Materials & Techniques: stipple engraving / Image Available: Available / Height [cm]: 27

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

William Finden, 1787–1852

Shepherds

1834

William Finden, 1787–1852

Lady Jane Grey

1834

William Finden, 1787–1852

An Alcove

1834

William Finden, 1787–1852

The Mask

1834

unknown artist

Portrait of Peter Paul Rubens

Between 1778 and 1834

Print made by John Corner, 1788–1825

Sir Anthony van Dyck

1825

George C. Finden, 1811–1885

A Mythological Battle

1853

Print made by Guillaume Sulpice Chevalier, 1804–1866

Intemperance

undated

James Hardy, active 1770s

Joseph Baretti

1794

Print made by Gerald Leslie Brockhurst, 1890–1978

James McBey

1931

Print made by Paulus Pontius, 1603–1658

Theodorus Vanlonius

ca. 1635

Print made by Robert van Voerst, 1597–1636

Kenelmus Digbi

ca. 1635

Print made by Francesco Bartolozzi, 1728–1815

Lovelace in Prison

1788

Attributed to Adrian Lommelin, ca. 1637–1677

Peeter Symons

ca. 1635

Print made by George Baxter, 1804–1867

George Pritchard, Her Britannic Majesty's Consul

1845

after George Baxter, 1804–1867

Prince Albert

after 1855

Print made by Charles Westwood, active 1819–1838

Hampton Court Palace

1829

Francesco Bartolozzi, 1728–1815

Rinaldo et Armida

1785

Francesco Bartolozzi, 1728–1815

Magdalen

1790

Print made by Francesco Bartolozzi, 1728–1815

Margaret, Lady Elyot

1792

Print made by Francesco Bartolozzi, 1728–1815

The Virgin

1778

Francesco Bartolozzi, 1728–1815

Venus Surrounded by Cupids

1787

Print made by Francesco Bartolozzi, 1728–1815

Francisco Vieira

undated

Print made by George Cruikshank, 1792–1878

Very Unpleasant Weather, or, the Old Saying Verified "Raining Cats, Dogs, & Pitchforks."!!!

1835

George Vertue, 1684–1756

Sir William Temple

undated

John Jones, ca. 1745–1797

The Sleeping Girl

1790

Print made by Francesco Bartolozzi, 1728–1815

Ophelia: There Is Rue for You and Here's Some for Me

1784

Edward Harding, 1755–1840

Honorable Sylvester Douglas, 1st Baron Glenbervie of Kincardine

1794

Print made by Josiah Henshall, 1806–1869

Winchelsea, Sussex

1830

Print made by Josiah Henshall, 1806–1869

Winchelsea, Sussex

1830

Print made by Paulus Pontius, 1603–1658

Gustavus Adolphus

ca. 1635

Print made by Paulus Pontius, 1603–1658

Aubertus Miræus

ca. 1635

Print made by Thomas Burke, 1749–1815

Honorable Anne Rushout

undated

Print made by Peltro W. Tomkins, 1760–1840

Mrs. Morgan and Child

1789

Print made by Thomas Watson, 1743–1781

Mrs. Wilbraham

1780

Print made by Francesco Bartolozzi, 1728–1815

Mrs. Abington as Thalia

1783

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Alexander Bannerman, ca. 1730–1780

Anthony Vandyck

undated

Print made by John Jones, ca. 1745–1797

Muscipula

1786

Print made by James Hardy, active 1770s

Edmund Burke Esqr

ca. 1780

Print made by John Jones, ca. 1745–1797

Robinetta

1787

Print made by John Jones, ca. 1745–1797

The Girl Sleeping

1790

Print made by Richard Earlom, 1743–1822

Alope

1787

Print made by Francesco Bartolozzi, 1728–1815

The Honourable Mrs. Bingham

after 1786

James Hardy, active 1770s

Joseph Baretti, Secretary for Foreign Correspondence to the Royal Academy

undated

Francesco Bartolozzi, 1728–1815

Cupid and Psyche

1789

Francesco Bartolozzi, 1728–1815

Nymphs Bathing

1783

Print made by Francesco Bartolozzi, 1728–1815

The Watercress Girl

1796

Print made by Francesco Bartolozzi, 1728–1815

The Death of Cora

1788

Print made by Francesco Bartolozzi, 1728–1815

Ophelia: There's Rue for You, and Here's Some for Me

1784

Francesco Bartolozzi, 1728–1815

Love Caressed

1783

Francesco Bartolozzi, 1728–1815

Love and Fortune

1789

Print made by Francesco Bartolozzi, 1728–1815

Tancred and Clorinda

1785

Print made by Amedeo Gabrielli, 1749–1817

Griselda Returning to her Father

after 1785

Print made by Francesco Bartolozzi, 1728–1815

Medallions of F. Hutcheson and L. Natter

1780

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Games at Vauxhall: Playing at Cricket

ca. 1743

unknown artist

Thomas Percy, Bishop of Dromore

undated

John Beugo, 1759–1841

Adam Ferguson, L.L.D

1790

Samuel Freeman, 1773–1857

David Garrick Esq

1807

Print made by Henry R. Cook, active 1802–1849

Richard Grosvenor, 1st Earl Grosvenor

1806

Print made by Isaac Cruikshank, 1764–1811

Washing the Blackamoor

1795

George Siegmund Facius, 1750–1804

West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene

1805

Print made by Paulus Pontius, 1603–1658

Henricus Steenwyck

ca. 1635

Print made by Peeter Clouwet, 1629–1670

Henricus Riche

ca. 1635

Print made by Schelte A. Bolswert, 1586–1659

Maria Ruten

ca. 1635

Print made by unknown artist

Philippus le Roy

ca. 1635

Print made by Peeter Clouwet, 1629–1670

Theodorus Rogiers

ca. 1635

Print made by Adrian Lommelin, ca. 1637–1677

D. Fredericus de Marselaer

ca. 1635

Print made by George Baxter, 1804–1867

Pomare, Queen of Tahiti

1845

Print made by Samuel Freeman, 1773–1857

Mamma at Romps

1810

William Dickinson, 1746–1823

The Puzzle for the Dog, the Puzzle for the Horse, the Puzzle for Turk, Frenchman, or, Christian

1791

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745