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Collection
Prints and Drawings
111
Creator
Blake, William, 1757–1827
49
CARTWRIGHT, Joseph, c.1789–1829
20
Girtin, Thomas, 1775–1802
10
Chinnery, George, 1774–1852
6
Unknown artist
4
Byron, Frederick George, 1764–1794
2
Cosway, Richard, 1742–1821
2
Rowlandson, Thomas, 1756–1827
2
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
Webber, John, 1752–1793
2
Weld, Isaac, 1774–1856
2
Alexander, William, 1767–1816
1
Cozens, John Robert, 1752–1797
1
Daniell, Thomas, 1749–1840
1
Daniell, William, 1769–1837
1
Davis, Samuel, 1760–1819
1
Day, William, 1764–1807
1
Dayes, Edward, 1763–1804
1
Downman, John, 1750–1824
1
Gore, Charles, 1729–1807
1
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Date
1800
376
1796
355
1867
286
1772
243
1791
196
1832
178
1814
158
1797
156
1794
154
1804
154
1771
141
1752
140
1790
139
1792
116
1793
115
1795
114
1789
[remove]
111
1775
105
1799
100
1801
100
1830
95
1784
94
1785
94
1825
94
1839
94
1818
90
1802
86
1820
78
1780
75
1700
74
1836
68
1807
67
1805
66
1798
65
1827
63
1815
62
1812
61
1755
59
1817
59
1745
58
1787
55
1811
54
1781
53
1835
53
1782
52
1855
51
0
50
1774
50
1808
50
1810
50
1803
48
1783
47
1819
47
1821
47
1828
47
1788
46
1840
45
1834
44
1768
42
1823
42
1740
41
1765
41
1764
39
1778
39
1813
39
1826
36
1837
36
1777
35
1829
33
1763
32
1770
32
1809
32
1746
30
1748
30
1786
30
1844
29
1776
28
1806
28
1841
28
1843
28
1761
27
1838
27
1757
26
1822
26
1831
26
1760
25
1762
25
1779
24
1848
24
1753
23
1816
23
1833
22
1845
21
1754
18
1759
18
1766
18
1846
18
1850
18
1854
18
1864
18
On-site Access
Accessible by appointment in the Study Room
111
Image Use
Free to Use
110
Under Certain Circumstances
1
Image Available
Available
[remove]
111
Classification
Drawings & Watercolors
55
Prints
49
Drawings & Watercolors-Miniatures
4
Drawing & Watercolors-Architectural
3
Creator Gender
male
111
unknown
4
Collective Title
Songs of Innocence and of Experience, Copy F
17
Songs of Innocence, Copy G
17
The Book of Thel, Copy R
8
The Book of Thel, Copy B
7
Views in the South Seas 1776-1780
1
Period
18th century
72
18th century-19th century
36
19th century
2
Materials & Techniques
watercolor
[remove]
111
wove paper
91
graphite
50
relief etching
49
black ink
42
pen
36
ink
25
laid paper
22
brown ink
21
gray ink
16
gouache
6
gray wash
6
ivory
4
pens
3
black chalk
2
brown wash
2
wash
2
red chalk
1
red ink
1
scraping
1
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
6
to
53
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
6
to
78
Work Type
watercolor
109
drawing
100
relief print
49
miniature
3
frontispiece
2
Genre
literary theme
34
landscape
23
marine art
20
historical subject
15
architectural subject
13
military art
13
religious and mythological subject
12
genre subject
9
portrait
5
figure study
3
sporting art
3
animal art
1
cityscape
1
Subject Terms
text
47
trees
42
leaf
39
vines
37
children
36
literary theme
32
women
31
branches
30
men
27
landscape
22
historical subject
16
vegetation
16
architectural subject
13
mother
13
religious and mythological subject
13
flowers (plants)
12
nudes
11
woman
11
hills
10
grass
9
more
Subject Terms
»
Associated Places
Europe
13
United Kingdom
13
England
11
Campagna
2
City of Westminster
2
Devon
2
Italy
2
Kent
2
London
2
Aberconwy and Colwyn
1
Appleby
1
Berry Pomeroy Castle
1
Buckinghamshire
1
Campania
1
Campello sul Clitunno
1
Charenton-le-Pont
1
Cobham
1
Cobham Hall
1
Conway
1
Conway Castle
1
more
Associated Places
»
Associated People
Johnstone, James Hope-, third earl of Hopetoun and de jure fifth earl of Annandale and Hartfell (1741–1816), landowner and army officer
1
Sadler, Michael Thomas (1780–1835), social reformer and political economist
1
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
18
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
18
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
13
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
7
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
6
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
5
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
4
English Portrait Drawings & Miniatures (Yale Center for British Art, 1979-12-05 - 1980-02-17)
3
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
2
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
Noble Exercise - The Sporting Ideal in Eighteenth-Century British Art (Yale Center for British Art, 1982-07-14 - 1982-09-19)
2
Past Time - Geology in European and American Art (Frances Lehman Loeb Art Center, 2018-09-21 - 2018-12-09)
2
Past Time - Geology in European and American Art (Herbert F. Johnson Museum of Art, 2019-02-16 - 2019-05-12)
2
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
Richard and Maria Cosway - Regency Artists of Taste and Fashion (National Portrait Gallery, 1996-11-17 - 1997-02-18)
2
Richard and Maria Cosway - Regency Artists of Taste and Fashion (Scottish National Portrait Gallery, 1995-08-11 - 1995-10-29)
2
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
2
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
2
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
2
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
89
Yale Center for British Art, Yale Art Gallery Collection
20
Yale Center for British Art, Gift of Ann and Kenneth Rapoport
1
Yale Center for British Art, Gift of William Lamson Warren, class of 1935
1
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Materials & Techniques
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Date
1789
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1
Joseph Mallord William Turner, 1775–1851
Autumn Sowing of the Grain
ca. 1794
2
Joseph Mallord William Turner, 1775–1851
Villa in a Valley near Vietri sul Mare
ca. 1794
3
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
4
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
5
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
6
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
7
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
8
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
9
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
10
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
11
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 10)
1789
12
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
13
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 22)
1789
14
Print made by William Blake, 1757–1827
The Little Girl Lost (Plate 20)
1789
15
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
16
Print made by William Blake, 1757–1827
Infant Joy (Plate 28)
1789
17
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
18
Print made by William Blake, 1757–1827
A Cradle Song (Plate 26)
1789
19
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
20
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
21
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
22
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
23
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 8)
1789
24
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
25
Print made by William Blake, 1757–1827
Laughing Song (Plate 14)
1789
26
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
27
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
28
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
29
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
30
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
31
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
32
Print made by William Blake, 1757–1827
A Dream (Plate 4)
1789
33
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
34
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
35
Print made by William Blake, 1757–1827
A Cradle Song (Plate 18)
1789
36
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
37
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
38
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
39
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
40
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 6)
1789
41
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
42
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
43
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
44
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
45
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
46
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 10)
1789
47
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
48
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
49
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
50
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
51
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
52
Thomas Girtin, 1775–1802
Chalfont Lodge, Buckinghamshire
undated
53
unknown artist
A Toopapaoo of a Chief, with a Priest Making his Offering to the Morai, in Huoheine
1789
54
Isaac Weld, 1774–1856
Vesuvius in Eruption
undated
55
Isaac Weld, 1774–1856
Vesuvius in Eruption
undated
56
Joseph Cartwright, c.1789–1829
A Grecian Polacker
undated
57
Joseph Cartwright, c.1789–1829
Sixty-six Guns: Single Frigate
undated
58
Joseph Cartwright, c.1789–1829
Barquentine and Frigate in Heavy Seas
undated
59
Joseph Cartwright, c.1789–1829
Single Hermaphrodite Brig, Stern Forward
undated
60
Joseph Cartwright, c.1789–1829
Battle Scene: Battleships, Frigates and Corvettes; Sinking Boat and Rowboat
undated
61
Joseph Cartwright, c.1789–1829
Single Brigantine, Sails Furled
undated
62
Joseph Cartwright, c.1789–1829
Side View of Single Brig and Bow of Another
undated
63
Joseph Cartwright, c.1789–1829
Single Corvette (?) with Three Figures in Naval Uniforms and Union Jack
undated
64
Joseph Cartwright, c.1789–1829
Single Corvette. Bow Forward
undated
65
Joseph Cartwright, c.1789–1829
Side View of Single Barque
undated
66
Joseph Cartwright, c.1789–1829
Side View of Corvette
undated
67
Joseph Cartwright, c.1789–1829
Single Brig (?) Another Sailing Vessel Against Outline of City on Background
undated
68
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
69
Thomas Girtin, 1775–1802
A Border Tower
undated
70
Joseph Cartwright, c.1789–1829
Duke of Richmond: Sloops, Schooners, Rowboats
undated
71
Joseph Cartwright, c.1789–1829
Single Brig; Sketches of Separate Stern and Rubber
undated
72
Joseph Cartwright, c.1789–1829
Single Hermaphrodite Brig
undated
73
Joseph Cartwright, c.1789–1829
Single Hermaphrodite Brig, Bow Forward
undated
74
Joseph Cartwright, c.1789–1829
Side View of Two Naval Jackets; Masters and Commanders
undated
75
Joseph Cartwright, c.1789–1829
Two Sloops of War, One Barque and One Schooner (?), Sterns Forward, in Heavy Seas; Several Sailing Vessels in Background
undated
76
Joseph Cartwright, c.1789–1829
Single Battleship, Stern Forward
undated
77
Joseph Cartwright, c.1789–1829
Side View of Battleship Surrounded by Several Others in Heavy Seas
undated
78
Thomas Girtin, 1775–1802
Headland on the Coast of South Devon, Possibly Shaldon
undated
79
Charles Gore, 1729–1807
Konigstein
1789
80
Charles H. Schwanfelder, 1774–1837
Horsemen in a Landscape
undated
81
Thomas Daniell, 1749–1840
The Mosque at Juanpore Built by Sultan Hussain Sherki | Taken in December 1789
1789
82
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Ld. Darnely's Bedchamber as a Proposed to be Altered
1789
83
John Webber, 1752–1793
Landscape in Derbyshire
1789
84
Charles Heathcote Tatham, 1772–1842
Furniture Designs
undated
85
Paul Sandby, 1731–1809
Conway Castle
1789
86
George Chinnery, 1774–1852
Portrait of a Gentleman Called Michael Thomas Sadler
undated
87
Frederick George Byron, 1764–1794
Shooting Party Setting Out
1789
88
Charles Turner, 1774–1857
A Race Meeting (Weighing In)
undated
89
Thomas Girtin, 1775–1802
Harrow-on-the-Hill, Middlesex
ca. 1794
90
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
91
Thomas Rowlandson, 1756–1827
A Merchant's Office
1789
92
attributed to Thomas Girtin, 1775–1802
Dover
undated
93
unknown artist
The Watermill Above the Bridge at Charenton
undated
94
unknown artist
Berry Pomeroy Castle, Devon
undated
95
unknown artist
Tempio di Clitumno, Rome, after Piranesi
undated
96
follower of Thomas Girtin, 1775–1802
Guisborough Priory
undated
97
Thomas Girtin, 1775–1802
Ruins on the Coast
undated
98
Frederick George Byron, 1764–1794
Shooting Party Returning Home
1789
99
Richard Cosway, 1742–1821
Elizabeth, Countess of Hopetown
1789
100
John Warwick Smith, 1749–1831
Approach to Belle Grange Park
1789
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