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Materials & Techniques varnish

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Guildford
Creator:
Samuel Palmer, 1805–1881
Date:
1844
Materials & Techniques:
Watercolor and gouache and scraping out with some varnish over graphite on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 7 3/8 x 10 5/8 inches (18.7 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Harlech Castle
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Watercolor, gouache, varnish, and graphite, with scraping out on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 8 5/8 x 11 5/8 inches (21.9 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Evening, Cattle Watering
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Gouache and watercolor and scraping out with varnish on card
Dimensions:
Sheet: 4 1/4 x 3 inches (10.8 x 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tintern Abbey at Sunset
Creator:
Samuel Palmer, 1805–1881
Date:
1861
Materials & Techniques:
Watercolor, gouache and varnish over graphite with scratching out on heavy card
Dimensions:
Sheet: 13 1/8 x 27 3/4 inches (33.3 x 70.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Christ Appearing to the Apostles after the Resurrection
Creator:
Print made by William Blake, 1757–1827
Date:
1795 to 1805
Materials & Techniques:
Color monotype, watercolor, pen and black ink and varnish on moderately textured wove paper
Dimensions:
Sheet: 17 x 22 1/2 inches (43.2 x 57.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Purchased 1929

6. Pity

Pity
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1795
Materials & Techniques:
Color printed monotype, with watercolor, pen and black ink, and varnish on moderately textured wove paper
Dimensions:
Sheet: 16 1/4 x 20 1/4 inches (41.3 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of a Cossack: Gregory Yellowstuff
Creator:
James Ward, 1769–1859
Date:
1814
Materials & Techniques:
Watercolor and black chalk and varnish on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 14 1/2 x 10 3/4 inches (36.8 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chamaeler Chamaeleon
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor and varnish on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 × 11 3/4 inches (19.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tournon Opposite to Teint on the Rhone
Creator:
Mary Harcourt, 1750–1833
Date:
ca. 1780
Materials & Techniques:
Brushed brown ink, brown wash, varnish and brown ground on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:
Mount: 7 3/4 x 12 1/8 inches (19.7 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Evening

Evening
Creator:
Cornelius Varley, 1781–1873
Date:
1828
Materials & Techniques:
Watercolor, graphite and varnish on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 15 3/4 inches (29.8 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Llyn Dinas, North Wales
Creator:
John Varley, 1778–1842
Date:
1839
Materials & Techniques:
Watercolor, gouache, varnish and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 x 10 3/8 inches (11.1 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lear in the Storm
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor with gouache and scraping, partially varnished on moderately thick, slightly textured, cream wove paper mounted on thick, slightly textured, peach wove paper with contemporary drawn border
Dimensions:
Contemporary drawn border: 30 1/16 x 24 15/16 inches (76.3 x 63.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Mountainous Landscape with Lake
Creator:
John Varley, 1778–1842
Date:
1840
Materials & Techniques:
Watercolor, graphite, white ground and varnish on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 8 3/4 x 13 5/8 inches (22.2 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Halfway House, Sadler's Wells
Creator:
Paul Sandby, 1731–1809
Date:
1780
Materials & Techniques:
Gouache, watercolor, pen and black ink with varnish on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 11 inches (26.7 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Boatman
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink, watercolor and varnish on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 9 1/2 inches (16.8 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905
Scene from Don Quixote
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gouache, graphite, and varnish, with scratching out; squared for transfer on moderately thick, moderately textured, beige laid paper
Dimensions:
Image: 8 3/8 × 6 3/8 inches (21.3 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"The Poacher's Progress:" Poachers Scuffling with the Constables in the Skittle Ground
Creator:
C. Blake, active 1825–1826
Date:
undated
Materials & Techniques:
Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:
Sheet: 12 11/16 × 17 5/8 inches (32.2 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"The Poacher's Progress:" Poachers Before the Magistrates
Creator:
C. Blake, active 1825–1826
Date:
undated
Materials & Techniques:
Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:
Sheet: 12 3/4 × 17 5/8 inches (32.4 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"The Poacher's Progress:" Poachers in Prison (The Pardon)
Creator:
C. Blake, active 1825–1826
Date:
undated
Materials & Techniques:
Graphite, watercolor, and varnish on very thick, rough, brown wove paper
Dimensions:
Sheet: 13 1/16 × 17 1/4 inches (33.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"The Poacher's Progress:" 'Poachers Stalking for Partridges'
Creator:
C. Blake, active 1825–1826
Date:
undated
Materials & Techniques:
Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:
Sheet: 12 1/4 × 17 1/2 inches (31.1 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"The Poacher's Progress:" 'Poachers Snaring Pheasants'
Creator:
C. Blake, active 1825–1826
Date:
undated
Materials & Techniques:
Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:
Sheet: 12 1/8 × 17 7/16 inches (30.8 × 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Church at Dixmude, West Flanders
Creator:
David Roberts, 1796–1864
Date:
ca. 1863
Materials & Techniques:
Watercolor and gouache over graphite, varnished on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 x 14 1/4in. (27.9 x 36.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coastal Scene with Wooded Cliff
Creator:
Alexander Cozens, 1717–1786
Date:
ca. 1770
Materials & Techniques:
Black ink, graphite, brown wash, gray wash, brown ground and varnish on medium, slightly textured, cream laid paper, mounted on thick, moderately textured, beige laid paper
Dimensions:
Mount: 9 7/8 x 13 5/8 inches (25.1 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of a Plunging Eagle
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Varnish over graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 14 1/2 x 13 5/8 inches (36.8 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Carriage Design: An Open Carriage, Hooper and Company, Coachbuilders
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink, watercolor, and collage on thick, smooth, white card
Dimensions:
Sheet: 5 1/8 × 9 7/8 inches (13 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wooded Landscape with Shepherd and Sheep
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1765 and 1770
Materials & Techniques:
Pen and brown ink with black and gray wash, heavily varnished on medium, slightly textured, cream laid paper, laid down on laid paper
Dimensions:
Sheet: 6 7/8 x 9 1/4 inches (17.5 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mountain Landscape with Figures, Sheep and Fountain
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1785 and 1788
Materials & Techniques:
Gray wash, black wash, white wash and black chalk with varnish on medium, slightly textured, cream laid paper, laid onto wove paper
Dimensions:
Sheet: 8 1/2 x 11 7/8 inches (21.6 x 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor and varnish on moderately thick, moderately textured, beige card
Dimensions:
Image:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund