33
1855
33
1809
32
1778
31
1841
30
1746
29
1763
29
1748
28
1761
28
1829
28
1838
28
1843
28
1822
27
1844
27
1776
26
1751
25
1760
25
1762
25
1806
25
1845
25
1863
25
1816
24
1831
24
1753
23
1779
23
1833
22
1848
22
1837
20
1846
19
1866
19
1842
18
1850
18
1864
18
On-site Access
Accessible by appointment in the Study Room
101
Image Use
Free to Use
100
Under Certain Circumstances
1
Image Available
Available
100
Unavailable
1
Classification
Drawings & Watercolors
56
Prints
41
Drawing & Watercolors-Architectural
3
Drawings & Watercolors-Miniatures
1
Creator Gender
male
101
unknown
4
Collective Title
Songs of Innocence and of Experience, Copy F
15
Songs of Innocence, Copy G
11
The Book of Thel, Copy R
8
The Book of Thel, Copy B
7
Views in the South Seas 1776-1780
1
Period
18th century
63
18th century-19th century
35
19th century
2
Materials & Techniques
watercolor
[remove]
101
wove paper
84
graphite
50
black ink
43
relief etching
41
pen
36
ink
25
laid paper
22
brown ink
21
gray ink
16
gray wash
6
gouache
3
pens
3
black chalk
2
brown wash
2
wash
2
ivory
1
red chalk
1
red ink
1
scraping
1
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Materials & Techniques
»
Height [cm]
Height [cm] range begin
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Height [cm] range end
Current results range from
6
to
53
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
6
to
78
Work Type
drawing
[remove]
101
watercolor
99
relief print
41
frontispiece
2
Genre
literary theme
28
landscape
23
marine art
20
architectural subject
13
historical subject
13
military art
13
religious and mythological subject
10
genre subject
9
figure study
3
portrait
3
sporting art
3
animal art
1
cityscape
1
Subject Terms
text
39
trees
36
leaf
32
children
31
vines
31
women
27
literary theme
26
men
25
branches
24
landscape
22
historical subject
14
architectural subject
13
vegetation
12
flowers (plants)
11
nudes
11
religious and mythological subject
11
grass
9
hills
9
genre subject
8
mother
8
more
Subject Terms
»
Associated Places
Europe
13
United Kingdom
13
England
11
Campagna
2
City of Westminster
2
Devon
2
Italy
2
Kent
2
London
2
Aberconwy and Colwyn
1
Appleby
1
Berry Pomeroy Castle
1
Buckinghamshire
1
Campania
1
Campello sul Clitunno
1
Charenton-le-Pont
1
Cobham
1
Cobham Hall
1
Conway
1
Conway Castle
1
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Associated Places
»
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
16
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
16
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
12
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
6
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
6
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
4
Noble Exercise - The Sporting Ideal in Eighteenth-Century British Art (Yale Center for British Art, 1982-07-14 - 1982-09-19)
2
Past Time - Geology in European and American Art (Frances Lehman Loeb Art Center, 2018-09-21 - 2018-12-09)
2
Past Time - Geology in European and American Art (Herbert F. Johnson Museum of Art, 2019-02-16 - 2019-05-12)
2
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
2
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
2
William Blake (The Metropolitan Museum of Art, 2000-03-26 - 2000-07-05)
2
Art in Focus : Joseph Wright and the Spectacle of Science (Yale Center for British Art, 2007-03-30 - 2007-06-11)
1
Caribbean - Crossroads of the World (El Museo del Barrio, 2012-06-12 - 2013-01-06)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
John Webber, R. A. (1752-1793) (Kunstmuseum Bern, 1996-03-26 - 1996-05-27)
1
John Webber, R. A. (1752-1793) (Whitworth Art Gallery, 1996-07-04 - 1996-09-15)
1
Papermaking and The Art of Watercolor in Eighteenth-Century Britain: Paul Sandby's "View of…Mr. Whatman's Turkey Mill" (Yale Center for British Art, 2006-02-22 - 2006-06-04)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
Rowlandson Drawings from the Paul Mellon Collection (Royal Academy of Arts, 1978-03-04 - 1978-05-28)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
78
Yale Center for British Art, Yale Art Gallery Collection
20
Yale Center for British Art, Gift of Ann and Kenneth Rapoport
1
Yale Center for British Art, Gift of Lowell Libson in honor of Kasha Jenkinson
1
Yale Center for British Art, Gift of William Lamson Warren, class of 1935
1
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Materials & Techniques
watercolor
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Date
1789
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1
Joseph Mallord William Turner, 1775–1851
Autumn Sowing of the Grain
ca. 1794
2
Joseph Mallord William Turner, 1775–1851
Villa in a Valley near Vietri sul Mare
ca. 1794
3
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
4
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
5
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
6
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
7
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
8
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
9
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
10
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
11
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
12
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
13
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
14
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
15
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 10)
1789
16
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
17
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
18
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 8)
1789
19
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
20
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
21
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
22
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
23
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
24
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
25
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
26
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
27
Print made by William Blake, 1757–1827
Infant Joy (Plate 28)
1789
28
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
29
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 22)
1789
30
Print made by William Blake, 1757–1827
A Cradle Song (Plate 26)
1789
31
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
32
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
33
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 6)
1789
34
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
35
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
36
Print made by William Blake, 1757–1827
Laughing Song (Plate 14)
1789
37
Print made by William Blake, 1757–1827
The Little Girl Lost (Plate 20)
1789
38
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
39
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
40
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 10)
1789
41
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
42
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
43
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
44
Charles H. Schwanfelder, 1774–1837
Horsemen in a Landscape
undated
45
John Webber, 1752–1793
Landscape in Derbyshire
1789
46
Paul Sandby, 1731–1809
Conway Castle
1789
47
Charles Heathcote Tatham, 1772–1842
Furniture Designs
undated
48
Charles Gore, 1729–1807
Konigstein
1789
49
Thomas Daniell, 1749–1840
The Mosque at Juanpore Built by Sultan Hussain Sherki | Taken in December 1789
1789
50
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Ld. Darnely's Bedchamber as a Proposed to be Altered
1789
51
unknown artist
A Toopapaoo of a Chief, with a Priest Making his Offering to the Morai, in Huoheine
1789
52
Joseph Cartwright, c.1789–1829
Side View of Corvette
undated
53
Thomas Girtin, 1775–1802
Chalfont Lodge, Buckinghamshire
undated
54
Charles Turner, 1774–1857
A Race Meeting (Weighing In)
undated
55
Frederick George Byron, 1764–1794
Shooting Party Returning Home
1789
56
Frederick George Byron, 1764–1794
Shooting Party Setting Out
1789
57
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
58
Thomas Girtin, 1775–1802
Ruins on the Coast
undated
59
Joseph Cartwright, c.1789–1829
Single Hermaphrodite Brig
undated
60
Joseph Cartwright, c.1789–1829
Single Hermaphrodite Brig, Bow Forward
undated
61
Joseph Cartwright, c.1789–1829
Single Hermaphrodite Brig, Stern Forward
undated
62
Joseph Cartwright, c.1789–1829
Battle Scene: Battleships, Frigates and Corvettes; Sinking Boat and Rowboat
undated
63
Joseph Cartwright, c.1789–1829
Side View of Two Naval Jackets; Masters and Commanders
undated
64
Joseph Cartwright, c.1789–1829
Single Corvette (?) with Three Figures in Naval Uniforms and Union Jack
undated
65
Joseph Cartwright, c.1789–1829
Single Corvette. Bow Forward
undated
66
Joseph Cartwright, c.1789–1829
Side View of Battleship Surrounded by Several Others in Heavy Seas
undated
67
Joseph Cartwright, c.1789–1829
Sixty-six Guns: Single Frigate
undated
68
Joseph Cartwright, c.1789–1829
Single Brig (?) Another Sailing Vessel Against Outline of City on Background
undated
69
Joseph Cartwright, c.1789–1829
A Grecian Polacker
undated
70
Joseph Cartwright, c.1789–1829
Single Brigantine, Sails Furled
undated
71
Joseph Cartwright, c.1789–1829
Barquentine and Frigate in Heavy Seas
undated
72
Joseph Cartwright, c.1789–1829
Single Brig; Sketches of Separate Stern and Rubber
undated
73
Joseph Cartwright, c.1789–1829
Two Sloops of War, One Barque and One Schooner (?), Sterns Forward, in Heavy Seas; Several Sailing Vessels in Background
undated
74
Joseph Cartwright, c.1789–1829
Duke of Richmond: Sloops, Schooners, Rowboats
undated
75
Joseph Cartwright, c.1789–1829
Single Battleship, Stern Forward
undated
76
Joseph Cartwright, c.1789–1829
Side View of Single Brig and Bow of Another
undated
77
Joseph Cartwright, c.1789–1829
Side View of Single Barque
undated
78
Isaac Weld, 1774–1856
Vesuvius in Eruption
undated
79
Isaac Weld, 1774–1856
Vesuvius in Eruption
undated
80
Thomas Girtin, 1775–1802
A Border Tower
undated
81
Thomas Girtin, 1775–1802
Headland on the Coast of South Devon, Possibly Shaldon
undated
82
Thomas Rowlandson, 1756–1827
Three Clerical Scholars
1789
83
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
84
unknown artist
Berry Pomeroy Castle, Devon
undated
85
unknown artist
Tempio di Clitumno, Rome, after Piranesi
undated
86
attributed to Thomas Girtin, 1775–1802
Dover
undated
87
unknown artist
The Watermill Above the Bridge at Charenton
undated
88
follower of Thomas Girtin, 1775–1802
Guisborough Priory
undated
89
Thomas Rowlandson, 1756–1827
A Merchant's Office
1789
90
Thomas Girtin, 1775–1802
Harrow-on-the-Hill, Middlesex
ca. 1794
91
George Chinnery, 1774–1852
A Gentleman with Auburn Hair
undated
92
John Warwick Smith, 1749–1831
Approach to Belle Grange Park
1789
93
John Downman, 1750–1824
Miss Nott
1789
94
Edward Dayes, 1763–1804
Appleby, Westmoreland
1789
95
George Chinnery, 1774–1852
A Sailor and His Family
undated
96
George Chinnery, 1774–1852
Trees by a River
undated
97
George Chinnery, 1774–1852
Trees on a Hillside Path
undated
98
George Chinnery, 1774–1852
Study for the Portrait of a Military Officer
undated
99
William Alexander, 1767–1816
One of the Embassy Yachts
ca. 1794
100
William Day, 1764–1807
Renard's Hole, Dovedale, Derbyshire
1789
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