Materials & Techniques: scraping / Collection: Prints and Drawings

1. The Avon Gorge, Looking toward Clifton

Creator:: Francis Danby, 1793–1861
Date:: ca. 1820
Materials & Techniques:: Watercolor, gouache, and graphite with scraping out on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 19 1/4 x 28 3/4 inches (48.9 x 73 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Subterranean Pool with Sculptural Torchere

Creator:: attributed to Francis Danby, 1793–1861
Date:: undated
Materials & Techniques:: Brown wash, with scraping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 9 inches (26 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Harlech Castle

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor, gouache, varnish, and graphite, with scraping out on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 8 5/8 x 11 5/8 inches (21.9 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Straw Yard

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink, with scraping, brown ink, and brown wash; touched engraver's proof (aa) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 11 1/4 inches (20.6 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Evening Gun

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Mezzotint and scraping; touched engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Plate: 7 1/2 x 9 3/16in. (19 x 23.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. A View of the Harbour at Cannes

Creator:: Edward Lear, 1812–1888
Date:: 1869
Materials & Techniques:: Watercolor, gouache, graphite and scraping out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 9/16 x 20 1/8 inches (16.7 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. A View of the Pine Woods Above Cannes

Creator:: Edward Lear, 1812–1888
Date:: 1869
Materials & Techniques:: Watercolor and gumming with pen in brown and blue ink, and scraping out, over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 6 9/16 x 20 3/16 inches (16.7 x 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. A Regency House

Creator:: George Shepheard, ca. 1770–1842
Date:: ca. 1820
Materials & Techniques:: Watercolor over graphite with scraping on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 21 inches (37.2 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Boat Building

Creator:: John Varley, 1778–1842
Date:: 1806
Materials & Techniques:: Watercolor, gum and scraping out over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 13 7/16 x 21 9/16 inches (34.2 x 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Study for The Woodman's Daughter

Creator:: Sir John Everett Millais, 1829–1896
Date:: 1849
Materials & Techniques:: Pen and gray ink, pen and black ink, gray wash, graphite and scraping on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 x 5 inches (17.8 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

11. Portrait of a Man in Armour

Creator:: Richard Cosway, 1742–1821
Date:: 1808
Materials & Techniques:: Watercolor and gouache with scraping on ivory
Dimensions:: Image: 2 7/8 x 2 3/8 inches (7.3 x 6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Portrait of a Gentleman

Creator:: Nathaniel Hone, 1718–1784
Date:: 1769
Materials & Techniques:: Gouache and watercolor with scraping on ivory
Dimensions:: Image: 1 1/2 x 1 3/16 inches (3.8 x 3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Portrait of a Gentleman

Creator:: Charles Robertson, 1759–1821
Date:: undated
Materials & Techniques:: Watercolor and gouache with scraping on ivory
Dimensions:: Image: 2 3/4 x 2 1/8 inches (7 x 5.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Welsh Coast

Creator:: John Varley, 1778–1842
Date:: 1837
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 4 1/8 x 11 5/8 inches (10.5 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. View of Rugged Coastline, Bamburgh, Northumberland

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor, graphite and scraping out on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 x 5 7/8 inches (10.2 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Interior of Milan Cathedral

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor with scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/2 × 13 1/2 inches (49.6 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Llyn Dinas, North Wales

Creator:: John Varley, 1778–1842
Date:: 1839
Materials & Techniques:: Watercolor, gouache, varnish and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/8 x 10 3/8 inches (11.1 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Alpine Landscape, possibly the Matterhorn

Creator:: William James Muller, 1812–1845
Date:: ca. 1834
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 11 1/2 inches (15.2 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. A Market Scene in Venice

Creator:: Charles Bentley, 1806–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and scraping on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 1/4 inches (19.1 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Malvolio: Possibly a Self-Portrait in the Role

Creator:: John Boyne, ca. 1750–1810
Date:: undated
Materials & Techniques:: Black and gray wash with pen and black ink, scraping, graphite, and red pencil on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 15/16 × 6 1/16 inches (22.7 × 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. River Scene with Waterfall and High Trees

Creator:: J. S. Barth, active 1797–1809
Date:: 1792
Materials & Techniques:: Watercolor and pen and black ink with scraping on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 × 14 3/4 inches (25.1 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Artist and his Family

Creator:: Adam Buck, 1759–1833
Date:: 1813
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite, with gum arabic and scraping on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 17 9/16 × 16 11/16 inches (44.6 × 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Cottage Interior

Creator:: John Burnet, 1784–1868
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 8 7/8 inches (18.4 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. In Richmond Park

Creator:: John William Inchbold, 1830–1888
Date:: 1869
Materials & Techniques:: Watercolor, gouache, and graphite, with scraping on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 9 7/8 inches (17.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Lynmouth Quay

Creator:: Robert Marris, 1750–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, black chalk and scraping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 22 1/8 inches (38.4 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Portrait of a Lady

Creator:: Ozias Humphry, 1742–1810
Date:: undated
Materials & Techniques:: Watercolor and gouache with scraping on ivory
Dimensions:: Image: 2 x 1 5/8 inches (5.1 x 4.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Battersea Bridge

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor with scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 15/16 × 19 1/2 inches (30.4 × 49.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Lear in the Storm

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor with gouache and scraping, partially varnished on moderately thick, slightly textured, cream wove paper mounted on thick, slightly textured, peach wove paper with contemporary drawn border
Dimensions:: Contemporary drawn border: 30 1/16 x 24 15/16 inches (76.3 x 63.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

29. The Mosque at Juanpore Built by Sultan Hussain Sherki | Taken in December 1789

Creator:: Thomas Daniell, 1749–1840
Date:: 1789
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 20 7/8 × 30 1/2 inches (53 × 77.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. London from the South West

Creator:: John Varley, 1778–1842
Date:: 1831
Materials & Techniques:: Watercolor and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 10 3/4 inches (15.6 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Cleopatra on the Cydnus to Meet Antony

Creator:: Alfred Edward Chalon, 1780–1860
Date:: ca. 1821
Materials & Techniques:: Brown ink with gray wash and scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/2 x 14 3/8 inches (49.6 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

32. Macbeth and Banquo on the Heath

Creator:: George Fennell Robson, 1788–1833
Date:: ca. 1830
Materials & Techniques:: Watercolor with gouache and scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 3/8 inches (19 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

33. A Yorkshire Road

Creator:: John Glover, 1767–1849
Date:: undated
Materials & Techniques:: Watercolor over graphite with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 x 7 1/4 inches (10.8 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Admiral House, Simon's Town, Cape of Good Hope

Creator:: Lt. Humphrey John Julian, active 1842–1849
Date:: 1844
Materials & Techniques:: Watercolor, gouache, and graphite, with scraping on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 × 14 inches (22.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Exeter College, Oxford

Creator:: Joseph Murray Ince, 1806–1859
Date:: 1835
Materials & Techniques:: Watercolor, gum arabic and graphite with scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 8 inches (26.7 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Thames, Early Morning, Towards St. Paul's

Creator:: John William Inchbold, 1830–1888
Date:: ca. 1849
Materials & Techniques:: Watercolor and graphite, with scraping on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 14 1/4 inches (25.7 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Moat at the Tower of London

Creator:: George Howse, 1800–1860
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite, with scraping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 13 inches (18.4 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Dutch Fishing Boats at Anchor in an Estuary

Creator:: William Joy, 1803–1867
Date:: undated
Materials & Techniques:: Watercolor with scraping and gum on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/16 x 16 1/4in. (28.7 x 41.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Dutch Fishing Boats at Anchor in an Estuary

Creator:: William Joy, 1803–1867
Date:: ca. 1850
Materials & Techniques:: Watercolor with scraping and gum on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 16 3/16in. (28.6 x 41.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. A British Frigate Dropping Anchor

Creator:: William Joy, 1803–1867
Date:: undated
Materials & Techniques:: Watercolor with scraping and gum on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 x 12 1/2in. (21.3 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Temple of Vesta, Rome

Creator:: James Holland, 1799–1870
Date:: 1849
Materials & Techniques:: Watercolor, gouache, and graphite, with scraping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 10 7/8in. (19.7 x 27.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Rock of Gibraltar from Algeciras (Spain)

Creator:: George Lothian Hall, 1825–1888
Date:: 1843
Materials & Techniques:: Watercolor, gouache, graphite and scraping out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Part of the Bay of Gibraltar, the Spanish Lines

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Watercolor and pen and brown ink over graphite with scraping out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Portrait of a Gentleman

Creator:: Hugh Douglas Hamilton, 1739–1808
Date:: undated
Materials & Techniques:: Pastel, black chalk and red chalk on moderately textured, laid paper
Dimensions:: Sheet: 9 7/8 × 7 7/8 inches (25.1 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1

Creator:: William Hamilton, 1751–1801
Date:: undated
Materials & Techniques:: Watercolor and gouache over graphite with scraping out on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 9 inches (29.8 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. Leander Taking Leave of Hero Before Swimming Back Across the Hellespont

Creator:: Attributed to William Hamilton, 1751–1801
Date:: undated
Materials & Techniques:: Watercolor, gray wash, pen and brown ink, red chalk, graphite, with scraping out on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 10 5/8 inches (35.9 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. A Picnic on Richmond Hill

Creator:: Joseph Murray Ince, 1806–1859
Date:: undated
Materials & Techniques:: Watercolor, gouache, and gum, with scraping on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 × 11 7/8 inches (22.9 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Two Riders Fording a River

Creator:: Samuel Jackson, 1794–1869
Date:: undated
Materials & Techniques:: Brown wash over graphite with scraping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 x 16 1/2 inches (31.4 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Belvoir Castle, Rutland

Creator:: William Daniell, 1769–1837
Date:: undated
Materials & Techniques:: Watercolor and graphite, with scraping on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/8 x 6 3/4 inches (11.1 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Althorp House, Northamptonshire

Creator:: William Daniell, 1769–1837
Date:: undated
Materials & Techniques:: Watercolor and graphite with scraping on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/8 x 6 7/8 inches (11.1 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Hannibal Passing the Alps

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and line engraving with graphite and scraping out; touched engraver's proof (d) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 6 inches (27.6 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. A Cat and Chickens

Creator:: Newton Limbird Smith Fielding, 1799–1856
Date:: 1833
Materials & Techniques:: Watercolor, pen and brown ink over graphite with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 1/8 inches (17.8 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. View of the Forum in Rome

Creator:: Hugh William "Grecian" Williams, 1773–1829
Date:: 1828
Materials & Techniques:: Watercolor over graphite with stopping-out, scraping out and gum on medium, smooth, white wove paper
Dimensions:: Sheet: 15 7/8 x 25 1/2 inches (40.3 x 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

54. The Dead Eagle, Oran

Creator:: Print made by William Miller, 1796–1882
Date:: 1837
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/16 × 7 3/4 inches (31.3 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Harlech Castle and Twgwyn Ferry

Creator:: John Varley, 1778–1842
Date:: 1804
Materials & Techniques:: Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Mount: 16 1/8 x 21 1/4 inches (41 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Old and New London Bridge

Creator:: Edward William Cooke, 1811–1880
Date:: undated
Materials & Techniques:: Watercolor, gouache, and scraping out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 22 7/8 inches (31.8 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Study for Tynemouth Pier - Lighting the Lamps at Sundown

Creator:: Alfred William Hunt, 1830–1896
Date:: ca. 1863
Materials & Techniques:: Brown wash with scraping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

58. Powerstock Castle

Creator:: John Piper, 1903–1992
Date:: ca. 1945
Materials & Techniques:: Watercolor, pen and black ink, brushed black ink and scraping out on moderately thick, moderately textured, white wove paper
Dimensions:: Sheet: 22 3/4 x 28 1/4 inches (57.8 x 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

59. Isola San Giulio, Lago d'Orta

Creator:: Edward John Poynter, 1836–1919
Date:: 1898
Materials & Techniques:: Watercolor with gouache on medium, slightley textured, cream wove paper
Dimensions:: Sheet: 21 1/8 x 14 3/8in. (53.7 x 36.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

60. Piano Recital

Creator:: Ceri Richards, 1903–1971
Date:: 1943
Materials & Techniques:: Watercolor, pen and black ink, pastel, scratching out and scraping out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 1/2 inches (39.7 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

61. Durrenstein, Rhein

Creator:: Astan Blagg
Date:: undated
Materials & Techniques:: Watercolor, gouache and scraping on thick, moderately textured, white wove paper
Dimensions:: Sheet: 7 1/2 × 18 inches (19.1 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

62. Scarborough

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Mezzotint, with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 13 1/2 inches (27.9 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Lands-end, Cornwall

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink and scraping on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 3/8 x 9 1/2 inches (16.2 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Circle Enclosed

Creator:: Alastair Morton, 1910–1963
Date:: ca. 1941
Materials & Techniques:: Gouache, crayon, graphite, and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 20 inches (35.6 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

65. Landscape in Wales with Castle, Lake, and Rocky Foreground

Creator:: pupil of John Varley, 1778–1842
Date:: 1815
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 18 1/4 inches (17.8 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Clovelly, North Devon

Creator:: William Turner of Oxford, 1789–1862
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 29 1/4 x 44 1/2 inches (74.3 x 113 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Dumbarton Rock and Castle

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1793
Materials & Techniques:: Watercolor with pen and black ink and scraping over graphite on medium, slightly textured, cream wove paper, pasted on thick, slightly textured, beige wove paper
Dimensions:: Mount: 8 13/16 x 11 3/4 inches (22.4 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Chapel Church, Surrey

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1799
Materials & Techniques:: Watercolor, gouache and scraping over graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 12 1/4 x 16 inches (31.1 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Rope Bridge, near the Light House, Holyhead

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink and scraping out on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Worms-head, in Tenby-bay

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink and scraping out on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 3/8 x 9 1/4 inches (16.2 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The Light-house on Point of Air, Flintshire

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with black ink and scraping on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Fishing Vessels in a Heavy Swell off the Coast

Creator:: George William Crawford Chambers, 1830–ca. 1900
Date:: 1857
Materials & Techniques:: Watercolor over graphite with scraping out on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 x 14 1/4 inches (24.1 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

73. Ripon Minster, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: 1800
Materials & Techniques:: Watercolor with pen and black and brown ink and scraping over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 10 13/16 x 17 3/16 inches (27.5 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. St. Julian's, Tours

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof (c) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Tours

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Line engraving, and graphite, with, sscraping (Touched Proof a) on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 7 1/4 × 10 5/8 inches (18.4 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Trees in a Landscape

Creator:: Charles Reginald Aston, 1832–1908
Date:: ca. 1842 - 1980
Materials & Techniques:: Watercolor with scraping out on moderately thick, moderately textured, cream wove paper
Dimensions:: Frame: 18 1/2 × 25 1/2 × 1 inches (47 × 64.8 × 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert and Pauline Knoll

77. Ruins of a Monastery with Farmyard Animals

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor over graphite with gouache and scraping on thick, slightly textured, beige card
Dimensions:: Sheet: 15 15/16 × 21 1/4 inches (40.5 × 53.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. XIII

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Sugarlift etching, openbite, scraping and polishing on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

79. XXXI

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Spitbite etching, then openbite achieved by scraping through stopout varnish on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

80. XXXIX

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Hardground etching, aquatint, openbite, drypoint scraping, burnishing, and polishing on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

81. XLIII

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Openbite etching, hardground, 5 sugarlifts, creeping aquatint bite, scraping, burnishing, and drypoint on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

82. L

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Hardground etching, burnishing, scraping, openbite over whole surface, openbite through litho crayon, drypoint, sugarlift, and deep, ten-hour hardground bite on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

83. The Three Witches from Macbeth: Double, Double, Toil and Trouble

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 20 3/4 x 24 3/16 inches (52.7 x 61.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Lady Macbeth, Sleepwalking

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with black ink, scraping, and gouache over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 21 1/16 x 14 1/2 inches (53.5 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Ferdinand and Ariel

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor and graphite, with scraping on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 13/16 x 11 1/4 inches (35.1 x 28.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Ophelia's Death

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with gouache, black ink, and scraping over graphite on moderately thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, beige laid paper with reminants of contemporary drawn border
Dimensions:: Mount: 22 9/16 x 17 13/16 inches (57.3 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Lady Percy Watching the Sleeping Hotspur

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured cream laid paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 24 x 19 1/8 inches (61 x 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Prospero and Miranda

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with gouache, black ink, and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 25 11/16 x 18 3/4 inches (65.2 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Lear and Cordelia

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on thick, textured, beige card with contemporary drawn border
Dimensions:: Mount: 22 11/16 x 17 13/16 inches (57.7 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Lear and Cordelia

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 22 15/16 x 17 1/4 inches (58.3 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Three Witches from Macbeth: Though the Bark Cannot be Lost...

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor and graphite, with scraping on moderately thick, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 11/16 × 11 5/16 inches (29.7 × 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Apparition of the Armed Head: Macbeth

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor, pen and black ink, and graphite, with scraping on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 16 × 13 inches (40.6 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Imogen in the Cave, 'Cymbeline', Act III, Scene VI

Creator:: Mary Hoare, 1744–1820
Date:: 1782
Materials & Techniques:: Watercolor and graphite with pen and black ink on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 23 1/16 x 18 5/16 inches (58.5 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II

Creator:: Mary Hoare, 1744–1820
Date:: 1780
Materials & Techniques:: Watercolor with brown ink and scraping over graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border
Dimensions:: Mount: 14 5/8 x 16 9/16 inches (37.1 x 42 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Antigonus Disposing of Perdita

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with brown and black ink and scraping over graphite on thick, textured, cream laid paper mounted on thick, textured, beige card with additional inscribed sheet mounted lower center
Dimensions:: Mount: 23 1/16 x 18 5/8 inches (58.5 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with brown ink and scraping over graphite on thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border
Dimensions:: Mount: 27 5/16 x 21 7/16 inches (69.3 x 54.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Two Gentlemen Talking to a Seated Lady

Creator:: Sir John Everett Millais, 1829–1896
Date:: undated
Materials & Techniques:: Pen and gray ink and scraping on thin, smooth, cream wove paper
Dimensions:: Sheet: 9 1/8 x 7 1/4 inches (23.2 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. V. Plummer's Residence, Interior

Creator:: Michel Jean Cazabon, 1813–1888
Date:: ca. 1850
Materials & Techniques:: Watercolor, gouache, and scraping out
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Purinton Family, in memory of our mother Katherine Rowley Purinton Tuttle and our ancestors

99. Dover Pier

Creator:: Joshua Cristall, 1768–1847
Date:: ca. 1807
Materials & Techniques:: Watercolor with scraping over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/16 x 16 3/16 inches (31.2 x 41.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. XLVIII

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Softground etching, openbite, sugarlift, scraping and burnishing on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

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Materials & Techniques scraping

Collection Prints and Drawings

Search Results

1. The Avon Gorge, Looking toward Clifton

2. Subterranean Pool with Sculptural Torchere

3. Harlech Castle

4. The Straw Yard

5. The Evening Gun

6. A View of the Harbour at Cannes

7. A View of the Pine Woods Above Cannes

8. A Regency House

9. Boat Building

10. Study for The Woodman's Daughter

11. Portrait of a Man in Armour

12. Portrait of a Gentleman

13. Portrait of a Gentleman

14. The Welsh Coast

15. View of Rugged Coastline, Bamburgh, Northumberland

16. Interior of Milan Cathedral

17. Llyn Dinas, North Wales

18. Alpine Landscape, possibly the Matterhorn

19. A Market Scene in Venice

20. Malvolio: Possibly a Self-Portrait in the Role

21. River Scene with Waterfall and High Trees

22. The Artist and his Family

23. Cottage Interior

24. In Richmond Park

25. Lynmouth Quay

26. Portrait of a Lady

27. Battersea Bridge

28. Lear in the Storm

29. The Mosque at Juanpore Built by Sultan Hussain Sherki | Taken in December 1789

30. London from the South West

31. Cleopatra on the Cydnus to Meet Antony

32. Macbeth and Banquo on the Heath

33. A Yorkshire Road

34. The Admiral House, Simon's Town, Cape of Good Hope

35. Exeter College, Oxford

36. The Thames, Early Morning, Towards St. Paul's

37. Moat at the Tower of London

38. Dutch Fishing Boats at Anchor in an Estuary

39. Dutch Fishing Boats at Anchor in an Estuary

40. A British Frigate Dropping Anchor

41. The Temple of Vesta, Rome

42. The Rock of Gibraltar from Algeciras (Spain)

43. Part of the Bay of Gibraltar, the Spanish Lines

44. Portrait of a Gentleman

45. Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1

46. Leander Taking Leave of Hero Before Swimming Back Across the Hellespont

47. A Picnic on Richmond Hill

48. Two Riders Fording a River

49. Belvoir Castle, Rutland

50. Althorp House, Northamptonshire

51. Hannibal Passing the Alps

52. A Cat and Chickens

53. View of the Forum in Rome

54. The Dead Eagle, Oran

55. Harlech Castle and Twgwyn Ferry

56. Old and New London Bridge

57. Study for Tynemouth Pier - Lighting the Lamps at Sundown

58. Powerstock Castle

59. Isola San Giulio, Lago d'Orta

60. Piano Recital

61. Durrenstein, Rhein

62. Scarborough

63. The Lands-end, Cornwall

64. Circle Enclosed

65. Landscape in Wales with Castle, Lake, and Rocky Foreground

66. Clovelly, North Devon

67. Dumbarton Rock and Castle

68. Chapel Church, Surrey

69. The Rope Bridge, near the Light House, Holyhead

70. The Worms-head, in Tenby-bay

71. The Light-house on Point of Air, Flintshire

72. Fishing Vessels in a Heavy Swell off the Coast

73. Ripon Minster, Yorkshire

74. St. Julian's, Tours