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Materials & Techniques stipple engraving

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Period 19th century

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Subject Terms smiling

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The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred
Creator:
Print made by George Baxter, 1804–1867
Date:
1841
Materials & Techniques:
Stipple engraving, aquatint, and etching with woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 11/16 × 12 7/8 inches (22 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Returning from the Spring. Virginia.
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 7/8 × 11 5/16 inches (15 × 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Edward Francis Finden, 1791–1857
Date:
1835
Materials & Techniques:
Etching, line engraving, and stipple engraving, with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 7/16 × 9 15/16 inches (34.2 × 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
No cover image available
Creator:
Print made by William Thomas Fry, 1789–1843
Date:
1817
Materials & Techniques:
Crayon manner and stipple engraving on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 13/16 x 12 5/16 inches (40.2 x 31.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection