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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Frames
2
Creator
Allwood, Thomas, ca. 1750–ca.1800
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2
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Current results range from
1770
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1775
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2
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Frames
2
Creator Gender
male
2
Period
18th century
2
Materials & Techniques
gold leaf
2
water gilding
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2
wood
2
burnishing (polishing)
1
oil gilding
1
original gilding
1
regilding
1
sanding (coating)
1
Height [cm]
129
1
Width [cm]
154
1
Work Type
frame
2
Subject Terms
frame alteration: no alteration
2
frame feature: Exceptional quality carving
2
frame feature: Frame associated with artist
2
frame status: Original
2
frame cross-section: Cavetto, frieze and inlay
1
frame cross-section: Concave with applied ogee
1
frame feature: Exceptionally well-preserved gilding
1
frame feature: Oval inlay
1
frame ornament: Acanthus leaf-&-shell moulding on top edge; feather-&-dart moulding; rosette paterae in corners; ribbon-&-stave; sanded frieze; sanded spandrels with carved acanthus & bay-leaf flourishes; feather-&-dart moulding at sight
1
frame ornament: Egg-&-leaf; gadrooning enriched with leaves & bellflowers; centred ribbon-&-stave; acanthus-&-shell applied ogee; ovolo chain near sight edge
1
frame style: 'Carlo Maratta' frame
1
frame style: Neoclassical
1
Credit Line
Yale Center for British Art
2
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Materials & Techniques
water gilding
Remove constraint Materials & Techniques: water gilding
Creator
Allwood, Thomas, ca. 1750–ca.1800
Remove constraint Creator: Allwood, Thomas, ca. 1750–ca.1800
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Free to Use
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1
Perhaps Thomas Allwood, ca. 1750–ca.1800
British, Neoclassical frame
late 18th century
2
attributed to Thomas Allwood, ca. 1750–ca.1800
British, 'Carlo Maratta' frame
4th quarter of 18th century