Materials & Techniques: varnish - YCBA Collections Search Search Results

101. The Church at Dixmude, West Flanders

Creator:: David Roberts, 1796–1864
Date:: ca. 1863
Materials & Techniques:: Watercolor and gouache over graphite, varnished on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 x 14 1/4in. (27.9 x 36.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Feste, as Sir Topas, addressing Malvolio

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil, partly varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 x 4 5/16 inches (16.7 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Juliet About to Take her Sleeping Draught

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 4 1/2 inches (16.5 x 11.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. Lady Mortimer's Welsh Song

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 x 4 5/16 inches (17.7 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Oberon and Puck

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil, partially varnished on moderately thick, slightly textured, cream laid paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 6 7/16 inches (19.1 x 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Falstaff with Mistress Quickly and Bardolph

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 4 3/8 inches (15.3 x 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. Diana and Actaeon

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Oil, varnish, gouache, and pen and black ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/8 × 6 3/4 inches (15.6 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Scene from Don Quixote

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, graphite, and varnish, with scratching out; squared for transfer on moderately thick, moderately textured, beige laid paper
Dimensions:: Image: 8 3/8 × 6 3/8 inches (21.3 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. Malvolio abusing Maria, Fabian and Sir Toby

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil, partly varnished on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 4 5/16 inches (15.5 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Figure Study of a Nude Woman in a Wooded Landscape

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Oil and varnish on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 3 15/16 × 5 7/16 inches (10 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. Study of a Plunging Eagle

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Varnish over graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/2 x 13 5/8 inches (36.8 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Fano on the Adriatic

Creator:: John Robert Cozens, 1752–1797
Date:: between 1782 and 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 9 5/8 inches (16.5 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Cypress in the Garden of the Franciscans at Salerno

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 x 7 5/8 inches (32.4 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. Near Aiguebelle

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 9 3/4 inches (18.4 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. From the Top of the Arena, Verona

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 9 3/4 inches (22.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. Island of Nisida

Creator:: John Robert Cozens, 1752–1797
Date:: between 1782 and 1783
Materials & Techniques:: Graphite, varnish and buff ground on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/8 x 7in. (11.1 x 17.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. From Mirabella, the Villa of Count Algarotti on the Euganean Hills

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 9 7/8 inches (19.1 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Near Raito on the Gulf of Salerno

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 10 inches (19.1 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. The Wall of Naples near Ponte Nuovo

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 x 9 1/2 inches (14.9 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. Coast of Genoa

Creator:: John Robert Cozens, 1752–1797
Date:: between 1782 and 1783
Materials & Techniques:: Graphite, varnish and buff ground on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 7 x 10 1/8 inches (17.8 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. At Portici

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 10 5/8 inches (16.5 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. Wooded Landscape with Shepherd and Sheep

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1765 and 1770
Materials & Techniques:: Pen and brown ink with black and gray wash, heavily varnished on medium, slightly textured, cream laid paper, laid down on laid paper
Dimensions:: Sheet: 6 7/8 x 9 1/4 inches (17.5 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. Monte Circeo from the Road between Terracina and Velletri

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 x 9 5/8 inches (15.6 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. The Pagliaro in the Myrtle Plantation at Sir William Hamilton's Villa, Portici

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 x 9 1/2 inches (14.9 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Part of Padua from the Walls

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 7 5/8 x 10 inches (19.4 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. Vietri and Raito

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 16 1/2 inches (19.1 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. From the Inn at Terracina

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 10 inches (18.7 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Carriage Design: An Open Carriage, Hooper and Company, Coachbuilders

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor, and collage on thick, smooth, white card
Dimensions:: Sheet: 5 1/8 × 9 7/8 inches (13 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. XLVII

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Aquatint and stop-out varnish on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

130. Broken Side of the Amphitheatre at Rome

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1780
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 6 3/8 x 10 inches (16.2 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Curtain

Creator:: Print made by Markus Hansen, born 1963
Date:: 1994 to 2004
Materials & Techniques:: Screen printed varnish, dust, and breath on glass
Dimensions:: Frame: 44 × 55 3/4 × 2 1/2 inches (111.8 × 141.6 × 6.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Driek and Michael Zirinsky in honor of Anton J. Bestebreurtze and his family

132. Sketch for Whiskers

Creator:: Florence Claxton, active 1855–1889
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/8 × 2 1/4 inches (8.6 × 5.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

133. "The Poacher's Progress:" Poachers Before the Magistrates

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 12 3/4 × 17 5/8 inches (32.4 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. "The Poacher's Progress:" 'Poachers Snaring Pheasants'

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 12 1/8 × 17 7/16 inches (30.8 × 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Study of Two Willows

Creator:: Alexander Cozens, 1717–1786
Date:: ca. 1760
Materials & Techniques:: Brushed black ink, brushed brown ink, yellowish-brown ground and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 x 6 3/8 inches (10.2 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. A Sarcophagus Behind the Palace

Creator:: John Robert Cozens, 1752–1797
Date:: between 1782 and 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/8 x 6 3/8 inches (13.7 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. A Sarcophagus Behind a Domed Building

Creator:: John Robert Cozens, 1752–1797
Date:: between 1782 and 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 x 6 3/8 inches (14 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. River and Boat

Creator:: Alexander Cozens, 1717–1786
Date:: ca. 1770
Materials & Techniques:: Brushed black ink, pen and black ink, graphite, light brown ground and varnish on thin, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 x 6 1/2 inches (13 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. Coastal Scene with Wooded Cliff

Creator:: Alexander Cozens, 1717–1786
Date:: ca. 1770
Materials & Techniques:: Black ink, graphite, brown wash, gray wash, brown ground and varnish on medium, slightly textured, cream laid paper, mounted on thick, moderately textured, beige laid paper
Dimensions:: Mount: 9 7/8 x 13 5/8 inches (25.1 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. Genoa

Creator:: John Robert Cozens, 1752–1797
Date:: between 1782 and 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 x 9 3/8 inches (13 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. Descent to Pont de Beauvoisin

Creator:: John Robert Cozens, 1752–1797
Date:: between 1782 and 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 x 7 1/4in. (14 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. Mountain Landscape with Figures, Sheep and Fountain

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1785 and 1788
Materials & Techniques:: Gray wash, black wash, white wash and black chalk with varnish on medium, slightly textured, cream laid paper, laid onto wove paper
Dimensions:: Sheet: 8 1/2 x 11 7/8 inches (21.6 x 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. In the Garden of a Villa

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1780
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/4 x 6 3/8 inches (13.3 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. The Temple of Diana near Baia

Creator:: John Robert Cozens, 1752–1797
Date:: between 1782 and 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 x 6 1/2 inches (14 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Ronciglione

Creator:: John Robert Cozens, 1752–1797
Date:: between 1782 and 1783
Materials & Techniques:: Graphite, buff ground and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/4 x 7 inches (12.1 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. Convent of S. Martino and Castello di Sant' Elmo from the Mole, Naples

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 x 11 1/2 inches (16.8 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. At Portici, Evening, August 9

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 9 1/2 inches (18.7 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. A Waterfall

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1780
Materials & Techniques:: Graphite, black chalk and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 x 6 3/8 inches (22.2 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Convent at Vietri

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 7 1/2 inches (25.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. Promontory of Porto Fino

Creator:: John Robert Cozens, 1752–1797
Date:: between 1782 and 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 7 1/4 x 10 1/4 inches (18.4 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. Part of the Wall of Rome Near the Villa Medici

Creator:: John Robert Cozens, 1752–1797
Date:: between 1782 and 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 5 7/16 x 6 3/8 inches (13.8 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. Kneeling Man Trapped in Trees Reaching Out to Another Swathed in Mists

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite and varnish on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 × 12 3/8 inches (22.9 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

153. Temple Ruins

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 6 1/2 x 5 7/8 inches (16.5 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. Foxes and a Hare

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and varnish on moderately thick, moderately textured, beige card
Dimensions:: Image:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

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Materials & Techniques varnish

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101. The Church at Dixmude, West Flanders

102. Feste, as Sir Topas, addressing Malvolio

103. Juliet About to Take her Sleeping Draught

104. Lady Mortimer's Welsh Song

105. Oberon and Puck

106. Falstaff with Mistress Quickly and Bardolph

107. Diana and Actaeon

108. Scene from Don Quixote

109. Malvolio abusing Maria, Fabian and Sir Toby

110. Figure Study of a Nude Woman in a Wooded Landscape

111. Study of a Plunging Eagle

112. Fano on the Adriatic

113. Cypress in the Garden of the Franciscans at Salerno

114. Near Aiguebelle

115. From the Top of the Arena, Verona

116. Island of Nisida

117. From Mirabella, the Villa of Count Algarotti on the Euganean Hills

118. Near Raito on the Gulf of Salerno

119. The Wall of Naples near Ponte Nuovo

120. Coast of Genoa

121. At Portici

122. Wooded Landscape with Shepherd and Sheep

123. Monte Circeo from the Road between Terracina and Velletri

124. The Pagliaro in the Myrtle Plantation at Sir William Hamilton's Villa, Portici

125. Part of Padua from the Walls

126. Vietri and Raito

127. From the Inn at Terracina

128. Carriage Design: An Open Carriage, Hooper and Company, Coachbuilders

129. XLVII

130. Broken Side of the Amphitheatre at Rome

131. Curtain

132. Sketch for Whiskers

133. "The Poacher's Progress:" Poachers Before the Magistrates

134. "The Poacher's Progress:" 'Poachers Snaring Pheasants'

135. Study of Two Willows

136. A Sarcophagus Behind the Palace

137. A Sarcophagus Behind a Domed Building

138. River and Boat

139. Coastal Scene with Wooded Cliff

140. Genoa

141. Descent to Pont de Beauvoisin

142. Mountain Landscape with Figures, Sheep and Fountain

143. In the Garden of a Villa

144. The Temple of Diana near Baia

145. Ronciglione

146. Convent of S. Martino and Castello di Sant' Elmo from the Mole, Naples

147. At Portici, Evening, August 9

148. A Waterfall

149. Convent at Vietri

150. Promontory of Porto Fino

151. Part of the Wall of Rome Near the Villa Medici

152. Kneeling Man Trapped in Trees Reaching Out to Another Swathed in Mists

153. Temple Ruins

154. Foxes and a Hare