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Collection
Prints and Drawings
91
Creator
Blake, William, 1757–1827
49
Girtin, Thomas, 1775–1802
10
Turner, J. M. W. (Joseph Mallord William), 1775–1851
5
Chinnery, George, 1774–1852
4
Unknown artist
4
Byron, Frederick George, 1764–1794
2
Cosway, Richard, 1742–1821
2
Cozens, John Robert, 1752–1797
2
Rowlandson, Thomas, 1756–1827
2
Webber, John, 1752–1793
2
Weld, Isaac, 1774–1856
2
Alexander, William, 1767–1816
1
Daniell, Thomas, 1749–1840
1
Daniell, William, 1769–1837
1
Davis, Samuel, 1760–1819
1
Day, William, 1764–1807
1
Dayes, Edward, 1763–1804
1
Downman, John, 1750–1824
1
Gore, Charles, 1729–1807
1
Piranesi, Giovanni Battista, 1720–1778
1
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Creator
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Date
1791
727
1800
389
1796
341
1772
241
1752
181
1832
174
1804
155
1794
154
1797
153
1790
151
1814
151
1799
148
1771
137
1793
122
1795
116
1792
112
1745
103
1784
93
1785
93
1839
93
1789
[remove]
91
1801
91
1818
90
1802
88
1825
87
1780
82
1830
79
1700
76
1820
74
1835
73
1807
67
1812
64
1775
63
1798
63
1805
63
0
62
1781
62
1827
59
1815
58
1755
57
1787
55
1817
55
1811
52
1774
49
1810
49
1782
48
1808
47
1783
46
1803
46
1828
45
1834
45
1855
45
1819
43
1840
42
1740
41
1768
41
1765
39
1821
39
1823
39
1813
37
1778
36
1861
36
1826
35
1764
32
1809
32
1770
31
1788
30
1806
30
1833
30
1837
30
1763
29
1841
29
1748
28
1786
28
1822
28
1761
27
1776
27
1829
27
1836
27
1777
26
1844
26
1753
25
1751
24
1838
24
1779
23
1816
23
1831
22
1746
19
1762
19
1843
19
1757
18
1842
18
1848
18
1754
17
1759
17
1824
17
1845
17
1850
17
1863
17
1756
16
On-site Access
Accessible in the Study Room
88
On view
3
Image Use
Free to Use
90
Under Certain Circumstances
1
Image Available
Available
91
Classification
Prints
49
Drawings & Watercolors
36
Drawing & Watercolors-Architectural
3
Drawings & Watercolors-Miniatures
3
Creator Gender
male
91
unknown
4
Collective Title
Songs of Innocence and of Experience, Copy F
17
Songs of Innocence, Copy G
17
The Book of Thel, Copy R
8
The Book of Thel, Copy B
7
Views in the South Seas 1776-1780
1
Period
18th century
75
18th century-19th century
14
19th century
2
Materials & Techniques
watercolor
[remove]
91
wove paper
73
relief etching
49
graphite
32
black ink
31
ink
25
laid paper
17
pen
16
brown ink
12
gouache
6
gray ink
6
ivory
3
black chalk
2
gray wash
2
pens
2
wash
2
blue wash
1
brown wash
1
red chalk
1
red ink
1
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
6
to
53
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
6
to
78
Work Type
watercolor
90
drawing
80
relief print
49
miniature
3
frontispiece
2
Genre
literary theme
34
landscape
24
historical subject
15
architectural subject
14
religious and mythological subject
12
genre subject
10
portrait
4
sporting art
3
cityscape
2
animal art
1
figure study
1
marine art
1
Subject Terms
text
47
trees
42
leaf
39
vines
37
children
36
literary theme
32
women
31
branches
30
men
26
landscape
23
historical subject
16
vegetation
16
architectural subject
14
mother
13
religious and mythological subject
13
flowers (plants)
12
woman
12
hills
11
nudes
11
genre subject
9
more
Subject Terms
»
Associated Places
Europe
15
United Kingdom
14
England
12
Campagna
2
City of Westminster
2
Devon
2
Italy
2
Kent
2
London
2
Aberconwy and Colwyn
1
Appleby
1
Bern
1
Berry Pomeroy Castle
1
Buckinghamshire
1
Campania
1
Campello sul Clitunno
1
Charenton-le-Pont
1
Cobham
1
Cobham Hall
1
Conway
1
more
Associated Places
»
Associated People
Johnstone, James Hope-, third earl of Hopetoun and de jure fifth earl of Annandale and Hartfell (1741–1816), landowner and army officer
1
Sadler, Michael Thomas (1780–1835), social reformer and political economist
1
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
18
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
18
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
13
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
7
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
7
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
5
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
4
English Portrait Drawings & Miniatures (Yale Center for British Art, 1979-12-05 - 1980-02-17)
3
J.M.W. Turner: Romance & Reality (Yale Center for British Art, 2025-03-29 - 2025-07-27)
3
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
2
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
J. M. W. Turner - The Foundations of Genius (The Taft Museum, 1986-09-18 - 1986-11-02)
2
Noble Exercise - The Sporting Ideal in Eighteenth-Century British Art (Yale Center for British Art, 1982-07-14 - 1982-09-19)
2
Past Time - Geology in European and American Art (Frances Lehman Loeb Art Center, 2018-09-21 - 2018-12-09)
2
Past Time - Geology in European and American Art (Herbert F. Johnson Museum of Art, 2019-02-16 - 2019-05-12)
2
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
2
Richard and Maria Cosway - Regency Artists of Taste and Fashion (National Portrait Gallery, 1996-11-17 - 1997-02-18)
2
Richard and Maria Cosway - Regency Artists of Taste and Fashion (Scottish National Portrait Gallery, 1995-08-11 - 1995-10-29)
2
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
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91
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Materials & Techniques
watercolor
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Date
1789
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1
Joseph Mallord William Turner, 1775–1851
Autumn Sowing of the Grain
ca. 1794
2
Joseph Mallord William Turner, 1775–1851
Newark-upon-Trent
ca. 1794
On view
3
Joseph Mallord William Turner, 1775–1851
A Great Tree
ca. 1794
On view
4
Joseph Mallord William Turner, 1775–1851
A River View near Grindelwald, Looking towards the Wetterhorn
ca. 1794–7
On view
5
Joseph Mallord William Turner, 1775–1851
Villa in a Valley near Vietri sul Mare
ca. 1794
6
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
7
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
8
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
9
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
10
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
11
Print made by William Blake, 1757–1827
The Book of Thel, Title Page (Plate 2)
1789
12
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
13
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
14
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 8)
1789
15
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 10)
1789
16
Print made by William Blake, 1757–1827
Laughing Song (Plate 14)
1789
17
Print made by William Blake, 1757–1827
The Little Girl Lost (Plate 20)
1789
18
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
19
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
20
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
21
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
22
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
23
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
24
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
25
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 22)
1789
26
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
27
Print made by William Blake, 1757–1827
A Cradle Song (Plate 26)
1789
28
Print made by William Blake, 1757–1827
Infant Joy (Plate 28)
1789
29
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
30
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
31
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
32
Print made by William Blake, 1757–1827
The Book of Thel; Title Page (Plate 2)
1789
33
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
34
Print made by William Blake, 1757–1827
A Dream (Plate 4)
1789
35
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 6)
1789
36
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
37
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
38
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
39
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
40
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
41
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
42
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 10)
1789
43
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
44
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
45
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
46
Print made by William Blake, 1757–1827
A Cradle Song (Plate 18)
1789
47
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
48
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
49
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
50
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
51
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
52
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
53
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
54
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
55
Charles H. Schwanfelder, 1774–1837
Horsemen in a Landscape
undated
56
Charles Gore, 1729–1807
Konigstein
1789
57
Isaac Weld, 1774–1856
Vesuvius in Eruption
undated
58
Isaac Weld, 1774–1856
Vesuvius in Eruption
undated
59
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
60
Thomas Girtin, 1775–1802
Chalfont Lodge, Buckinghamshire
undated
61
John Webber, 1752–1793
Landscape in Derbyshire
1789
62
Charles Heathcote Tatham, 1772–1842
Furniture Designs
undated
63
Thomas Girtin, 1775–1802
Headland on the Coast of South Devon, Possibly Shaldon
undated
64
Thomas Daniell, 1749–1840
The Mosque at Juanpore Built by Sultan Hussain Sherki | Taken in December 1789
1789
65
unknown artist
A Toopapaoo of a Chief, with a Priest Making his Offering to the Morai, in Huoheine
1789
66
Thomas Girtin, 1775–1802
A Border Tower
undated
67
Frederick George Byron, 1764–1794
Shooting Party Setting Out
1789
68
Frederick George Byron, 1764–1794
Shooting Party Returning Home
1789
69
Charles Turner, 1774–1857
A Race Meeting (Weighing In)
undated
70
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Ld. Darnely's Bedchamber as a Proposed to be Altered
1789
71
George Chinnery, 1774–1852
Portrait of a Gentleman Called Michael Thomas Sadler
undated
72
Paul Sandby, 1731–1809
Conway Castle
1789
73
William Day, 1764–1807
Renard's Hole, Dovedale, Derbyshire
1789
74
Thomas Girtin, 1775–1802
Harrow-on-the-Hill, Middlesex
ca. 1794
75
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
76
Richard Cosway, 1742–1821
Elizabeth, Countess of Hopetown
1789
77
Richard Cosway, 1742–1821
James Hope, third Earl of Hopetoun
1789
78
William Alexander, 1767–1816
One of the Embassy Yachts
ca. 1794
79
George Chinnery, 1774–1852
Trees by a River
undated
80
George Chinnery, 1774–1852
A Sailor and His Family
undated
81
George Chinnery, 1774–1852
Trees on a Hillside Path
undated
82
attributed to Thomas Girtin, 1775–1802
Dover
undated
83
unknown artist
Berry Pomeroy Castle, Devon
undated
84
unknown artist
Tempio di Clitumno, Rome, after Piranesi
undated
85
unknown artist
The Watermill Above the Bridge at Charenton
undated
86
follower of Thomas Girtin, 1775–1802
Guisborough Priory
undated
87
Edward Dayes, 1763–1804
Appleby, Westmoreland
1789
88
John Downman, 1750–1824
Miss Nott
1789
89
John Warwick Smith, 1749–1831
Approach to Belle Grange Park
1789
90
Thomas Rowlandson, 1756–1827
Three Clerical Scholars
1789
91
Thomas Rowlandson, 1756–1827
A Merchant's Office
1789