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Materials & Techniques soft-ground etching

Remove constraint Materials & Techniques: soft-ground etching

Work Type intaglio print

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Width [cm] 25

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The Infant
Creator:
Print made by Henry Thomas Alken, 1785–1851
Date:
1824
Materials & Techniques:
Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 10 7/8 inches (22.8 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The School-Boy
Creator:
Print made by Henry Thomas Alken, 1785–1851
Date:
1824
Materials & Techniques:
Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 11 1/4 inches (22.6 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Justice
Creator:
Print made by Henry Thomas Alken, 1785–1851
Date:
1824
Materials & Techniques:
Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/16 × 11 1/4 inches (23 × 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Newcastle-on-Tyne
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823
Materials & Techniques:
Soft-ground etching and mezzotint; Turner's copy on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 20 1/2 inches (33.7 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Newcastle-on-Tyne
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper with chine-collé
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Corner of the Palais de Justice, Paris
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
ca. 1833
Materials & Techniques:
Soft-ground etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 5/16 x 9 3/4 inches (33.8 x 24.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Château des Comtes de Flandre, Ghent
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
ca. 1833
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/8 x 9 15/16 inches (35.3 x 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richard Cosway, R. A.
Creator:
Print made by William Daniell, 1769–1837
Date:
1811
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 15/16 x 9 13/16 inches (35.4 x 25 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cottage and Two Cows Being Milked
Creator:
Print formerly attributed to Thomas Girtin, 1775–1802
Date:
1805
Materials & Techniques:
Soft-ground etching with hand coloring on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 6 1/4 × 9 13/16 inches (15.8 × 25 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Lover

The Lover
Creator:
Print made by Henry Thomas Alken, 1785–1851
Date:
1824
Materials & Techniques:
Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/16 × 11 1/4 inches (23.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Thomas Hardwick
Creator:
Print made by William Daniell, 1769–1837
Date:
between 1802 and 1814
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 11/16 x 9 11/16 inches (32.3 x 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape with Cottages
Creator:
Print made by François Louis Thomas Francia, 1772–1839
Date:
undated
Materials & Techniques:
Soft-ground etching with gray wash and white chalk on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 7 3/8 x 9 15/16 inches (18.8 x 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Lydia Evans Tunnard
Kirkstall Abbey, on the River Aire
Creator:
Print made by James Bromley, 1801–1838
Date:
1823 to 1827
Materials & Techniques:
Mezzotint and soft ground etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kirkstall Abbey, on the River Aire
Creator:
Print made by James Bromley, 1801–1838
Date:
1823 to 1827
Materials & Techniques:
Mezzotint and soft ground etching; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 × 18 inches (31.8 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kirkstall Abbey, on the River Aire
Creator:
Print made by James Bromley, 1801–1838
Date:
1823 to 1827
Materials & Techniques:
Etching and soft ground etching; etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 1/8 × 16 3/4 inches (28.3 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection