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Collection
Prints and Drawings
96
Creator
Hills, Robert, 1769–1844
30
Ward, James, 1769–1859
30
Edridge, Henry, 1769–1821
9
Barker, Thomas, 1769–1847
5
Daniell, William, 1769–1837
3
Smith, John, 1749–1831
3
La, Cave Peter, active 1769–1810
2
Owen, William, 1769–1825
2
Pyne, William Henry, 1769–1843
2
Rowlandson, Thomas, 1756–1827
2
Unknown artist
2
Bogle, John, 1746–1804
1
Daniell, Thomas, 1749–1840
1
Day, William, 1764–1807
1
Dighton, Robert, 1752–1814
1
Gore, Charles, 1729–1807
1
Humphrey, William, 1745–1810
1
Ibbetson, Julius Caesar, 1759–1817
1
Joy, John Cantiloe, 1806–1859
1
Joy, William, 1803–1867
1
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Creator
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Date
1791
756
1800
425
1796
347
1867
321
1772
243
1832
190
1752
181
1794
163
1790
162
1814
159
1804
158
1797
157
1799
152
1771
141
1795
134
1793
133
1792
122
1789
114
1775
107
1830
107
1801
106
1825
105
1745
103
1785
103
1700
98
1784
[remove]
96
1802
95
1839
95
1818
91
1780
87
1820
86
1835
86
1836
79
1827
78
0
72
1807
71
1805
70
1781
67
1798
66
1815
66
1812
64
1755
61
1855
59
1787
58
1817
58
1811
55
1808
54
1810
54
1774
52
1834
52
1782
51
1828
50
1803
49
1765
48
1783
48
1819
48
1788
47
1821
47
1840
46
1740
43
1768
43
1813
43
1823
43
1861
43
1778
41
1764
39
1826
37
1763
35
1777
35
1809
35
1837
35
1770
34
1786
33
1806
33
1822
33
1829
32
1833
31
1841
31
1746
30
1748
30
1776
30
1831
30
1838
30
1844
30
1761
29
1843
29
1921
27
1760
26
1762
26
1751
25
1753
25
1757
25
1816
25
1845
25
1863
25
1779
24
1848
24
1842
21
1850
20
1866
20
On-site Access
Accessible in the Study Room
96
Image Use
Free to Use
95
Under Certain Circumstances
1
Image Available
Available
94
Unavailable
2
Classification
Drawings & Watercolors
94
Drawings & Watercolors-Miniatures
1
Prints
1
Creator Gender
male
96
unknown
2
Collective Title
King Lear
1
Period
18th century-19th century
82
18th century
12
19th century
2
Materials & Techniques
watercolor
[remove]
96
graphite
86
wove paper
65
laid paper
31
brown ink
18
pen
10
gouache
8
black ink
6
scratching out
4
gray ink
3
gray wash
2
scraping
2
black chalk
1
etching (printing process)
1
hand coloring
1
ink blue
1
ivory
1
oil paint
1
pens
1
red crayon
1
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Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
4
to
49
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
3
to
71
Work Type
watercolor
94
drawing
84
intaglio print
1
Genre
landscape
44
genre subject
20
architectural subject
16
animal art
13
figure study
8
marine art
5
cityscape
4
still life
4
portrait
3
sporting art
2
literary theme
1
Subject Terms
landscape
42
trees
29
genre subject
18
architectural subject
17
animal art
13
fence
9
men
9
clouds
8
horses (animals)
8
figure study
7
river
7
cows
5
farm
5
figures
5
hills
5
house
5
science
5
studies (visual works)
5
bridge (built work)
4
cattle
4
more
Subject Terms
»
Associated Places
United Kingdom
21
England
16
Europe
16
Wales
5
Cymru
3
Surrey
3
Berkshire
2
Derbyshire
2
Italy
2
Kent
2
London
2
Aberdulais
1
Albury
1
Althorp
1
Ashtead
1
Barvas
1
Bath
1
Bath and Northeast Somerset
1
Belvoir
1
Belvoir Castle
1
more
Associated Places
»
Associated People
Cordelia (character in King Lear)
1
King Lear (character in King Lear)
1
Shakespeare, William (1564–1616), playwright and poet
1
Exhibition History
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
3
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
2
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
2
James Ward (Yale Center for British Art, 2004-05-21 - 2004-08-22)
2
Oil on Water - Oil Sketches by British Watercolorists (Yale Center for British Art, 1986-08-26 - 1986-11-09)
2
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
1
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
British Watercolors - A Golden Age 1750-1850 (The Speed Art Museum, 1977-10-17 - 1977-11-26)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
93
Yale Center for British Art, Gift of Ann and Kenneth Rapoport
1
Yale Center for British Art, Gift of Godfrey Pearlson
1
Yale Center for British Art, Paul Mellon Fund
1
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Materials & Techniques
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Date
1784
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1
unknown artist
The Edge of a Pool with Waterlilies
undated
2
Julius Caesar Ibbetson, 1759–1817
Cardiff from the South
ca. 1789
3
attributed to Thomas Barker, 1769–1847
Man in a Blue Cloak
undated
4
William Henry Pyne, 1769–1843
Old London, View from St. James Park Looking East
undated
5
James Ward, 1769–1859
Waterfall, North Wales
undated
6
unknown artist
The Death of Cordelia
undated
7
Charles Gore, 1729–1807
Garden of Vieux Joncs near Maestricht
between 1784 and 1794
8
James Ward, 1769–1859
A Little Boy with Red Shoes (Child with Red Shoes and a Top Hat)
undated
9
James Ward, 1769–1859
Aberdulais Mill, Glamorganshire
undated
10
James Ward, 1769–1859
Dolbadarn Castle
undated
11
James Ward, 1769–1859
Boy Carrying a Pail on His Head
undated
12
James Ward, 1769–1859
Scottish Peasant Women
undated
13
James Ward, 1769–1859
Cottage and Farm Buildings
undated
14
James Ward, 1769–1859
Studies of Horses
undated
15
James Ward, 1769–1859
A Thatched Cottage and Trees at the Turn of a Country Road
undated
16
James Ward, 1769–1859
Study of a Hill Top and Sky
undated
17
James Ward, 1769–1859
Sea Breaking on Stony Cliffs at Left
undated
18
Peter La Cave, active 1769–1810
Rustic Scene: man fishing, left; cottage with water-mill and horses right
undated
19
Peter La Cave, active 1769–1810
Haymakers
undated
20
James Ward, 1769–1859
A Brown long-eared bat (Plecotus auritus)
undated
21
James Ward, 1769–1859
Landscape with Cottages and Figures
undated
22
Follower of Henry Edridge, 1769–1821
View of Harrow Church
undated
23
Thomas Barker, 1769–1847
Woodland Landscape
undated
24
James Ward, 1769–1859
Sky Study
undated
25
James Ward, 1769–1859
Landscape with a Castle on a Hill
undated
26
John Warwick Smith, 1749–1831
Matlock High Tor
1784
27
James Ward, 1769–1859
Studies of Figures
undated
28
James Ward, 1769–1859
Study of a Tree
undated
29
Follower of William Owen, 1769–1825
Shipping in a Choppy Sea
undated
30
Follower of William Owen, 1769–1825
Shipping in a Choppy Sea
undated
31
James Ward, 1769–1859
An Oat Cake
undated
32
James Ward, 1769–1859
Study of a Coat and Breeches
undated
33
James Ward, 1769–1859
Henry James William Ward, Son of the Artist
undated
34
James Ward, 1769–1859
A Rocky Hillside with Trees and Figures
undated
35
William Daniell, 1769–1837
Druidical Stone at Strather, near Barvas, Isle of Lewis
undated
36
Robert Hills, 1769–1844
Studies of a Turkey
undated
37
James Ward, 1769–1859
The Artist's Son, Henry, Asleep
undated
38
James Ward, 1769–1859
A Foliated Branch
undated
39
William Daniell, 1769–1837
Belvoir Castle, Rutland
undated
40
Robert Hills, 1769–1844
Farm Laborers and Other Studies
undated
41
Robert Hills, 1769–1844
A Woodcutter and Other Studies
undated
42
Robert Hills, 1769–1844
Budds Green, Kent
undated
43
Humphry Repton, 1752–1818
North Parade, Bath
1784
44
Thomas Barker, 1769–1847
Landscape with a Man Driving Sheep
undated
45
William Daniell, 1769–1837
Althorp House, Northamptonshire
undated
46
James Ward, 1769–1859
Studies of Geese
undated
47
Benjamin Thomas Pouncey, active 1772–1799
Farningham, Kent
1784
48
Thomas Barker, 1769–1847
Landscape with Shepherd and Sheep
undated
49
Robert Hills, 1769–1844
Sketch of a Horse
undated
50
Robert Hills, 1769–1844
Reminiscence of Gainsborough
undated
51
Robert Hills, 1769–1844
Between Netley Heath and Albury
undated
52
Robert Hills, 1769–1844
Carting Hops and Other Studies
undated
53
James Ward, 1769–1859
Farmyard and Horses
undated
54
Possibly William Henry Pyne, 1769–1843
The Horse Guards Parade
undated
55
Robert Hills, 1769–1844
A Wagon With Hops and Two Sketches of Horses
undated
56
attributed to James Ward, 1769–1859
A Cottage Wall and Window
undated
57
attributed to James Ward, 1769–1859
Hunstanton Cliffs
undated
58
Robert Hills, 1769–1844
Two Studies: a Foal, and a Mare and Foal
undated
59
James Ward, 1769–1859
A Canopied Boat and Two Rowing Boats at a Jetty; Inset Left, a Pencil Study of the Tintern Livestock Ferry-boat
undated
60
Robert Dighton, 1752–1814
Cricket played by the Gentlemens Club, Whiteconduit House
1784
61
James Ward, 1769–1859
Study of a Plunging Eagle
undated
62
Thomas Rowlandson, 1756–1827
Bookseller and Author
1784
63
James Ward, 1769–1859
Looking Upwards from Devil's Bridge, Cardiganshire, Wales
undated
64
John Warwick Smith, 1749–1831
The Villa Medici, Rome
1784
65
John Warwick Smith, 1749–1831
The Val d'Aosta, Piedmont
1784
66
Robert Hills, 1769–1844
Long-Horned Cattle
undated
67
Robert Hills, 1769–1844
Forest Pool
undated
68
Robert Hills, 1769–1844
Figure Studies: A Farm Worker, Mr. Samuel, the Drawing Master Reclining and Dozing, and a Slight Sketch of a Man in a Hat
undated
69
Robert Hills, 1769–1844
Drove of Sheep and Cows
undated
70
Robert Hills, 1769–1844
Children With a Dog in Farmyard
undated
71
Henry Edridge, 1769–1821
Portrait of an Indian Prince
undated
72
after Henry Edridge, 1769–1821
Singer's Farm, Bushey, Hertfordshire
undated
73
Henry Edridge, 1769–1821
On the Monnow, Monmouth
undated
74
Henry Edridge, 1769–1821
Farm Buildings among Trees
undated
75
Henry Edridge, 1769–1821
Little Bushey, Hertfordshire
undated
76
Henry Edridge, 1769–1821
A Winding River
undated
77
William Day, 1764–1807
Matlock Baths, Derbyshire
ca. 1789
78
Henry Edridge, 1769–1821
Boxhill from Westhumble Lane
undated
79
Thomas Daniell, 1749–1840
Farmhouse, River and Barge
1784
80
Henry Edridge, 1769–1821
Part of a House and Garden
undated
81
Robert Hills, 1769–1844
The Wave
undated
82
Robert Hills, 1769–1844
Looking Across the Maas from Rotterdam
undated
83
Robert Hills, 1769–1844
Farmyard with Horses Waiting
undated
84
Robert Hills, 1769–1844
Trees and Barns in Ashstead Park, Surrey
undated
85
Robert Hills, 1769–1844
A Donkey and Foal
undated
86
Robert Hills, 1769–1844
A Farm at Harrow
undated
87
Robert Hills, 1769–1844
A Farm at Eton
undated
88
Robert Hills, 1769–1844
A Woodland Glade
undated
89
Robert Hills, 1769–1844
A Country Lane with Haystack and Gate
undated
90
Robert Hills, 1769–1844
An Oak in Englefield Park
undated
91
Robert Hills, 1769–1844
Three Donkeys
undated
92
Robert Hills, 1769–1844
Sketches of Cottages: Two Studies on one Sheet
undated
93
Robert Hills, 1769–1844
Beech Trees
undated
94
Robert Hills, 1769–1844
The Wood
undated
95
Print made by Thomas Rowlandson, 1756–1827
The Case is Altered
1784
96
John Bogle, 1746–1804
Lady
1784